Sentences with phrase «recent works by artists who»

Taking as a starting point Alice Neel's prophetic 1936 painting, Nazis Murder Jews, which depicts a Communist party torchlight parade through the streets of New York City, the exhibition presents historical works in addition to new and recent works by artists who address issues including migration, censorship, struggles for equality and democracy.

On from 10 May to 21 July 2018, the exhibition displays both historical and more recent works by artists who have worked within the legacy of the historical movement into the 21st century, and presenting both an homage and ongoing outlook to the visionary spirit of Denise René.

Mariela curated New Art: South Florida, an exhibition that presents recent works by artists who were awarded the 2015 South Florida Cultural Consortium Visual and Media Artist Fellowship.

The show brings works from the 1960s and 1970s by the British Constructionist and Systems Group together with more recent works by artists who currently draw upon this tradition.

Not exact matches

Gorgeously photographed, and with a minimalist score by Fred Frith, Leaning Into the Wind offers viewers a welcome chance to consider the work of an artist who defies the recent commodification cult to embrace the ephemeral and the nominally «worthless.»

In the exhibition, 23 - year - old Chicago artist Darius Airo's bright, poppy paintings will be displayed near classics by the influential painter Ed Paschke, and whimsical semi-figurative works by the recent School of the Art Institute of Chicago M.F.A. graduate Jenn Smith will share space with those of Hairy Who founding member Jim Nutt.

The exhibition features recent videos by acclaimed international artists who use their work to explore the spectacle of nature and the sense of cosmic stupor that captures humans when faced with the sublime vastness of our planet.

Currently on display are works by prominent DC - based artist Linn Meyers, who has been commissioned in the recent past by The Phillips Collection, as well as William Kentridge (South Africa) and Oleg Kudryashov (Russia), two of the most significant living printmakers who were exhibited together at The Kreeger Museum in 2009.

Its stated aim is to «exhibit diverse work of the highest quality, often by established international artists, or those from the recent past, who have somehow escaped London's attention.»

Curator Gary Garrels worked with six abstract painters — Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher Wool — to select one of their own recent paintings as well as works by other artists who have influenced their thinking.

But, since the Berlin wall came down, the city has exerted a magnetic pull on British artists, especially those whose work is unconfined by language (though rising film star Sam Riley, who stars in the recent film adaptation of Brighton Rock, is a Berlin resident).

The atmospheric townhouse was designed by Soane himself, and houses an impressive collection of Egyptian, Greek, and Roman antiquities — ancient works, yes, but ones that have proven an inspiration to contemporary artists like Fiona Tan, who made a haunting recent film about the museum, and others.

The anniversary exhibition will feature works by Tinney Contemporary artists who have been with the gallery since the beginning as well as recent additions including Andy Harding, Anna Jaap, Béatrice Coron, Carla Ciuffo, Patricia Bellan - Gillen, Claire B. Cotts, Eduardo Terranova, James Perrin, Jane Braddock, Jason Craighead, John Folsom, Kuzana Ogg, Martica Griffin, Mary Long, Peri Schwartz, Sisavanh Phouthavong, Stefany Hemming, and Tom Brydelsky.

It ranges from the NMWA's women only collection and exhibition - programme to an entire wing of the Brooklyn Museum being dedicated to feminist art; there's also The Metropolitan Museum of Art's decision to show work by lesser - known artists like Helen Torr and Elizabeth Catlett that has never been on view in «Reimagining Modernism: 1900 — 1950» (the rehang of their modern art collection); and there's the recent acquisition by the Tate of a painting by Mary Beale, who is regarded as Britain's first professional female artist.

The first exhibition, Double Crescent: Art from Istanbul and New Orleans, features recent works by artists from New Orleans and Istanbul, both emerging and established, who are recognized locally for their originality and perseverance.

This exhibition explores recent work by Los Angeles artists who reinvent watercolor by tackling new subject matter and by moving the medium into new formal territory.

The Cuban - born American artist, who turned 101 this year, has been painting since the 1950s but her reputation has grown in recent years: she sold her first painting in 2004 and her work has been acquired by MoMA and Tate Modern.

The Artist as Activist: Tayeba Begum Lipi and Mahbubur Rahman joins other exhibitions at the Broad MSU examining work by living artists from the U.S. and around the globe who are addressing a range of social and political issues through their practice — including recent exhibitions of South Asian artists Naiza Khan, Imran Qureshi, and Mithu Sen.

Goodman Gallery Johannesburg is pleased to present new and recent work by Moshekwa Langa, an artist and visual anthropologist who works with installation, drawing, video and sculpture.

Other works in the exhibition include Jorge Pardo's handcrafted wooden palette and modernist designed furniture that question the nature of the aesthetic experience; pioneering conceptual artist Joseph Kosuth's discourse on aesthetics in neon, An Object Self - Defined, 1966; Rachel Lachowicz's 1992 row of urinals cast in red lipstick, which delivers a feminist critique of Duchamp's readymade; Richard Pettibone's paintings of photographs of Fountain; Richard Phillips» recent paintings based on Gerhard Richter's highly valued work; Miami artist Tom Scicluna's neon sign, «Interest in Aesthetics,» a critique of the use of aesthetics in Fort Lauderdale's ordinance on homelessness; the French collaborative Claire Fontaine's lightbox highlighting Duchamp's critical comments about art juries; Corey Arcangel's video Apple Garage Band Auto Tune Demonstration, 2007, which tweaks the concept of aesthetics in the digital age; Bernd and Hilla Becher's photographs, Four Water Towers, 1980, that reveal the potential for aesthetic choices within the same typological structures; and works by Elad Lassry and Steven Baldi, who explore the aesthetic history of photography.

The biennial showcases recent works of local and international artists who have been influenced by the cultures and artistic traditions of Mexico and Central and South America.

In this exhibition six contemporary abstract painters — Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher Wool — were asked to select one or two of their recent paintings to be shown alongside works by other artists who have had a significant impact on their thinking and the development of their practice.

In addition to the four main gallery exhibitions, the organizing institutions will host a series of panels, performances, and events in conjunction with this year's biennial.The biennial will showcase recent works of local and international artists who have been influenced by the cultures and artistic traditions of Mexico and Central and South America.

«Air Mail Stickers» will now be in the opening exhibition, along with other recent acquisitions by artists who are not American by birth but have resided here, including «July 4, 1967,» the Whitney's first work by the Japan - born conceptualist On Kawara, or «Blanco y Verde,» an abstract painting from 1959 by Carmen Herrera, the 99 - year - old Cuban - born artist, who now resides in Manhattan.

The exhibition will feature recent work by contemporary artists who use the moving image as a versatile tool for both documenting and questioning reality, including Zineb Sedira's fourteen screen installation Floating Coffins 2009 and Steve McQueen's Static 2009, which probes ideas of freedom and migration through the potent symbol of the Statue of Liberty.

What / Why: «Presented at a time when the compulsion to digitally document and share human activity has increased exponentially, this exhibition features works from deCordova's permanent collection that prefigure and inform current trends in social photography, as well as recent work by contemporary artists who utilize smartphones and social media to record the world around them.

But his question wasn't wrong per se — it just didn't have much to do with the achievement of his exhibition, which takes a more interesting, less expected tack: Garrels asked six abstract painters working in the United States to «select one or two of their own recent paintings to be shown with works by other artists who have had a significant impact on their thinking and the development of their own work.»

The relatively recent international success of Colombian artist Doris Salcedo, who has been exhibiting since the mid-1980s, seems to have led her in a reflexive direction: Increasingly embraced by institutions, she has gradually dedicated her work to exploring the repressed violence and power of institutions.

The survey is the largest presentation of the artist's work in the United States, reflecting an artist who was largely overlooked by institutions during her life, yet has garnered a cult - like following in recent years.

It will showcase these recent acquisitions and works by many of the artists who are part of MOCA's history.

The profile of artists working in moving image has been elevated in recent years by those who've made the leap into cinema — Steve McQueen, Sam Taylor - Wood, Gillian Wearing — and those taking over leading gallery spaces — Tacita Dean at Tate Modern, Pipilotti Rist at The Hayward.

Recent years have seen vast new spaces opened on or near Highland Avenue by Regen Projects — with 20,000 square feet of exhibition space for such local superstars as Doug Aitken, Raymond Pettibon, Lari Pittman, and James Welling — and Perry Rubenstein, who built a 10,000 - square - foot site for work by such artists as Candice Breitz, Zoe Crosher, Georg Herold, and Alex Katz.

In his recent works, the artist has painted portraits of artists, painters and writers, who influenced him, by splitting their faces.

This exhibition of recent works draws from the creativity of fifteen artists who have participated in juried exhibitions offered by the Foundry Art Centre in the past three years.

The exhibition features new and recent works by five New York - based contemporary artists who draw upon Ellsworth Kelly's enduring legacy.

Two academics carried out an analysis of arts reviews of recent UK exhibitions of the work of four artists who died by suicide: Van Gogh, Mark Rothko, Ernst Ludwig Kirchner and Arshile Gorky.

July 8 - 31, 2009 In «Portraits,» American Artist - in - Residence Rudy Shepherd presents a series of recent works that challenge and transcend traditional notions of who and what is a worthy subject of high - art portraiture, e.g., criminals, anonymous Taliban members, black heroes, or houses.The painted portraits in Shepherd's «Criminal / Victim» series from 2009 depict both perpetrators and victims of the same crime side - by - side, visually blurring the line between innocence and guilt.

The more recent work in the retrospective — organized by Anne Ellegood, senior curator of the Hammer Museum, and installed by Elisabeth Sussman and Laura Phipps at the Whitney — includes homages to nonnative artists who have influenced him, among them Alexander Calder and David Hammons.

The French artist Pierre Huyghe, who has stretched the concept of sculpture's stability in recent years by making work with decidedly unstable elements like bees, spiders, horseshoe crabs and artificial snowstorms, has won the Nasher Prize, an award created by the Nasher Sculpture Center in Dallas to draw attention to the work of the most influential contemporary sculptors.

On view from September 13 through December 23, 2017, Speech / Acts brings together recent work and new commissions by six artists: Jibade - Khalil Huffman, Steffani Jemison, Tony Lewis, Tiona Nekkia McClodden, Kameelah Janan Rasheed, and Martine Syms, who reflect upon experiences growing up through the social upheavals of the 1990s and draw on the current sociopolitical climate and the preceding Black Arts Movement in their work.

Color Aid presents recent work by five artists who forefront color as a central ingredient in their work, exploring in various formats its potent transformative power.

In «Portraits,» American Artist - in - Residence Rudy Shepherd presents a series of recent works that challenge and transcend traditional notions of who and what is a worthy subject of high - art portraiture, e.g., criminals, anonymous Taliban members, black heroes, or houses.The painted portraits in Shepherd's «Criminal / Victim» series from 2009 depict both perpetrators and victims of the same crime side - by - side, visually blurring the line between innocence and guilt.

Opening: Andrea Fraser at the Whitney Museum It's not every day we get a new piece by Andrea Fraser, the artist who may have coined the term «institutional critique» and who, in recent years, has worked somewhat sporadically.

The artists who run for PIPA, are chosen by the members of the Nominating Committee 2014, which this year was composed by 31 art experts.Each Committee member appointed up to 3 artists, having in mind PIPA's goal of rewarding artists with recent trajectory, with work already in evidence, consistent and promising.

This solo exhibition features paintings and recent photo - works by Green Mountain High School teacher and artist Joe Fretz who will be retiring this year after 16 years teaching.

Dad displays recent work by Danish artist Jakob S. Boeskov, who uses filmmaking, drawing, sculpture, and performance to expose complex social issues such as male behavior, war, politics, biotechnology, and globalization.

Opening in February, The Blanton will present a major exhibition of recent works in all media by an international roster of contemporary artists who have investigated notions of desire.

This invitational exhibition highlights recent work by feminist artists who were active in the Twin Cities in the 1970s and «80s as well as artists who self - identify as «third - wave» feminists.

It was at the Musée d'art Moderne de la ville de Paris that the New York dealer Fergus McCaffrey (who has made his mark on the recent international landscape by showing artists such as Sigmar Polke and activists from the Japanese Gutaï movement) discovered the true breadth of her work.

Solid on Our Source Planet includes work by a group of artists who took part in a recent Escalator residential retreat at Wysing: Annabelle Craven - Jones, Mat Do, Clare Gasson, Claire Hope, Glen Jamieson, Kit Poulson, Kari Rittenbach, Florian Roithmayr and Alan Stanners.