He has organized both large survey exhibitions and projects developed with individual artists and was most
recently head curator of the Manifesta 9 Biennial in Belgium.»
Not exact matches
Prior to his tenure at Hood, Taylor spent his career at the Philadelphia Museum of Art from 1997 until 2011, most
recently as the Muriel and Philip Berman
Curator of Modern Art and
Head of the Department of Modern and Contemporary Art.
FRANKLIN SIRMANS
Curator Franklin Sirmans served as
head of contemporary art at the Menil Collection in Houston and the Los Angeles County Museum of Art (LACMA), most
recently, before being appointed director of the Perez Art Museum in Miami (PAMM) in September.
Until
recently, he was Co-director of Proyectos Ultravioleta, a multifaceted platform for experimentation in contemporary art in Guatemala City and
Curator /
Head of Visual Arts at the Centro Cultural de España in Guatemala.
Mark Nash is an independent
curator and writer, and, until
recently, Professor and
Head of Department, Curating Contemporary Art at the Royal College of Art, London.
In addition to contributions by the directors of the Museum Ludwig and ARoS — Yilmaz Dziewior and Erlend G. Høyersten — the authors include Tom Holert, distinguished German art historian, taking an in - depth look at Rosenquist's unique spatiality; Stephan Diederich,
curator and specialist at Museum Ludwig, giving a review of the themes in the exhibition; Sarah Bancroft, art historian,
curator, and Rosenquist expert who co-curated the 2003 Guggenheim Museum Rosenquist retrospective (and current
head of the Rosenquist Foundation and the studio) illuminates Rosenquist's seminal source collages; Tino Grass, German designer and researcher, revealing new perspectives on Rosenquist's historic work F - 111; Isabel Gebhardt, Museum Ludwig conservator, outlining the intensive research efforts and conservation work
recently undertaken on Horse Blinders; and Tim Griffin, former editor - in - chief of the esteemed American art journal Artforum, discussing the political potential of Pop art as exemplified by a work James Rosenquist created for one of the magazine's issues.
(Barron, a LACMA
curator, was
recently appointed acting
head of the department.)
The Cézanne sale actually took place in 2011, and details of the secret deal are now coming out as a slew of V.I.P. collectors,
curators, and dealers
head to Qatar for the opening next week of a Takashi Murakami blockbuster that was
recently on view in the Palace of Versailles.
Titled «Rock, Paper, Scissors: Positions in Play» and curated by Hammad Nasar, a
curator and writer, and most
recently served as
Head of Research and Programmes at Asia Art Archive, Hong Kong (2012 - 2016), this exhibition will explore a strand of artistic practice in the UAE through the analogy of play.