Sentences with phrase «recently at the art gallery»

Speaking recently at the Art Gallery of Ontario in Toronto, Thomas Ruff said he used to «really believe that photography captured reality.»

Not exact matches

Recently, my friends and I met at one of the galleries to hang out and experience this amazing art district.

The artwork featured in this piece was recently featured at the Anne Neilson Fine Art Gallery in Charlotte, NC.

An auction of concept art from Final Fantasy 10 and 10 - 2, recently exhibited at a Los Angeles - area gallery, has contributed $ 40,000 to help children's relief efforts in the Phillippines, still...

Art students from across the Edgecombe County Public Schools district were recently honored at the Central Services Art Gallery Reception held in the Mobley Atrium at Edgecombe Community College.

I recently returned to the City of Roses after a stint in the Big Apple, and although I was technically there to see my client's film screen at the Museum of Modern Art, I also wanted to see how the galleries in one of the world's premiere art cities use (or don't use) social media to connect -LSB-.Art, I also wanted to see how the galleries in one of the world's premiere art cities use (or don't use) social media to connect -LSB-.art cities use (or don't use) social media to connect -LSB-...]

Sherald has received wide acclaim recently for her portraits of black Americans, and was chosen last year to paint Michelle Obama's portrait, which will be unveiled on Monday at the National Portrait Gallery in Washington, D.C.; Sherald's first solo museum show will follow at the Contemporary Art Museum, St. Louis this coming May.

I recently returned to the City of Roses after a stint in the Big Apple, and although I was technically there to see my client's film screen at the Museum of Modern Art, I also wanted to see how the galleries in one of the world's premiere art cities use (or don't use) social media to connect with their artists, customers, and communitiArt, I also wanted to see how the galleries in one of the world's premiere art cities use (or don't use) social media to connect with their artists, customers, and communitiart cities use (or don't use) social media to connect with their artists, customers, and communities.

His fellow panelists will be Tara Donovan, who has shown work at Pace Gallery and, more recently, the Parrish Art Museum; Kate Gilmore, who just won $ 200,000 at ArtPrize; Leonardo Drew, who has shown at Sikkema Jenkins & Co.; and Jonathan T.D. Neil, the director of the Sotheby's Institute of Art.

Living in Los Angeles since completing her master's degree at Art Center College of Design in 1994, she has exhibited most recently at White Columns, New York (curated by Matthew Higgs), Margo Leavin Gallery, Los Angeles, Socrates Sculpture Park, Long Island City.

She recently exhibited in New York City at the Armory Show at Salomon Arts Gallery, in a two - person show at One Art Space, and in a two - person exhibition at Shchukin Gallery.

This new show spans two galleries: the usual Chelsea space and another in Bushwick, which the gallery recently opened to some fanfare and confusion — the latest sign of an apparently booming interest in contemporary art at large.

His work has recently been exhibited at Halle Für Kunst, Lüneburg; MIT List Visual Arts Center, Cambridge, MA; the Portland Institute of Contemporary Art; and Karma, Zurich; Audio Visual Arts, New York; Taka Ishii Gallery, Tokyo; CAC Brétigny and the Showroom, London.

LM: Recently, I had the pleasure of viewing your paintings at the Richard Heller Gallery booth during the Untitled Miami Art Fair.

Recently Giordanne's work has been included in shows at James Cohan Gallery in NYC, David and Schweitzer Contemporary in Brooklyn, NY, Monya Rowe Gallery in St. Augustine, FL, and Steven Harvey Fine Art Projects in NYC.

NEW YORK — Diane Simpson's solo exhibition at JTT Gallery recently reviewed by Jerry Saltz for New York Magazine, Lumi Tam for Artforum, Andrew Russeth for Gallerist NY, Holland Cotter for the New York Times, and by Art in America.

While at the San Francisco Art Institute, she was awarded the Graduate Merit Fellowship Award and was the recipient of The Headlands Center for the Arts MFA Residency Award, more recently her work was included in «Text & Image» at the Site: Brooklyn Gallery and in the c2c group show «wording» in San Francisco.

More recently, they were the subject of an exhibition in 2011 at Art Projects International, the New York gallery that currently represents Thomas.

Her work has been exhibited internationally most recently at the Queens Museum, Spring Break Art Fair, and Fridman Gallery (New York); NY, Hermitage Museum (St. Petersburg, Russia); and the Sydney College of Art (Sydney, Australia).

Ronit most recently had work on view at the Gross Anatomies show at the Akron Art Museum, and is also a contruting artist to the Small Works 2017 with beinArt Gallery through August.

Her work has been most recently exhibited at NADA Art Fair 2014, GAVLAK Palm Beach 2013, John Tevis Gallery in Paris 2012, and Haunch of Venison in New York 2012.

Robert Mapplethorpe is currently the subject of a major touring retrospective The Perfect Medium, which opened at the J. Paul Getty Museum and Los Angeles County Museum of Art (LACMA), Los Angeles in 2016, has recently toured to Montreal Museum of Fine Arts, Canada and will next be shown at the Art Gallery of New South Wales, Sydney, Australia (October 2017 - February 2018).

Simultaneously featured in the new Maine Center for Contemporary Art's 2016 Biennial, Carly Glovinski is the 2016 recipient of an Artist Advancement Grant from the New Hampshire Charitable Foundation, recently did a residency at the Studios at MASS MoCA, and has a solo exhibition at Carroll and Sons Gallery in Boston this winter.

In addition to this, Jarvis has independently curated and consulted on many fine art exhibitions including: The Amistad Center for Art and Culture's Double Exposure: African Americans Before and Behind the Camera five - city traveling exhibition (2007 - 2010); Black Abstraction at Harmony Hall Regional Art Gallery in Fort Washington, MD for the group Black Artists of DC (2011); GA Gardner: Interconnections at the Athenaeum in Virginia (2012); (in) Visible and (dis) Embodied: Repositioning the Marginalized as part of the Curatorial Initiative program at the District of Columbia Arts Center (2014) all in Washington, DC; and most recently, Of Present Bodies at the Arlington Arts Center, VA (201art exhibitions including: The Amistad Center for Art and Culture's Double Exposure: African Americans Before and Behind the Camera five - city traveling exhibition (2007 - 2010); Black Abstraction at Harmony Hall Regional Art Gallery in Fort Washington, MD for the group Black Artists of DC (2011); GA Gardner: Interconnections at the Athenaeum in Virginia (2012); (in) Visible and (dis) Embodied: Repositioning the Marginalized as part of the Curatorial Initiative program at the District of Columbia Arts Center (2014) all in Washington, DC; and most recently, Of Present Bodies at the Arlington Arts Center, VA (201Art and Culture's Double Exposure: African Americans Before and Behind the Camera five - city traveling exhibition (2007 - 2010); Black Abstraction at Harmony Hall Regional Art Gallery in Fort Washington, MD for the group Black Artists of DC (2011); GA Gardner: Interconnections at the Athenaeum in Virginia (2012); (in) Visible and (dis) Embodied: Repositioning the Marginalized as part of the Curatorial Initiative program at the District of Columbia Arts Center (2014) all in Washington, DC; and most recently, Of Present Bodies at the Arlington Arts Center, VA (201Art Gallery in Fort Washington, MD for the group Black Artists of DC (2011); GA Gardner: Interconnections at the Athenaeum in Virginia (2012); (in) Visible and (dis) Embodied: Repositioning the Marginalized as part of the Curatorial Initiative program at the District of Columbia Arts Center (2014) all in Washington, DC; and most recently, Of Present Bodies at the Arlington Arts Center, VA (2014).

Jennifer Steinkamp recently opened a retrospective of her work at the San Jose Museum of Contemporary Art in August 2006, which will then travel to the Kemper Museum of Art, Kansas City and the Albright - Knox Gallery, Buffalo.

Subsequent exhibitions include shows at Mary Boone Gallery, Manhattan; Fred Hoffman Gallery, Santa Monica, California; Mario Diacono Gallery, Boston; Jay Gorney Modern Art, Manhattan; and recently at Eleven Rivington, Manhattan.

Recent shows include Death's Boutique at the Yerba Buena Center for the Arts, San Francisco; Mixed Signals, a traveling exhibition organized by ICI (Independent Curators International); This is Killing Me, a group exhibition at MASS MoCA; a solo show at Simon Preston Gallery, New York; and most recently, Despair Beyond Despair, a solo project at LAXART, Los Angeles.

These works will be united for the first time at the recently re-opened the Whitworth art gallery.

Her work has most recently been exhibited at Ballroom Marfa, Marfa, TX; Winkleman Gallery, New York, NY; Flag Art Foundation, New York, NY; John Michael Kohler Arts Center, Sheboygan, WI; Museum Brandhorst, Munich, Germany; and The Teaching Gallery at Hudson Valley Community College, Troy, NY.

Both DMA and Amon Carter have mounted major shows of Texas art over the past few years — Julian Onderdonk, Loren Mozley, and the current and timely «Alexandre Hogue: The Erosion Series» at DMA; and at the Carter, «Intimate Modernism: Fort Worth Circle Artists in the 1940s in 2008,» and more recently an ongoing gallery devoted to «Texas Regionalism,» soon to be replaced by «Lone Star Portraits.»

She has performed and exhibited internationally, and recently received commissions through residencies at ISSUE Project Room, EMPAC (Experimental Media and Performing Arts Center, RPI), and The Clocktower Gallery.

Team Gallery from LA took part at the recently held Art Basel in Hong Kong with their 64th, and final, art fair appearanArt Basel in Hong Kong with their 64th, and final, art fair appearanart fair appearance.

Recently she has participated in group exhibitions at the Sirius Arts Centre in Cork, Format Festival in Derby, Belfast Photo Festival and The Photographers» Gallery in London, and has held solo exhibitions at Belfast Exposed and at Seen Fifteen in London.

As many of our longtime VIPs do, I would invest in one of the many talented «up - and - comers» who have shown at VOLTA throughout the years, most recently such as Lavar Munroe (VOLTA NY 2015 with NOMAD Gallery, Brussels), who is participating in the Main Pavilion «All the World's Futures» at this year's Venice Biennale, or Tiffany Chung (VOLTA11 with Tyler Rollins Fine Art, New York) who joins Lavar in the Main Pavilion group exhibition.

His work has been nationally and internationally exhibited most recently at Center for Art and Media, (ZKM) in Karlsruhe, Germany, The Lianzhou Photography Festival in China, and with Klaus von Nichtssagend Gallery in New York City.

Most recently she has exhibited at the National Gallery of Ireland, RHA Dublin and VISUAL Center for Contemporary Art, Carlow.

Pace will publish a catalogue to accompany the exhibition, with an essay by Marla Prather, former curator at the National Gallery of Art, the Whitney Museum of American Art, Tate Modern, and most recently Senior Consultant at the Metropolitan Museum of Art.

An art review on Friday about the contemporary art museum MASS MoCA, which recently expanded its gallery space, misstated the frequency of a residency by the band Wilco at the museum, where popular music events are also held.

In London, Adjaye Associates recently designed the Marian Goodman Gallery space (2014), while in the US, the firm delivered a museum for contemporary art in Denver (2007) and the Ethelbert Cooper Gallery of African & African American Art at Harvard's Hutchins Center (2014)-- for which Adjaye co-curated the inaugural exhibitiart in Denver (2007) and the Ethelbert Cooper Gallery of African & African American Art at Harvard's Hutchins Center (2014)-- for which Adjaye co-curated the inaugural exhibitiArt at Harvard's Hutchins Center (2014)-- for which Adjaye co-curated the inaugural exhibition.

The emerging Turkish - born, New York - based artist Hayal Pozanti has been killing it recently — with recent shows at Duve in Berlin, Jessica Silverman Gallery in New York, Halsey McKay in East Hampton, and the Aldrich Museum of Contemporary Art in Ridgefield, Connecticut.

He recently exhibited at The Shirley Fiterman Art Center in TriBeCa New York, and Murray State University Curris Center Gallery.

Recently he had a solo exhibit at the Feature gallery in Manhattan and was in a group show at the Washington Project for the Arts in Washington.

Her works have been included recently in group exhibitions at The Jewish Museum, New York; Texas Gallery, Houston; Montclair Art Museum, New Jersey; The Hyde Collection, Glens Falls, New York and the National Academy of Design in New York, an organization of which she is a member.

One such initiative, Scaffold Gallery, have recently opened their show «Never Gon na Give You Up» at Islington Mill, inviting several of their former art school peers who have since fallen away from making work and exhibiting to return for this exhibition.

He has exhibited extensively across the world and has recently held solo exhibitions at Serralves Museum of Contemporary Art, Porto (2016); Metropolitan Museum of Art, New York (2015); the Beyeler Foundation, Basel (2014); Kunstsammlung Nordrhein - Westfalen, K21 Ständehaus, Düsseldorf, Germany, Les Rencontres d'Arles, France and Museo de Arte de Lima (2013); Kunsthalle Zürich, Switzerland, Museu de Arte Moderna de São Paulo, Brazil and Moderna Museet, Stockholm, Sweden (2012); Zach?ta National Gallery of Art, Warsaw, Poland (2011); Serpentine Gallery, London and the Walker Art Gallery, Liverpool, UK (2010).

This year, Barlow will represent the UK at the Venice Biennale, the world's most prestigious contemporary arts event, yet as recently as 10 years ago she was not selling work and no gallery was collecting it.

She recently exhibited her paintings at Hayhill Gallery London and during the Pool Art fair, New York.

Rosler has had numerous solo exhibitions at museums and galleries internationally and has published over 15 books of art and cultural criticism, most recently Culture Class (2012), on artists and gentrification.

White has recently been included in shows at the ICA at Maine College of Art (Portland, ME), Peter Blum Gallery (New York, NY), and Mitchell - Innes & Nash (New York, NY).

In 1956, the abstract painter Michael Canney, recently made a curator at the Newlyn Art Gallery in Cornwall, was surprised to see a diminutive figure pull up in a pony and trap.