Sentences with phrase «recently curated a group show»

Not exact matches

She has recently shown in a group show, Shape of Place, at Staple Goods Gallery in New Orleans, curated by each of the Staple Goods artist collective's members.

I'm going tell you a little bit, very quickly, about Folklore, the group show that Evan Hecox curated recently at Joshua Liner Gallery.

Collective Show presents «Collective Show Los Angeles 2011,» an artist - organized exhibition of contemporary art groups recently established in LA.This collaboratively curated «group show of group shows» features artist - run spaces & projects formed in the past 5 yeShow presents «Collective Show Los Angeles 2011,» an artist - organized exhibition of contemporary art groups recently established in LA.This collaboratively curated «group show of group shows» features artist - run spaces & projects formed in the past 5 yeShow Los Angeles 2011,» an artist - organized exhibition of contemporary art groups recently established in LA.This collaboratively curated «group show of group shows» features artist - run spaces & projects formed in the past 5 yeshow of group shows» features artist - run spaces & projects formed in the past 5 years.

Most recently, her work has been included in group shows at Annka Kultys Gallery, London and in the exhibition Escaping the Digital Unease (curated by Donenico Quaranta) at Kunsthaus Langenthal, Switzerland.

Kelsey's art work has been shown in solo and group shows in New York, LA, and London and she recently curated a show featured in the Todd Solondz film, «Weiner Dog.»

Santi Vernetti, who recently graduated from USC's Master's of Art and Curatorial Practices in the Public Sphere program, has curated an enticing and whitty group show at Perry Rubenstein gallery, titled «Too Soon», which questions...

Her work has been exhibited nationally and internationally; most recently in the group show FLICKER curated by Jan Tumlir at Control Room Los Angeles.

Over the past 12 years he has curated and organised over 50 exhibitions and projects, including solo shows by Simon Starling, Alex Katz, Lily van der Stokker, Henri Gaudier Brzeska, Linder, Albert Oehlen, Carol Bove, Dexter Dalwood, Mark Titchner, Heimo Zobernig, Hans - Peter Feldmann, Barbara Hepworth, Adam Chodzko, Deimantas Narkevicius, Eileen Quinlan, Peter Lanyon and Lucy McKenzie, as well as a number of group exhibitions including: «The Hollows of Glamour»,» This storm is what we call progress», «Pale Carnage», «The Indiscipline of Painting», «The Dark Monarch: Magic and Modernity in British Art» and most recently «Aquatopia: The Imaginary of the Ocean Deep».

Most recently in the form of a February solo show at Greene Naftali in New York, and its inclusion in the summer group exhibition Push Pins in Elastic Space curated by the artist Gabriel Kuri at Galerie Nelson - Freeman, Paris.

In addition to her artistic practice, Munro is Editor of SOAP magazine and has curated a countless exhibitions and projects, most recently the international group exhibition We Go Far... And Way Back at Show Gallery on Staten Island, NY.

Yanko recently showed work in the inaugural group exhibition in Prospect Lefferts Gardens» (Brooklyn) newly opened Jenkins Johnson Projects, Hidden in Plain Sight, which was curated by Derrick Adams.

Italian artist, artivist and ephemeralist Biancoshock put recently to life a series of installations in the streets of London as part of his «Seven Modern Deadly Sins», a project curated by and presented at Unit 5 Gallery London for the In Depth group show that, according to the press release, «shines the spotlight on the often clandestine yet ever expanding world of street art sculpture.»

Recently, he curated the Cyprus Pavilion at the 56th Venice Biennale, the FOCUS sector at the Armory Show, New York, and the Abraaj Group Art Prize.

Most recently she received the Chicago Individual Artist Grant and was curated into a group show at Aperture Foundation Gallery.

In 2014 she staged solo exhibitions of photographs and sculptures, routinely curated all - female group shows, put out major editorial and commercial projects, made a monograph, and recently began...

The group exhibition TUTTLE at David Castillo Gallery closed recently (Sept. 13th — Oct. 4th) to make way for this weekends opening of «The Continuing Adventures of Our Heroine», another [this time all female] group show curated by gallery artists Pepe Mar and Aramis Gutierrez.

She has curated numerous exhibitions, including most recently Love is a Stranger at Creative Growth Art Center in Oakland, and has organized over 50 exhibitions ranging from solo shows of the work of Richard Artschwager, Dan Flavin, and Brice Marden to major group exhibitions such as Monuments for the USA and IRREDUCIBLE: Contemporary Short Form Video.

She has curated several group shows in the Parisian area, amongst which Morel's Island at CPIF and, more recently The Lynx Knows no Boundaries at the Ricard Foundation in 2015.

Liddington's work has also been exhibited in group shows, most recently in Meet us on the Commons, curated by Elizabeth Underhill for the Art Gallery of Mississauga.

Dash, who also works in photography, has recently been in group shows with the High Line (the impressive «Pier 54,» curated by Cecilia Alemani), and at the Maxxi Museum in Rome and the Berkeley Art Museum in Berkeley, California.

His work has also been featured in numerous group exhibitions and biennials, most recently the 14th Biennale de Lyon, curated by Emma Lavigne (2017), Manifesta 7 (2015), along with 2017 group shows at Guggenheim Bilbao, Albright Knox Art Gallery, Centre Pompidou - Metz, and a permanent installation at the Museum of Contemporary Art, Chicago.

Until recently, an exhibition curated by L. Fritz Gruber for the 1956 Photokina in Cologne was considered the earliest Magnum group show.