Sentences with phrase «recently moved to a new home»

We recently moved to a new home near a creek, so the mosquitos at dusk are ferocious.

I personally did this when we recently moved to a new home where I knew pesticides were used.

Not bad, especially considering all Camaro tooling recently moved to a new home in Lansing, Michigan — the last model was built in Ontario.

They are bored, lonely, haven't been neutered and their sexual urges are raging, an unexpected event frightened them, something piqued their curiosity, windows or gates were accidently left open, cages weren't properly closed, or you recently moved to a new home and they are looking for their old, familiar surroundings.

We recently moved to a new home, and my almost - eleven - year - old wants to design a red -LRB-!)

We recently moved to a new home and for the first time ever I have my very own office — completely dedicated to my needs!

Not exact matches

I have recently moved to a new (old, old, old) home that does not have the space or the right surfaces for kneading bread and I thought I was doomed to bad store bread or impossibly overpriced boutique bakery breads.

I recently moved into a new dream home in Brooklyn, and have been setting up my home office to be a space of both of productivity and connection to what's important to me.

Keep in mind Usmanov has recently bought more shares because he wants Arsenal and that guy offered Arsenal FC a interest free loan to cover all our debts when we moved into our new home and allow Wenger to invest what the club earned back into the club.

Betting market: After Bookmaker.eu opened Atlanta as 2 - point home favorites, money quickly jumped on New Orleans and moved them up to 2 - point favorites as recently as Wednesday morning.

I recently moved into a new home and needed a way to get rid of some of my old stuff (furniture, bikes, 4000 stuffed animals).

We just recently moved from California to Florida, I want to take a photo of our new home and send it out to family and friends announcing our relocation..

I recently moved in my new home and I still don't have any carpet to warm up the rooms, that would be awesome and this is exactly the kind of style that would fit in my decoration!

The most common cause is stress in younger hamsters that have been parted from their mothers or have been moved to a new home recently, especially so in hamsters that have come from a litter, released to homes too young or have suffered other traumas e.g. handling too soon, animal attacks, noisy living environment.

Kuna recently moved to a new foster home that might become his forever home.

(Examples: a new pet has been added, a new roommate has been added, a recent move to a new home has occured, remodeling has been done, the owner recently returned from a vacation, other neighborhood cats are visible or smellable in the yard.)

If you have recently moved, have added new animals to your home, or had a baby, the change in the routine of the household can create stress induced incontinence.

Whether your dog is transitioning to a new situation (recently adopted, moved to a new home, staying with a dog sitter) or has recently become anxious when left alone, there are a handful of things you can do to sooth the angst.

Recently moving to Santa Barbara from Los Angeles, Travis Kranz has established a deep connection to her new home.

In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatnew york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatNew York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatnew york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatnew yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatNew York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatnew york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatnew contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatNew York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.

He had recently left St.Ives, the small Cornish coastal town that had been his home for twenty years, to embark on a new life in the mountains of Switzerland — a move that had a profound effect on his art.

Yesterday's announcement in the New York Times that David Zwirner would be moving to a new $ 50m gallery in Chelsea only served to underscore the trend that ranges from developers buying large - scale art works to anchor complexes to real estate agents staging homes with borrowed art works and, as Architectural Digest recently pointed out, developers taking booths at art fairs to pitch their projecNew York Times that David Zwirner would be moving to a new $ 50m gallery in Chelsea only served to underscore the trend that ranges from developers buying large - scale art works to anchor complexes to real estate agents staging homes with borrowed art works and, as Architectural Digest recently pointed out, developers taking booths at art fairs to pitch their projecnew $ 50m gallery in Chelsea only served to underscore the trend that ranges from developers buying large - scale art works to anchor complexes to real estate agents staging homes with borrowed art works and, as Architectural Digest recently pointed out, developers taking booths at art fairs to pitch their projects.

Los Angeles documentary and portrait photographer Damon Casarez was recently commissioned by the New York Times Magazine to create Boomerang Kids, a series of portraits of young adults who've had to move back home with their parents after college for financial reasons, or of those who have never been able to leave.

Given that Suh recently moved from New York to London, and that the 2012 Liverpool Biennial commissioned the project, the idea that his family home would fall out of the sky and end up where it landed makes perfect sense.

This weekend also inaugurated the new location and impressive new exhibition space belonging to the Kunstlerhaus Bethanien, which recently moved from its longtime home a few blocks away amid turmoil and aggravation fueled by local politics and pesky and persistent squatters.

The school gets its name from Osgoode Hall, the Law Society's home on Queen St in downtown Toronto, where the law school lived until 1968, when it became affiliated with the recently founded York University as the faculty of law and moved to a new building on the University's campus in suburban Downsview.

And having moved into a new home recently it made a lot of sense to test Honeywell's latest smart home thermostat system, the Lyric T6.We had the Lyric T6R fitted, which is the same as the standard T6 but comes with... Read more

Furniture designer and retailer Ikea has announced a partnership with Sonos to create new products in the future.Ikea recently moved into the smart home sector with intelligent lighting and other connected home gadgets, but this latest collaboration could... Read more

Renters can save thousands of dollars by renewing a lease instead of moving to a new rental, according to a recently released analysis by Zillow — a golden opportunity to put savings toward a down payment on a home.

I recently moved to northern New Jersey from Austin and a software engineer that works from home.

Realtor.com ® has partnered with Home Team Sports to feature three Major League Baseball (MLB) player wives in a new broadcast and digital series, «Finding the Home Run Home,» the News Corp subsidiary Move, Inc. - operated company recently announced.

Thus far, our tenants are people separating from a long term relationship, leaving their parents» home for the first time, somebody here on temporary work assignment (which looks to maybe becoming permanent), somebody who just moved out here to take a new job and isn't sure of where they want to live permanently and somebody who is recently disabled, but is waiting for social assistance to come through and is living off of a 401k and needs to stay some place as inexpensive as possible to make her money stretch.

Here's how it works at Moving Station, which recently launched a home sale program targeted at new communities that hope to accelerate sales.

I would love to have a copy of this book... my husband and I just moved AND I have a new baby AND I recently quit my job to stay at home... I don't even hardly know where to begin with organizing my new life right now!

Since I am fairly new at decorating (just recently moved into our first home), it's been a challenge (that I enjoy) to figure out exactly how to decorate.

We just recently moved into a new home and would love to paint a few of the empty, sad rooms with fresh bright colors!

I recently moved and we are waiting for our other home to sell before we purchase anything for our new home.

I recently moved into a new place, and while undecorated, it is finally starting to feel like home.

I love these beautiful desk items — I moved into a new home recently with a small office nook that I have yet to decorate — these are great products to inspire me to get going on that project!!

, I recently moved from my home in the country to a new space in the city.

We recently moved in to a new home and I am trying to cozy it up to feel more like home.

We recently moved into a new home, downsizing big time, but we have managed to get a tree up and a few other decorations.

If I win this, I would give it to our son and his wife... who recently moved into a new home.

I have moved to a new home recently and could use the paint.

We recently moved into a new home, we'll last summer, and I so wanted to add lots of board and batten wall treatment but the interior designer I had asked for help in paint color and such suggested I not do that because it would make the ceiling height seem low which I'm desperate to try to make them seem +9 ′.

I feel like I live at Home Depot since we recently just moved to a new (project - filled) house!