I had
recently seen the exhibition Oranges and Sardines at the Hammer Museum in Los Angeles, a fantastic show curated by Gary Garrels wherein six contemporary «abstract painters» â $ «Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher Wool each curated a room of work that was deeply influential to them.
She had
recently seen an exhibition of fifteenth - century woodcuts at The Metropolitan Museum of Art, New York, and their faded colors reminded her of the tone of the red mulberries.
Not exact matches
The simple yet startling beauty of this small piece reminded me of early photographs by Muybridge I
saw recently at the Tate Britain
exhibition dedicated to this monumental man of developmental photography.
I went to
see the Matisse
exhibition recently and left feeling so inspired.
It comes following what many
saw as a fairly tame 7:22
exhibition lap in a Nurburgring edition by Gazoo Racing Driver Akira Iida
recently.
What is the best
exhibition you have
seen recently?
Presented through all of MUMA's
recently designed galleries, the inaugural
exhibition sees artists explore performative, media and event cultures, and the post-industrial architecture of the urban fringe, whilst others work with sound, light, sculpture, film, and painting in its diverse and expanded forms, offering a multi-sensory register of art and everyday life, from complex cultural perspectives.
DailyServing
recently had the opportunity to catch up with Chicago - based artist Michael Rea to
see what he has been up to since his inclusion in the 2009 DailyServing curated
exhibition 1000 DAYS, in Los Angeles.
Recently she has participated in group
exhibitions at the Sirius Arts Centre in Cork, Format Festival in Derby, Belfast Photo Festival and The Photographers» Gallery in London, and has held solo
exhibitions at Belfast Exposed and at
Seen Fifteen in London.
This small, but enlightening and enriching
exhibition at Galerie Thaddaeus Ropac in Salzburg, brings together 12 of these «objects», rarely ever
seen, and
recently acquired by the J Paul Getty Museum and the Los Angeles County Museum of Art (LACMA) from the Robert Mapplethorpe Foundation, set up by the artist before his death from HIV / Aids - related complications at the age of 42.
As can be
seen in the rash of
exhibitions recently or currently on view, the digital revolution has been a double - edged sword for artists who work with or in the medium of ephemera and miscellany; on one hand, artists can easily manufacture their own work; on the other, some printed materials may soon be obsolete, changing the nature of the visual landscape and cultural communications.
AWB: What memorable
exhibitions have you
seen recently?
Until
recently, Hulačová has shown almost exclusively in her native Prague, but this year
sees her work traveling beyond the Czech Republic to a solo booth at LISTE, a solo
exhibition at CEAAC in Strasbourg, and group
exhibitions in Berlin and Gdansk.
Wolfgang Tillmans works were
recently seen in London at the Turner Prize
exhibition at Tate Britain where he was awarded The 2000 Turner Prize; at the Royal Academy of Arts for the
exhibition Apocalypse and as part of Whitechapel Gallery's
exhibition Protest and Survive.
Her
exhibition at PS1 offers a great overview of her still young career and it seems like pretty much every museum group show I've
seen recently includes at least one psychedelic alien rendering by the artist.
This interest in the corruption of modern existance was
seen recently in much more fantastical terms at The Pace Gallery's Edward Kienholz
exhibition.
AWB: What
exhibitions or gallery shows have you
seen recently that you found compelling or interesting?
Among numerous solo and group
exhibitions in the United States and world - wide, Gaines» work was
recently included in Blues for Smoke, organized by the Museum of Contemporary Art, Los Angeles, and
seen at the Whitney Museum of American Art, New York; Under the Big Black Sun: California Art 1974 - 1981, at the Museum of Contemporary Art, Los Angeles; Human Nature, Los Angeles County Museum of Art, Los Angeles; both
exhibitions All of This and Nothing and Now Dig This!
As if to underscore the lingering controversy, a visitor to the
exhibition was
recently overheard saying of the painting: «I have to say, I'm not
seeing it.»
When you
see this
exhibition, certainly in person but even in pictures, it's clear that no
recently minted 25 - year - old MFA recipient could have created work with as much refined vision and raw power.
A solo
exhibition of her work was
recently on view in James Joyce: Shut Your Eyes and
See at the Poetry Collection, University of Buffalo, New York.
Most
recently, Ossorio's work has been included in the landmark
exhibitions Angels, Demons, and Savages: Pollock, Ossorio, and Dubuffet at The Phillips Collection in Washington, DC (2013); Drawing Surrealism at the Los Angeles County Museum of Art, which traveled to The Morgan Library & Museum in New York (2013); America is Hard to
See at the Whitney Museum (2015); and Postwar: Art Between the Pacific and the Atlantic, 1945 - 1965 at the Haus der Kunst in Munich, Germany, which traveled to the Museum Boijmans Van Beuningen in Rotterdam, The Netherlands (2016).
AWB: What are the best
exhibitions you have
seen recently, and what are the best artist and mainstream films and videos you have
seen this year?
His work was most
recently seen in London at the Saatchi Gallery's
exhibition, «Body Language» (November 2013 — March 2014).
Works by Olaf Breuning were most
recently to be
seen at the
exhibition Swiss Video at the Tate Modern in London (2006), and at the Mori Art Museum in Tokyo in the context of all about laughter (2007).
Her work was most
recently seen in the group
exhibition at University of Nevada Las Vegas, «Daughters of the Middle Border», featuring twelve contemporary Northern Irish artists.
His work was most
recently seen last year in a retrospective
exhibition at the Stedelijk Museum in Amsterdam, which traveled to the Jeu de Paume in Paris and the Fundación Mapfre in Madrid.
Murillo's work was most
recently seen earlier this year at a solo
exhibition at the Haus der Kunst in Munich.
Last month I traveled to the Netherlands to
see a major touring
exhibition of her paintings, which
recently closed at the Gemeentemuseum in The Hague.
Inspired by an
exhibition of illuminated manuscripts at the Fitzwilliam Museum, which included a vitrine containing the pigments used to create them, he has
recently begun to make his own paints, the results of which can be
seen in these paintings on linen and painted works on paper.
Recently, she has curated the
exhibitions «Haunted Screens: German Cinema in the 1920s» (2014); «
See the Light — Photography, Perception, Cognition: The Marjorie and Leonard Vernon Collection» (2013); «Under the Mexican Sky: Gabriel Figueroa — Art and Film» (2013), and «Robert Mapplethorpe: XYZ» (2012).
Her work was mostly
recently seen in a 2008 solo
exhibition, Internal Landscapes, at the Dover Public Library.
Most
recently, we've
seen the proliferation of «foodie» snaps on social media — a phenomenon that prompted the Houston Center for Photography to organize a recent
exhibition called
See Food, which was dedicated to food photography and the socio - political issues surrounding food and food policy.
Jim Lee's second New York solo
exhibition, Paranoid, an installation of painted objects and impermanent structures which altered the character of the gallery, was
recently seen at Freight + Volume.
The landmark
exhibition pairs two of the artist's most significant bodies of work, the Madonnas and the Erotic Watercolors,
recently seen in an extensive
exhibition at Aargauer Kunsthaus in Aarau, Switzerland this summer.
She appeared most
recently in the film I
See You Man (2008), shown as part of Dodge and Kahn's solo
exhibition at Elizabeth Dee Gallery in New York.
Alessandra
recently got some extra inspiration from a week in Antwerp in the company of D.A.T.E. (Discover Antwerp Through Experience), a project that brings together international creatives to discover the city and collaborate on an
exhibition (you can
see what she created for that here).
His work was most
recently seen last year in a retrospective
exhibition at the Stedelijk Museum in Amsterdam, which travelled to the Jeu de Paume in Paris and the Fundación Mapfre in Madrid.
Chloe Maratta currently has a show up at Ladybug House in San Francisco, and Flannery Silva
recently exhibited at Springsteen in Baltimore (
seen here as part of the ARTnews recurring feature «Pictures at an
Exhibition»).
The Huffington Post
recently spoke to John Walter about his solo
exhibition at VITRINE and you can
see the write - up of their conversation online now.
AM
recently brought you a glimpse of what Toronto based artist Brian Donnelly was bringing to his solo
exhibition «Obedience and Savagery», which opened last week at Show & Tell Gallery, and after
seeing these preview images we had high hopes for the rest of the work.
I had
seen some online at http://www.revad.com, before getting to
see one of them in «hard copy»
recently, at the group
exhibition Crossing Lines at & Model, Leeds.
Notable
exhibitions White has organized for the Menil include Imaginary Spaces: Selections from the Menil Collection, Leaps into the Void: Documents of Nouveau Realist Performance, and the
recently opened
Seeing Stars: Visionary Drawing from the Collection.
The 1985 Turner Prize, which is awarded annually for an outstanding contribution to British art, has been awarded to Howard Hodgkin, the 53 - year - old painter whose retrospective
exhibition was
recently seen at the Phillips Gallery in Washington, the Yale Center for British Art in New Haven and the Venice Biennale.
Because of my own fascination with ice (in all its forms), and my family connection to the ice harvesting industry, I was especially delighted to finally
see the Marsden Hartley Ice Hole, Maine (1908)
recently at the wonderful Met / Breuer
exhibition.
His works were
recently seen in solo
exhibitions in the Renaissance Society and at the Art Institute in Chicago.
Most
recently, they were the focus of Hirst's intensely popular and critically important 2007
exhibition titled Superstition, which
saw the apex in his use of butterflies in the production of religiously informed compositions - a tendency of Hirst's that is explicit in the title of Pray, and implicit in the large - scale formatting of the work (84 x 84 inches), its sparse composition, and the overall placidity of the painting.
It used to be that museums were the only place to
see blockbuster
exhibitions, but
recently dealers have been organizing them too.
Maybe it's this pervasive feeling that a transfer of power from human to machine is upon us that makes the artwork of Ed Atkins, which can be
seen in a
recently - opened solo
exhibition at Gavin Brown's new three - story
exhibition space in Harlem, so fearsome.
«The
exhibition is therefore an opportunity to
see the early paintings of a major figure through the eyes of a young artist who himself has
recently emerged as a leading voice of his generation.»