More broadly, what can we learn about ways that artists engage with «painting history» and challenge art's
reception by historians?
Not exact matches
What are
historians, curators, and critics to do when someone whose work is defined
by its
reception willfully disappears from public view?
Guest curated
by UMass Art History Assistant Professor Karen Kurczynski September 15 — November 20, 2016 Opening
Reception: September 14, 6 — 8 p.m. Organized
by NSU Art Museum Fort Lauderdale and guest - curated
by UMass Amherst assistant professor Karen Kurczynski, a leading scholar of Danish Cobra artist Asger Jorn (1914 — 1973), who represents a new generation of art
historians specializing in Cobra, the exhibition presents the history of Cobra through paintings, sculpture, prints, and primary documents
by artists such as Asger Jorn, Pierre Alechinsky, Karel Appel, Constant, and Corneille.
Curated
by the renowned art
historian and Arte Povera forefather Germano Celant, this exhibition is the first to investigate Ileana Sonnabend's central role in the international
reception of Arte Povera, and the close friendship between Celant and Sonnabend that grew out of their shared interest in the Italian artists.
Gallery Talk starts at 5:30 pm; Booksigning to follow Gallery Talk and
Reception with art
historian David J. Getsy, celebrating the release of his new book Abstract Bodies: Sixties Sculpture in the Expanded Field of Gender, published
by Yale University Press.
The position, identity, and dislocations of the three painters in the exhibition, their political allegiances, intellectual influences, levels of
reception and inscription in art histories, as well as their formal choices will be discussed
by curators Cosmin Costinas and Inti Guerrero, M + Ink Art curator Lesley Ma, and independent curator and art
historian David Teh.
This publication, the product of extensive research from his studio's archive, traces the development of Martínez Celaya's thought through previously unpublished photographs; illustrations of hundreds of artworks; archival notes and writings; sketches and drawings for his public projects and exhibitions; excerpts from the critical
reception of his work; and an insightful introduction to the artist's work
by art
historian and long - time collaborator Daniel A. Siedell.
Inner Journey Jieun Park's Recent Works at AP Contemporary Hong Kong
by Dr. Barbara Aust - Wegemund, Art
Historian Opening
Reception: Friday, March 7, 6.00 — 9.00 pm March 7 — April 15, 2014 AP Contemporary Gallery is proud to present Inner Journey, a solo show of recent paintings
by Jieun Park.
The position, identity, and dislocations of the three painters in the exhibition, their political allegiances, intellectual influences, levels of
reception and inscription in art histories, as well as their formal choices will be discussed
by curators Cosmin Costinas and Inti Guerrero, independent curator and art
historian David Teh and moderated
by M + Ink Art curator Lesley Ma.
In this thought - provoking conversation, hosted
by the Leadership Advisory Committee, contemporary artist Kerry James Marshall and art
historian Kymberly Pinder discussed how artists have shaped the public
reception of African American art history through their writings and other activist gestures.