Her recital here with violinist Janine Jansen and cellist Mischa Maisky features piano trios by Shostakovich and Mendelssohn, and sonatas by Beethoven and Schumann.
It's a dance
recital here, a ball...
We spent many years watching DD's dance
recitals here, so it was really special to see one of my grandchildren dancing here now
Not exact matches
Note also in the reading that this is the word, it is what God said to Moses; that the quality of divine compassion and mercy and grace
here comes through as it has not previously in Exodus; that this is a
recital of faith in the nature and purpose of God (see the emphasis upon the divine «I,» even more pronounced in Hebrew, and compare the same feature in Joshua 24); and that all of this is an expansion of the single, simple, eloquent theme which opens and closes the
recital: «I am the LORD,» conveying in the very name all the essential meaning of the divine Life.
Listening to the weaving of one lyrically skewed piece after the next
here is like attending a
recital where the cellist's bow seems ready to go out of control, a poetic approach on the edge of a nervous breakdown, yet still melodically hiding its madness.
Titles to suggest for research include: Baby Flo, by Alan Schroeder; Ray Charles, by Sharon Bell Mathis; When Marian Sang: The True
Recital of Marian Anderson, by Pam Muñoz Ryan; Ella Fitzgerald: The Tale of a Vocal Virtuosa, by Andrea Davis Pinkney; Knockin» On Wood: Starring Peg Leg Bates, by Lynne Barasch; Paul Robeson, by Eloise Greenfield; Sweet Music in Harlem, by Debbie A. Taylor; Rent Party Jazz, by William Miller; Charlie Parker Played Be Bop, by Christopher Raschka; Dizzy, by Jonah Winter; When Louis Armstrong Taught Me Scat, by Muriel Harris Weinstein; Duke Ellington: The Piano Prince and His Orchestra, by Andrea Davis Pinkney; Rap A Tap Tap:
Here's Bojangles — Think of That!
But none so immediate as the one who might be hovering
here now, above the warm body of the young woman lying, stomach down, in the dim lobby outside a small
recital hall.
LOCATION: University of Houston, Dudley
Recital Hall, 4173 Elgin ADMISSION: Free, reservations required
here
Here he discusses «
Recital» his recent 30 - year retrospective.
The Court, however, rejected the consequent argument of the EFTA Surveillance Authority that this
recital would support that the Directive contained an obligation of result and states were liable unless they could achieve this result; it insisted instead that the «conditions prescribed in this Directive» were not further defined
here (para 173) and the result to be achieved by the Directive had already been found to be limited (para 175).
Here, AG Wathelet argues, as the Court has done many times before in interpreting the InfoSoc Directive, that its provisions must be interpreted to ensure a high level of protection for right holders (see also
Recitals 4 and 9).
Furthermore, «unsound management» and moral hazard problems should also be reduced as
recital 16 of the Directive states (the EFTA Court quoting
here Stiglitz, see para 167), which would not be achieved if the state was obliged to step in as the Surveillance Authority's reading of the Directive would suggest.