Not exact matches
Ezra Edelman's five - part documentary film O.J.: Made in America explores two parallel historical narratives: 1) The story of post-Watts race relations in Los Angeles, specifically the tensions between the LAPD and the
black community; and 2) the story of a preternaturally talented
black athlete who sought to shed his racial
identity to achieve «white» success, only for him to
reclaim it at a crucial moment.
Reclaiming artifacts and iconographies to critique the museum and speak about
Black cultural history and
identity, he bridges the gap between «high art» and «the street» to question connotations of race and class.
Ranging from Afro - futurism to Afro - documentary, these photographs
reclaim and re-connect a multitude of
Black histories and
identities.
Frankly addressing idea such as frailty, sexualized power, and racially bounded ideals of beauty,
Reclaiming Images presents us with compelling and nuanced examinations of multiple
Black female
identities and experiences.