Sentences with phrase «recognition in the art market»

Each year, the prize is awarded to an artist who has recently gained recognition in the art market and by institutions, and for whom drawing constitutes a central role.

The prize is awarded each year to an artist who has recently gained recognition in the art market and by institutions, and for whom drawing constitutes a central role.

Not exact matches

The articles tapped into the recognition and movement towards more science and less art in the spheres of marketing and sales as well as in overall social strategy.

Woman Art Revolution) and today's situation of women in the art market, the presentation and recognition of digital media in the art scene, and her plans for the near futuArt Revolution) and today's situation of women in the art market, the presentation and recognition of digital media in the art scene, and her plans for the near futuart market, the presentation and recognition of digital media in the art scene, and her plans for the near futuart scene, and her plans for the near future.

He continues to gain recognition in the French art market, most notably for those works done in the tradition of the Impressionist masters and painted en plein air.

And, surprisingly enough, many of these artists were connected to the Abstract Expressionist movement (the most sought - after segment in the art market) to one extent or another: a Washington D.C. - based artist Sam Gilliam was brought by David Kordansky Gallery to Frieze Art Fair in New York this year, an active member of the famous New York School Edward Dugmore was exhibited at Loretta Howard gallery just recently, and now it is Raymond Spillenger, an Abstract Expressionist who is gaining attention with an upcoming retrospective scheduled for early 2016 at the Black Mountain College near Asheville, N.C. Spillenger, who died in November at the age of 89, abruptly left the art scene in the late 6os, and while his fellow AbEx artists were going through mounting recognition and success at the Stable Annual, Spillenger plunged into family life and didn't show his art even to the family membeart market) to one extent or another: a Washington D.C. - based artist Sam Gilliam was brought by David Kordansky Gallery to Frieze Art Fair in New York this year, an active member of the famous New York School Edward Dugmore was exhibited at Loretta Howard gallery just recently, and now it is Raymond Spillenger, an Abstract Expressionist who is gaining attention with an upcoming retrospective scheduled for early 2016 at the Black Mountain College near Asheville, N.C. Spillenger, who died in November at the age of 89, abruptly left the art scene in the late 6os, and while his fellow AbEx artists were going through mounting recognition and success at the Stable Annual, Spillenger plunged into family life and didn't show his art even to the family membeArt Fair in New York this year, an active member of the famous New York School Edward Dugmore was exhibited at Loretta Howard gallery just recently, and now it is Raymond Spillenger, an Abstract Expressionist who is gaining attention with an upcoming retrospective scheduled for early 2016 at the Black Mountain College near Asheville, N.C. Spillenger, who died in November at the age of 89, abruptly left the art scene in the late 6os, and while his fellow AbEx artists were going through mounting recognition and success at the Stable Annual, Spillenger plunged into family life and didn't show his art even to the family membeart scene in the late 6os, and while his fellow AbEx artists were going through mounting recognition and success at the Stable Annual, Spillenger plunged into family life and didn't show his art even to the family membeart even to the family members.

In a broad - ranging conversation covering the diversity of contemporary African art as well as the growth in its market, we also discuss the challenges of bringing more recognition to artists who have lived or worked on the Continent or been part of its diasporIn a broad - ranging conversation covering the diversity of contemporary African art as well as the growth in its market, we also discuss the challenges of bringing more recognition to artists who have lived or worked on the Continent or been part of its diasporin its market, we also discuss the challenges of bringing more recognition to artists who have lived or worked on the Continent or been part of its diaspora.

There's an added factor, Westreich says, that with market recognition and the imprimatur of the Whitney show, «as it becomes more and more present in the international art world, people can accept it into collections that don't necessarily accommodate it, visually,» Westreich says.

Recognition tends to be understood as the equivalent of success, which is too frequently tallied in market statistics and institutional accolades, as if the rewards of artistic enterprise were only in the hands of those who don't make art.

Or maybe his ability to reconcile is precisely why: Artschwager unites the apple and the orange of the two mainstreams of art made in the 1960s and, for this crime of inventive brilliance, he seems to have evaded the market recognition he is due.

Now, as this historical thread comes of age and recognizes itself in the mirror of history and on the faces of its youth, as the pioneers of the culture are canonized and the younger artists are united, there are many more opportunities afforded them within the design market, auction houses and fine art world, as these communities continue grow in their recognition of the cultural value and influence of Graffiti and Street Art, as the most prevalent styles and art movements in the late twentieth and early twenty - first centuriart world, as these communities continue grow in their recognition of the cultural value and influence of Graffiti and Street Art, as the most prevalent styles and art movements in the late twentieth and early twenty - first centuriArt, as the most prevalent styles and art movements in the late twentieth and early twenty - first centuriart movements in the late twentieth and early twenty - first centuries.

«A dynamic key sales role that challenges and capitalizes on my successes in marketing and promotional execution, the art of one - on - one communication, and initiating action and sales plans that drive an organizations market recognition and sales profit margins»