In a career spanning over two decades, Liliane Tomasko has fashioned a unique and
recognizable abstract language.
Not exact matches
He explores painting's inherent
language - hoping to find the meeting point between the
recognizable and the
abstract.
Visual elements from the landscape, such as a branch, house, or road, are transformed into a more
abstract visual
language that vacillates between the
recognizable, suggestive, determined and more poetic.
Minimizing his
recognizable concepts to only few heavily textured symbols, Miller is deconstructing letter's symbolic value and is
abstracting the
language itself.
In contrast, two of the artist's work intricately traces haptic gestures, with a nod toward disappearing landscapes and lost
language: Inga Dorosz» drawings track and map
recognizable renditions of trees and other organic forms, yet the tiny line work pixilates and separates the scenes like disappearing data; Léonie Guyer's small works remove information further — little
abstract shapes are like punctuation that has lost its conversation and therefore its purpose, yet they remain like memories of forgotten stories.