Sentences with phrase «record as a film director»

She already has a classy track record as a film director.

Not exact matches

In depicting Harding's brief, defiant triumph over poverty, abuse, and the perverse norms that define grace and athletic achievement, director Craig Gillespie's film goes some distance in correcting the record on the Kerrigan - Harding affair, even as it peddles in speculation and misremembered facts.

As this «Special Fan Edition» extends the film's length by seventeen minutes, you'd think a more coherent vision would emerge (note that Moyle has yet to publicly endorse this as a director's cut), but Empire Records is actually all fingers and thumbs in this form, lacking basic relativitAs this «Special Fan Edition» extends the film's length by seventeen minutes, you'd think a more coherent vision would emerge (note that Moyle has yet to publicly endorse this as a director's cut), but Empire Records is actually all fingers and thumbs in this form, lacking basic relativitas a director's cut), but Empire Records is actually all fingers and thumbs in this form, lacking basic relativity.

Writer / director Scott Derrickson finally spoke out about it and Marvel went so far as to issue a statement which read in part, they «have a very strong record of diversity in its casting of films.»

Look deep into the movie listings this January, past the big name awards fodder, the PT Andersons and the Rob Marshalls, the biopics and social problem films, and you'll find, in limited release, the latest picture from one of the most influential and important directors of the past 40 years, Tsui Hark, whose name remains so unknown in the US he's as likely to be identified by his personal name as his family name (for the record: he is Mr. Tsui, not Mr. Hark; pronounced «Choy — Hok»).

Once described by Andrew Sarris as the «least narcissistic of productive and creative directors,» James Ivory is the consummate collaborator, a filmmaker so closely associated with producer Ismail Merchant that the Guinness Book of World Records has listed their partnership as the longest in film history.

Director Zack Snyder has also recorded a new commentary track where he compares the finished film to the blue screen composite (shown via picture - in - picture), while the original test footage that Snyder shot for Warner Bros. is no longer hidden as an Easter Egg.

• Raoul Walsh replaced Anatole Litvak as a director • A 1920s nostalgia craze followed this film, including popular 1920s songs recorded again and magazine publishing 1920s photospreads, according to James Cagney Films of the 1930s by James L. Neibaur.

HIT RECORD ON TV / U.S.A. (Director: Joseph Gordon - Levitt)-- HIT RECORD ON TV is a new kind of variety show with host Joseph Gordon - Levitt directing a global online community of artists as they create short films, music, animation, and more.

Three technical caveats accompany the «film with alternate ending and additional scene,» as it's called on the packaging: During the branched sequences, which are accessible only when viewing Identity in widescreen, the picture's stupendous Dolby Digital 5.1 mix switches to a much blander Dolby Surround recording, while James Mangold's director commentary, if selected, drops out altogether.

The Blu - ray debut includes the commentary recorded for the earlier DVD release and the talk from director Zemeckis, co-writer and producer Bob Gale, and star Kurt Russell is almost as much fun as the film itself.

Originally performed at the 2004 Edinburgh Festival as a tribute to the director, documentarian Mike Kaplan recorded a 2007 performance and, with the blessing of McDowell, supplements the performance with illustrative stills and film clips for this production.

Similarly Greta Gerwig, director of Lady Bird, and Ellen Page have both recently gone on record as regretting their appearances in the 2012 Allen film To Rome With Love.

But at London's famed Abbey Road Studios this week, director Quentin Tarantino joined composer Ennio Morricone, as the maestro conducted a special recording of the overture from Tarantino's new film, The Hateful Eight, for a limited edition vinyl press.

is a deliriously biblical portrait of the artist as a godlike monster (for the record, I liked it), this new film by Paul Thomas Anderson offers a more graceful and far more complicated version of the same idea... Quiet, moody, and deeply perverse (I'll say no more), this fascinating movie reminds us that Anderson is the kind of alchemist - director who can turn somebody ordering breakfast into a classic scene.»

Produced by Atlantic Records and the film's director David Ayer, Bright: The Album will in turn be available for pre-order beginning November 9, as the film itself lands on Netflix and in select theaters December 22.

The film's lead actors Emma Stone and Ryan Gosling made the shortlist, as did its writer - director Damien Chazelle, and the film racked up technical nominations for its aural and visual elements to reach that record - tying number.

Topics discussed include the significance of the title (which is given rather passing treatment in the film), the kids» experience as young actors, the physical demands of the film's stunts, working with late director Norman Tokar and star Bill Bixby, and the comic team of Knotts and Conway, who are recorded together.

Sometimes Dane DeHaan bares a sideways resemblance to James Dean; what's more remarkable about director Anton Corbijn's film is the recreation of the places Dean inhabited as recorded in period photos.

Sometimes Dane DeHaan bares a sideways resemblance to James Dean; what's more remarkable about director Anton Corbijn's film, Life, is the recreation of the places Dean inhabited as recorded in period photos.

He has spent decades working as an author, editor, publisher, performer, emcee of live events, director of theatrical productions, producer of films and television programs, record label executive, university professor, nonprofit poetry organization administrator, and archivist; he is the founder / artistic director of the Bowery Poetry Club.

Renowned for his collaboration with artists such as The Doors and Van Morrison and with film directors such as Francis Ford Coppola and Roman Polanski, Krause, captivated by the sounds of the world of animals, in the last 40 years made over 5000 hours of audio recordings across all over the world, becoming a well - respected bioacousticians.

Iconic, immediately affecting and universally recognizable, Magritte's pictorial conundrums, trademark double - takes, and visual - verbal paradoxes are as pervasive as ever, as indicated by the appropriation of his imagery by subsequent artists, film directors, advertising agencies, and musicians — key examples include the logos of The Beatles» record label and CBS.