Not exact matches
You will observe that not one of the books of the Old Testament (in its finished form) is of earlier date than the eighth
century BC Before that time there existed traditions handed down
by word of mouth, and various documentary
records and compositions, which were used
by later writers.
Although the use of cork to seal wine containers was
recorded by Pliny the Elder, the use of cork - sealed glass bottles began in the
late 16th
century.
At her urging, the local board of health had pulled the real estate
records and discovered she and some of her neighbors were living on the site of a former industrial train depot used
by Standard Oil in the
late 19th
century.
Indeed, climate
records indicate that the arid, landlocked steppe was seized
by decades of drought in the
late years of the 12th
century, possibly exacerbating the violent conflicts that racked the region at the time.
• Stunning and tasteful colour combination of Metallic Green with a Black leather and Alcantara interior; • Very rare and collectable, low production number, UK - supplied Diablo «SV» with celebrity heritage; • 33,000 miles, documented and complete service
record with a recent clutch and flywheel assembly; • The end of an era with pop - up headlamps, two - wheel drive, and a manual gearbox; • Thought to be the only Diablo SV factory ordered with the GT rear wing (included in the sale);; In January 1990, Automobili Lamborghini S.p.A. introduced their
latest mid-engined, high - performance sports car, and in keeping with their tradition of naming their cars after legendary fighting bulls, chose a ferocious example raised
by the Duke of Veragua in the 19th
century known as «Diablo».
It is her promised memoir as hear and
recorded a
century later by William Klaber, an upstream neighbor.
Tonight at Christie's sale of 19th - and 20th -
century works from the collection of the
late Peggy and David Rockefeller, Henri Matisse's Odalisque couchée aux magnolias (1923) went for $ 80.8 million, a
record for a work
by the artist at auction.
The tradition of
recording landscapes in drawing continues more than a
century later with works
by Caspar Wolf (1735 — 1798), Adrian Zingg (1734 — 1816), Francis Towne (1739 — 1816), and a delicate and sensitive study of clouds on blue paper
by Johann Georg von Dillis (1759 — 1841).
But in
late 19th - and early 20th -
century Russia, this
recording device was undertaken
by a number of artists and thinkers as a site for experimentation.
The exhibition allies a range of highly varied works; Reza Aramesh's critical reconfiguration of postures of oppression taken from the documentary photographic
record of the
late 20th
century within the context of high - cultural legacy of the Enlightenment, Jake & Dinos Chapman's attack of those same Enlightenment spawned delusions of cultural progress, Desiree Dolron's exquisite, dense, almost painterly rendering of light and shadow within the photographic medium, Terence Koh's white - on - white neon declaration of Eternal Love, Wayne Horse's lighter - lit display of sub-cultural, cul - de-sacs articulated in a trash aesthetic, Dawn Mellor's radical portraits of female film stars, re-contextualized from the objectifying gaze of cinematic light into the critical, imaginative space afforded
by painting, Gino Saccone's loose but formal play of material, surface and light in his multi-media, sculptural assemblages, Peter Schuyff's abstract, shaded path from ambient light into a dark portal and finally Conrad Shawcross» beautiful and austere kinetic work that emanates an ever shifting pattern in shadow and light.
Late Twentieth -
Century: Splicing, Sampling and the Street in the Age of Appropriation By the end of the twentieth century, the emergence of multi-track sound recording, portable video cameras, instant photography and large - scale printing, in combination with the global circulation of images and objects, had shifted mashup methodology toward appropriation, détournement and inhabi
Century: Splicing, Sampling and the Street in the Age of Appropriation
By the end of the twentieth
century, the emergence of multi-track sound recording, portable video cameras, instant photography and large - scale printing, in combination with the global circulation of images and objects, had shifted mashup methodology toward appropriation, détournement and inhabi
century, the emergence of multi-track sound
recording, portable video cameras, instant photography and large - scale printing, in combination with the global circulation of images and objects, had shifted mashup methodology toward appropriation, détournement and inhabitation.
If you look at the temperature
record posted
by NOAA or at HadCRUT3 from CRU you will notice a «
late twentieth
century warming» shown as starting in the
late seventies and continuing through the eighties and nineties.
A paper
by 10 of the world's top dendrochronologists reported, «No current tree ring based reconstruction of extra-tropical Northern Hemisphere temperatures that extends into the 1990s captures the full range of
late 20th
century warming observed in the instrumental
record.»
And it also tells me that this «something else» may be driving the long - term warming we've seen since the first real CET
records in the 17th
century or the current modern global
record since around 1850, or the
late 20th
century warming cycle
recorded by both satellites and at the surface, as well.
Schmidt assumes it did but the PDO
record suggests that it likely did not, in which case Schmidt's argument that
late -
century warming must have been caused
by CO2 collapses.
There are also long
records of surface oceanic observations made from ships since the mid-19th
century and
by dedicated buoys since about the
late 1970s.
An updated temperature analysis
by the Met Office and the University of East Anglia's Climatic Research Unit has confirmed that 2010, not 1998, was the warmest year since
record keeping began in the
late 19th
Century.
2 degrees Celsius per decade
recorded by satellites during the
late 20th
century falls within known natural rates of warming and cooling over the last 10,000 years.
Cloud changes caused
by high Pacific surface temperatures
late last
century seem — as I have shown you before — seem the better part of warming in both ERBS and ISCCP
records.
Narrowing the range of
late -
century projections earlier than that will require studies focused on understanding smaller - scale ice - sheet physics and tightening the constraints provided
by the geological
record.
In table SPM - 2 of the
latest IPCC report, confidence on trends for warm spells and heat waves for the future (
by way of modeling) is greater than
recorded (past) trends of the
late 20th
century.
After reviewing evidence in both the
latest global data (HadCRUT4) and the longest instrumental
record, Central England Temperature, a revised picture is emerging that gives a consistent attribution for each multidecadal episode of warming and cooling in recent history, and suggests that the anthropogenic global warming trends might have been overestimated
by a factor of two in the second half of the 20th
century.
Had the warming of the
late 20th
century been caused
by a wobble in ocean currents as Ferrara insists, such a wobble would be plainly evident within palaeoclimate
records.