Sentences with phrase «record voice artists»

Based throughout Australia, New Zealand, the UK, Canada and the USA, all the voice artists are freelance and have their own studios set up for recording via Skype and / or Source Connect, state - of - the - art software which allows us to remote record voice artists anywhere on the planet in real time, High Definition audio.

Unlike other animated films that record voice artists separately, Surf's Up had its actors in the same room for each scene.

Not exact matches

«I Saw the Light» tells the story of the iconic, tormented singer - songwriter who revolutionized country music with his raw charisma, haunting voice and original songs, most of which are considered American standards today and have been recorded many times over by pop, rock and country artists alike.

Try to get as much recording time as you can with you and your artist on the same day, because voices can change day to day, even from morning to afternoon.

Part of the campaign will see artists record their voices and lend their talents to tracks that will then be available in the app for students to listen to and learn from.

Making sure that your voice over artist has lip balm, water or something to keep their mouth from getting dry (because that leads to clicks and pops in the recording);

Known for his signature catchphrase «Git - R - Done,» Larry is a multiplatinum recording artist, a Grammy nominee, a Billboard award winner and the voice of Mater in the animated feature films Cars and Cars 2.

When I worked with a professional voice artist to record one of my books, he got a pronunciation guide as soon as the contract was signed, and my intention as to the «voice» of the main characters.

The new Rare Blades have been designed by new artists (who haven't designed one for the game yet), and are voiced by new voice actors (in fact, he supervised the recording of one today!).

With over 4,000 objects representing more than two dozen collectors, including contemporary artists making art conceived by collecting, Massimiliano Gioni, the museum's artistic director, and his team of curators have mounted a remarkable series of object lessons about what it means to «keep,» the relationship of possession to loss, the madness inherent in love, and the undeniable importance of the individual's voice in recording and interpreting history and its sweep.

The artist and former Talking Head recorded his voice and processed it so that, played through speakers, it rumbled and echoed, sounding like bombs hitting or distant battle drumming.

[4] Artist Ed Ruscha has likened the gallery to a jazz catalog «where there are a lot of different voices under the same record label.

Using recordings, predominantly of her own voice, the artist creates immersive environments of architecture and song that heighten the visitor's engagement with their surroundings while inspiring thoughtful introspection.

Collective Voices Collective Voices are audio recordings by artists, curators, scholars, poets, civic leaders, and visitors available via mobile phone in the exhibition.

Starr's 2010 project I am a Record, according to a website description, dissected and revealed «the artist's personal, geographic and imagined environment» and featured a wide variety of recordings made since age five including the rumbling of a broken radiator which she thought was «speaking to her,» «re-enactments of secretly recorded stranger's conversation,» field recordings, singing voices, paranormal telephony, family dinner conversations, «air eddies transformed into music,» and other unusual sounds.

This season of artists» film from around the world includes Diego Tonus» (Italy) Speculative Speeches (Workers of the World — Relax)(2012), based on conversations recorded by the artist exploring how the voice is used in teaching, business and politics to influence an audience.

By asking the spaces that write our history to include narratives that have traditionally been left out of actual and historical records, namely the voices and works of female artists and artists who are unseen or under - represented because of race and class; these pioneering activists in guerrilla suits may have been practicing an early form of atemporality.

The fifth performer is the artist, creating a live, heavily - reverberant soundscape, collaged from fragments of iPhone field recordings and voice memos.

The work of acclaimed New York — based artist Rachel Rose (born 1986) interweaves historical recordings with her own visual material, combining voices, eras and places to create collage - like moving imagery.

Influenced by fly - on - the - wall documentaries of the»70s, Turner Prize - winning artist Gillian Wearing has turned the form on its ear: recording her subjects» confessions, then re-pairing sound and image, mixing the voices of adults, children and relatives.

While it eventually grew to be a nationwide sociological experiment, it was initially based in Bolton where it recorded the everyday lives of inhabitants, particularly the voices of the under - represented, and invited artists like Graham Bell, William Coldstream and Humphrey Spender to contribute to the project.

The video toggles between voice - over perceived as answers to an interview, video and audio from a recorded rehearsal about the past, present, and future of an artist, and features the work of artist Marilyn Volkman's current venture: NEOCraft.

Led by artists Sarah Abu Abdallah and Abdullah Al - Mutairi, the project invited Gulf - based artists, writers, architects, filmmakers, musicians, designers and technologists born in and after 1989 to submit voice notes, texts and recordings relating to the theme at hand.

Body - oriented artists in the exhibition include Alan Rath, from San Francisco, whose extruded electrical wires turn into eyeballs and ears and noses, and Martin Kersels, from Los Angeles, whose sculpture in the show consists of an oversize glass beaker filled with water in which a speaker is submerged with a recording of Kersels's voice blasting continuously, «I'm trying to raise the temperature of this water by yelling at it!»

Young, fiery and out - spoken, South African - born Lady Skollie can be considered a 360 - degree artist who doesn't just stop at expressing herself with a paintbrush; she also regularly records a sex talk radio show to voice her ideas on the themes of gender roles, sex, greed and lust.

A video image of Nauman's hands enacting the possible combinations of the four fingers and thumb is suspended in a dark gallery accompanied by three sound elements: Nauman's voice calling out the instructions for the different finger and thumb combinations; a piano played by artist Terry Allen and recorded in response to Nauman's instructions; and Nauman intermittently speaking the words «for children, for children.»

After reading this article, please also click HERE for the accompanying online interactive feature which includes a 3 - part video slideshow of select images from our current exhibition along with audio voice recordings of: Jonathan LeVine, along with exhibiting artists WK and Doze Green.

The recording, which features the distorted voice of the artist's mother, satirizes the budding genre of homebrewed ASMRtists who upload YouTube videos meant to trigger calming sensations.

The Turner Prize, Britain's top visual - arts award, last night went to the sound artist Susan Philipsz, who plays recordings of her singing voice at bus stations and bridge underpaths.

Louise Lawler's audio - recording Birdcalls» (1972 - 81) employs the artist's voice to sing, squawk and chatter the blue - chip names of twenty - eight male artists as though they were unique species of birds.

Dirty Ear Report offers a new platform for sonic research, in which leading sound artists and theorists gather to discuss radio art, field recording, noise, real - time work, voice and site - specific sound.

The focus of the Jerome Foundation is to support emerging professional artists who are the principal creators of new work, and: who take risks and embrace challenges whose developing voices reveal significant potential who are rigorous in their approach to creation and production who have some evidence of professional achievement but not a substantial record of accomplishment who are not recognized as established artists by other artists, curators, producers, critics, and arts administrators

Moving across a range of musical languages, the artist incorporates field recording, sound effects and his own voice, alongside electronically generated and recorded material.

Clad in his signature red t - shirt, the artist sits en plein air in various natural locales while a recorded soundtrack of his own voice plays, as if he was attempting to converse with the awe - inspiring - but frustratingly mute - nature around him.

Highlighting the exhibition's major theme, Brown shares recordings of artists» voices describing their working process: Robert Bechtle, John Cage, Chuck Close, Richard Diebenkorn, Tom Marioni, Chris Ofili, Kiki Smith, and Pat Steir.

They were the world's first recorded - audio product designed, manufactured, and sold for home entertainment, according to the Thomas Edison National Historic Park; and the girls hired to voice the dolls were the world's first recording artists.

It features a wide range of Canadian voices — artists like Gordon Duggan of Appropriation Art; writers like award winning science fiction author Karl Schroeder; musicians like Wide Mouth Mason's Safwan Javed; business people like Nettwerk Record's Terry McBride, Lulu.com's Bob Young, and Skylink Technologies» Philip Tsui; government appointees like Privacy Commissioner of Canada Jennifer Stoddart and Ian E. Wilson, the Chief Librarian of Canada and a number of canadian academics.