Sentences with phrase «recorded by international artists»

With the exception of a British anthem, the selections are recorded by international artists — arias, ballads, jazz and rhythm and blues, ska, and tango.

Not exact matches

And we can't forget Justin Bieber — whilst he's only 22, and still acting like it — he's now in the midst of one of the most successful international tours by any recording artist, ever.
The Human Connectome Project (HCP) Consortium is pleased to have had its graphical renderings of brain connectivity chosen by Grammy Award winning international recording artists Muse (www.muse.mu) for the cover of their latest album «The 2nd Law.»
George Michael: Freedom: The story of legendary international recording artist George Michael, filmed before Michael's untimely passing, the documentary is narrated by the singer, who was heavily involved in the making of the film that serves as his final work.
Hosted by Alyssa Jacey, an international singer - songwriter and recording artist, each episode introduces you to music artists on the verge of breaking out from the pack.
From formalized propaganda shots and portraits of Party leaders to the candid recordings of daily life in cities and rural regions, China offers readers incredible insight into the country's physical, emotional and spiritual infrastructures, an intimate perspective ably enhanced by cogent, well - researched captions and quotes from Chinese intellectuals and artists, as well as international historians, diplomats and academicians.
I worked in the international music industry most of my life and my artists were published / produced and released by both major and indie record labels.
Marriott International and Universal Music Group (UMG) have created a global marketing partnership that will include exclusive performances by established and emerging recording artists, branded video series, social content, music downloads, ticket offers and more.
Loic Gouzer, International Specialist declared: With a total of $ 134million and 16 world auction records set for major artists such as Joe Bradley, Dan Colen, Peter Doig, On Kawara, Glen Ligon, Adam McEwen, Richard Prince and Thomas Schutte, and, the If I live I see you Tuesday auction convened works by emerging and established artists who largely exceeded all pre-sale estimates.
Melika Ngombe Kolongo was raised in Belgium, but she's now based in London, where she's adopted the name Nkisi and serves as one - third of the international triumvirate piloting NON, a politically minded collective and record label dedicated to music being created by African artists and the diaspora.
Organized by Boston Center for the Arts and Bodega, the inaugural Boston Art Book Fair is an innovative and cutting edge event where international and local artists, thinkers, collectors, publishers and anyone drawn to the rich intersection of text and image convene to celebrate and trade print in all forms — including art books, zines, prints, catalogs and analog recordings.
1988 Group Show, Marian Goodman Gallery, New York, US Broken Music - Artists» Recordings, DAAD Galerie, Berlin, DE Saga 88, Eric Linard Editions, Grand Palais, Paris, FR Gordon Matta - Clark and Friends, Galerie Lelong, New York, US Forum, Hamburg Art Fair, Hamburg, DE A Bid for Human Rights, Brendon Walter Gallery, Santa Monica, California, US Art in Bookform / Book in Artform, Presented by Zona Archives at ACRL / Weiss Conference, Firenze, IT As Far as the Eye Can See, Marian Goodman Gallery, New York, US Delfryd Celf in London, Victoria Miro Gallery, London, UK Der Hund in Mir / The Dog Within, Galerie Hubert Winter, Vienna, AT Collection du Musee Van Abbe d'Eindhoven, premiere partie, Musee des Beaux Arts de Nimes, Nimes, FR Amsterdam Koopt Kunst, Museum Fodor, Amsterdam, NL Modes of Address: Language in Art Since 1960, Whitney Museum (downtown), New York, US The Turning Point - Art and Politics in 1968, Cleveland Center for Contemporary Art, Cleveland, Ohio, US; Lehman College Art Gallery, Bronx, New York, US Collection du Musee Van Abbe d'Eindhoven, Deuxieme Partie, Musee des Beaux Arts de Nimes, Nimes, FR Le Marche comme Objet, Picard Surgeles, Paris, FR Art Conceptuel I, Musée d'art contemporain, Bordeaux, FR From the Collection of Dorothy and Herbert Vogel, Arnot Art Museum, Chicago, Illinois, US Skulpturen Republik, Kunstraum Wien, Vienna, AT; John Hansard Gallery, The University of Southhampton, Southhampton, US; Third Eye Centre, Glasgow, UK Ships Sail at Night: Art and the Image of Sea, Maritime Museum, Rotterdam, NL Concept Art, Stalke Galleri, Copenhagen, DK; Brigitte March Galerie, Stuttgart, DE; L'Espace des Arts, Chalon sur Saone, FR Balkon mit Facher - 25 Jahre Berliner Kunstlerprogramme des DAAD, Akademie der Kunste, Berlin, DE Symmetry» 88, International Etalageproject, Middelburg, NL Tellus # 22 (Audio Visual Issue II), Audio Cassette magazine, New York, US
1977 Two Decades of Exploration: Homage to Leo Castelli on the Occasion of his Twentieth Anniversary, The Art Association of Newport, Newport, Rhode Island, US The 1977 Los Angeles International Film Exposition, Plitt Century Plaza Theatres / ABC EntertainmentCenter, Los Angeles, California, US Bookworks, Museum of Modern Art, New York, US Words, The Whitney Museum (downtown), New York, US O3 23 03, Institut d'Art Contemporain, Montreal, CA Words At Liberty, Museum of Contemporary Art, Chicago, Illinois, US American Art in Belgium, Palais des Beaux - Arts, Brussels, BE dokumenta 6, organised by Rudi Fuchs, Kassel, DE 10 Years, Kabinet für Aktuelle Kunst, Bremerhaven, DE A View of a Decade, Museum of Contemporary Art, Chicago, Illinois, US Space Window, Bell Gallery, Brown University, Providence, Rhode Island, US $ oul, CAYC, Buenos Aires, AR Works from the Collection of Dorothy and Herbert Vogel, The University of Michigan Museum of Art, Ann Arbor, Michigan, US The Seventies, Museo Universitario de Ciencias y Arte, CDMX, MX Novembre, Galerie Mathias Fels, Paris, FR The Record as Artwork, The Fort Worth Art Museum, Fort Worth, Texas, US; Moore College of Art, Philadelphia, Pennsylvania, US; Musee d'Art Contemporain, Montreal, CA; Museum of Contemporary Art, Chicago, Illinois, US Museum of Drawers, Bern, CH; Israel Museum, Jerusalem, IL Radical Attitudes to the Gallery, Art Net, London, UK Mail Art, Librije Beeldende Kunst, Zwolle, NL Artists» Books, Smart Gallery, University of Chicago, Illinois, US Working or Sketching Photographs by Artists, Los Angeles County Museum of Art, Los Angeles, US
Likewise, the twenty - six works included in this exhibition, which were produced between 1958 and 2010 by a broad range of international artists, propose direct and indirect connections to the many different ways we experience solitude, reflection, and the passing and recording of time — both literally and conceptually — in a work of art, and in our daily life.
On that particular morning, the museum seemed a veritable Kid Nation, with middle schoolers stomping around Manfred Pernice's deconstructed installation of vitrines and eating lunch in the courtyard amid Susan Philipsz's a cappella recording of «The Banks of the Ohio,» two of the exhibition's 204 works (by forty international artists).
In the NYTimes, David Barboza reports that China's leading contemporary artists are finally being recognized in their own country as well: «For years their work could not be exhibited in China, but now the country's leading contemporary artists are being courted by major art collectors abroad and their paintings set records at international auction sales.
Hence this first of five Manchester international festival keynote shows, also called So It Goes — which have the rather arty, very Factory Records subtitle ∑ (No, 12 k, Lg, 17 Mif) and pair the band with a 12 - piece synthesiser orchestra from the Royal Northern College Of Music and a «responsive» stage set designed by visual artist Liam Gillick.
Christie's had promoted this sale of modern and contemporary art, promising to break records for the most expensive work ever, as well as the priciest by a living artist, with an international PR campaign of unprecedented scope.
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