Not exact matches
With their return to Tooth & Nail
Records, the latest album from legendary
pop - punk outfit MXPX marks one of the most important alliances in faith - influenced
music.
The
record is a major departure for the
pop superstar, but one that shows the complexity of one
music's biggest names.
«Now we'll spend that much on the whole
recording and marketing of a
record,» he says, reflecting on the massive changes that have taken place in the streaming era of
pop music, where artists releasing
music online can top the charts and traditionally powerhouse artist release albums unannounced, sometimes with little marketing.
If the store sounds like a sports version of the
record shop in High Fidelity (the hit film, based on a novel by Nick Hornby, about
pop -
music freaks congregating in a store called Championship Vinyl), well, Hornby is a Sportspages regular.
Performing with her new band, Jones burst upon the
pop music scene with her auspicious debut album, Come Away With Me, released by Blue Note
Records in 2002.
In many ways, it is the least forward - looking Daft Punk
recording, but also the most ambitious — a concept album that plays like an alternative
music history, with an emphasis on styles and sounds that don't usually fit into the Baby Boomer - dictated
pop / rock canon.
Whereas «The Strangers» used country
records on a turntable to disquieting effect, «The Strangers: Prey at Night» makes it evident that these strangers have a penchant for «80s
pop music, playing everything from the aforementioned «Kids in America» to Kim Wilde's «Cambodia» and Air Supply's «Making Love Out of Nothing at All.»
More often than not, those organic sounds [dusty
record pops, nocturnal nature
recordings, tape hiss, distant car radios, bleeping busy signals, and street noise] feel like the
music's most relatable characteristics, providing moments of unpredictability and liveliness to an album which paints almost exclusively with monochrome hues.
Before the first episode of the series even aired, he also won a small role in Brian De Palma's 1976 horror picture Carrie, and at the early peak of his Kotter success he even
recorded a series of
pop music LPs — Can't Let Go, John Travolta, and Travolta Fever — scoring a major hit with the single «Let Her In.»
A tour - de-force tale of greed, media consolidation, homogenized radio, big box stores, downloading, and technological shifts in the
music industry told through candid interviews, crestfallen
record store owners, startling statistics, and eye -
popping animation.
(There is no reason you, gentle reader, should remember «Laurel Canyon,» the 2002 bomb starring Frances McDormand as a
record producer, but trust me, she was light - years more credible as someone who worked in
pop music than Cook.)
Otis at Monterey, with uncompressed stereo soundtracks Alternate soundtracks for all three films featuring 5.1 surround mixes by
recording engineer Eddie Kramer, presented in DTS - HD Master Audio Two hours of performances not included in Monterey
Pop, from the Association, Big Brother and the Holding Company, the Blues Project, Buffalo Springfield, the Paul Butterfield Blues Band, the Byrds, Country Joe and the Fish, the Electric Flag, the Grateful Dead, Jefferson Airplane, Al Kooper, the Mamas and the Papas, the Steve Miller Blues Band, Moby Grape, Laura Nyro, Quicksilver Messenger Service, Simon and Garfunkel, Tiny Tim, and the Who Audio commentaries from 2002 featuring Pennebaker, festival producer Lou Adler, and
music critics Charles Shaar Murray and Peter Guralnick New interviews with Adler and Pennebaker Chiefs (1968), a short film by Richard Leacock, which played alongside Monterey
Pop in theaters Interviews from 2002 with Adler and Pennebaker and with Phil Walden, Otis Redding's manager 1987 interview with Pete Townshend on Monterey and Jimi Hendrix Audio interviews with festival producer John Phillips, festival publicist Derek Taylor, and performers Cass Elliot and David Crosby Photo - essay by Elaine Mayes Festival scrapbook Trailers and radio spots PLUS: A book featuring essays by critics Michael Chaiken, Armond White, David Fricke, Barney Hoskyns, and Michael Lydon
July 17, 2015 • The strange story of a made - up
pop star who managed to keep an album on iTunes for six weeks and get 64,000 followers on Twitter, without
recording a note of new
music.
July 11, 2013 • Morning Edition host Renee Montagne speaks with NPR
music critic Ann Powers about singer Robin Thicke, who spent a decade
recording smooth, sexy R&B before hitting the top of the
pop charts with his current single, «Blurred Lines.»
Music and Lyrics (Warner Bros., February 14) Starring: Hugh Grant, Drew Barrymore, Brad Garrett, Kristen Johnston, Haley Bennett, Aasif Mandvi, Campbell Scott Director: Marc Lawrence Rating: PG - 13 The Pitch: A washed - up»80s
pop star (Grant) is approached by a popular teen diva (Bennett) who wants to
record a duet with him.
Though the uncompressed PCM track is monaural only, the dialogue
recordings are generally clean (if uneven) and the
music is nicely presented, whether it's the brittle synth - and - sax stylings of the score by L.A. session musicians Gabriel Black and Lance Ong or the party -
pop beats of Texas punk band Refugee.
, wherein Dindal makes statements about the film's place in the Disney canon (apparently it's in the tradition of «memorable characters, great storytelling, eye -
popping visuals, and emotional
music») that would be arrogant if they weren't merely delusional and the Barenaked Ladies jam out an impromptu rap - ballad that's superior to the song they
recorded for the soundtrack.
That leaves the DTS - HD MA (Master Audio) 5.1 lossless mix on Virgin a fine combination of classic
Pop / Rock hits (some of the greatest songs ever
recorded actually) with
music from Air that meshes seamlessly, naturally and just adds to the strength of the film.
Bogart was the infamous
record executive from Brooklyn who went on to define the
pop -
music culture of his time, and who was closely aligned with the rise of disco.
Assertive, emotional, and deeply engaging, the new documentary from Catherine Bainbridge and Alfonso Maiorana, Rumble: The Indians Who Rocked the World sets the
record straight on the Native American influence on rock «n» roll and
pop music.
In September 2011, NPR
Music recorded this performance of the seminal psych -
pop band.
«I Saw the Light» tells the story of the iconic, tormented singer - songwriter who revolutionized country
music with his raw charisma, haunting voice and original songs, most of which are considered American standards today and have been
recorded many times over by
pop, rock and country artists alike.
December 17, 2012 • With Christmas looming, the
pop legend — who has
recorded three albums of Christmas
music and just released a compilation of them called The Classic Christmas Album — spoke with Morning Edition about the season.
Taiwanese
pop sensation Jay Chou, drawing on his years as an actor, director, and
recording star, creates a fantasy playground of
music, moves, and magic as a backdrop to an action comedy which pays homage to the wondrous musicals of the past, while exploding to life with today's sound and spirit.
Speaking of Adam's
music — he's a rocker, like Mia's parents — I found his supposedly brilliant songs (the ones that get him an awesome
record deal) rather conventional, and more
pop than rock.
Recorded jazz and
pop music from the bars compete with live performers on street corners.
In a candid, engaging narrative voice, 35 - year - old
pop -
music fanatic Rob, the owner of a vintage
record shop who has just broken up with his longtime girlfriend, attempts to ease his misery by giving an account of his top - five most memorable split - ups.
Pop -
music fanatic Rob, owner of a vintage
record shop in London, whiles away his days by engaging in endless rounds of list making (best
music to play at a funeral: «Many Rivers to Cross,» Jimmy Cliff), but it's his literate, painfully honest riffs on romantic humiliation and heartbreak that make this first novel so special.
The entire day will be dedicated to vinyl
records and
music, Vinyl Day will take place at Barnes & Noble's nearly 650 stores nationwide just four months after its first vinyl - themed promotion in July as part of the summer program «Get
Pop - Cultured with Barnes & Noble.»
The line - up includes American hip hop
recording artist and actress Snow Tha Product; an electronic
music artist and activist Madame Gandhi; Ariana and the Rose, an American synth -
pop band from New York; Dana Goldberg, named one of the top three LGBT comedians in the US; and Suzanne Westenhoefer, an out lesbian stand - up comedian.
Sing your heart out in the latest iteration of the We Sing series, which focuses on the
Pop genre of
music and features the original
recordings, as well as HD
music videos.
Zelda: Ocarina of Time Gets
Music Video Collaboration by Jillian Aversa and Erutan 08 August, 2017 Zing
Pop Culture releasing electronic Legend of Zelda ocarina 20 July, 2017 Zelda: Ocarina of Time - Kokiri Forest acoustic cover 08 July, 2017 Out Today: Zelda Ocarina of Time Live Orchestra Album 27 March, 2017 Legend of Zelda: Ocarina of Time - new «any %» speedrun
record set 24 March, 2017
Turner prize - winner aims to give
pop music the same attention as visual art and allow people to hear
records on top - end stereo
By creating speculative constructions composed of re-appropriated found footage, sampled
pop music, low res animations and personal
recordings, she aims to interrogate the manipulative power structures inherent in using the lens as a medium.
Recent group exhibitions include Reverb:
Music as Both Inspiration & Content in Contemporary Art, Torrance Art Museum, Torrance, California; The
Record: Contemporary Art and Vinyl, Nasher Museum of Art, Durham, North Carolina; Rock - Paper - Scissors,
Pop Music as Subject of Visual Art, Kunsthaus Graz, Graz, Austria; and Sympathy for the Devil: Art and Rock and Roll since 1967, Museum of Contemporary Art, Chicago, Illinois.
The artist was an avid collector of everything from
pop - up books and forgotten folk
records (he famously compiled the Anthology of American Folk
Music, released in 1952) to Native American costumes, string figures, and Fabergé eggs.
And yeah, he
records and releases
music with a few bands and as a solo producer, and occasionally
pops up on a stage somewhere in Los Angeles.
Total
Records traces the history of the fusion between
music and photography, a relationship which fosters collaborations between artists such as Robert Frank and The Rolling Stones, Herb Ritts and Madonna, Jeff Wall and Iggy
Pop, Anton Corbijn and U2.
Their twitter feed is live - updated with the content of the spoken - word
recordings, a story of a romantic encounter on a night out, played alongside a heterogeneous selection of modern
pop and not - so -
pop music.
The soundtracks employ ambient noise, sound effects, new and idiosyncratic arrangements of classical
music and
pop standards, abrupt edits, a frequent use of distortion, and extraneous
recorded speech to achieve an almost psychedelic and distantiating effect.
In economics, via the growth of the world economy in general and the American economy in particular; in science, via the spread of television; in contemporary
music, (which itself became known as «
Pop») through the miniaturization of radio, increased
record production, the appearance of cult groups like The Beatles, and the phenomenon of pychedelia; and lastly through an expanding art market.
Shown on the ground floor of the gallery is Graham's multi-piece work «Black Tapestry», which comprises 25 darkly painted over copies of Carole King's legendary
record album «Tapestry», with which she celebrated her breakthrough in Rock and
Pop Music in 1971.
Taking the conversion of infrastructure — oftentimes cold, invisible technical systems — into a kind of lauded aesthetics that penetrate power structures as the point of departure, the trio plunges into post-1950s Chinese audio - visual materials — from the archive of the propaganda pictorial Renmin Huabao, government
recordings, to politicized
pop music from the early 2000s and their
music videos — to trace an aestheticized infrastructure's horizons and its ideological workings.
If
music is more your thing,
pop by Phonica
Records on Poland Street for the launch of Martin Creed and Box Codax's joint double - A-side single.
[8] Marclay has occasionally cut and re-joined different LP
records; when played on a turntable, these re-assembled
records will combine snippets of different
music in quick succession along with clicks or
pops from the seams [11]-- typical of noise
music — and when the original LPs were made of differently - colored vinyl, the reassembled LPs can themselves be considered as works of art.
Sub
Pop Records recording artist Kelley Stoltz produced a
music - industry first.
The higher register brass, strings, and vocals are delivered with a more crisp presence than we hear in the other genres — much of this has to do with how classical
music is
recorded and mixed versus modern
pop music.
Milan, Lombardy About Blog Italian
record label and
music distributor with a a vast repertoire of artists of mixed
music styles, from classical to jazz to
pop music.