Sentences with phrase «red chalk drawing»
Highlights include a red chalk drawing of the satyr Marsyas by José de Ribera, an «Immaculate Conception» by Bartolomé Esteban Murillo, several late Goya drawings, and a lavishly illustrated 1780 edition of «Don Quixote.»
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LEONARDO TO MATISSE: MASTER DRAWINGS FROM THE ROBERT LEHMAN COLLECTION Rembrandt's transcendent red chalk drawing of a print of da Vinci's «Last Supper,» along with 55 drawings by an all - star team including da Vinci himself, Dürer, Tiepolo, Ingres, Matisse and Seurat.
Executes a series of landscapes in the forest of Soignes (Dirt Track to Watermael through the Forest of Soignes, Golden Twilight on the Dunes in the Forest of Soignes, between 1871 and 1877), where Rodin enjoys walking with Rose, including about thirty small landscape paintings, mounted on cardboard, and ten red chalk drawings.
Not exact matches
At the Met, sixty works carefully chosen from the Lehman Collection offered a rapid, staccato trip through the history of European art, distinguished by such spectacular inclusions as a scrupulously observed walking bear by Leonardo da Vinci, from the late quattrocento, a cranky Dürer self - portrait from about the same time, an exquisite Fra Bartolomeo landscape of figures moving through mountainous terrain, from the very beginning of the cinquecento, and a startlingly intimate, casual study after Leonardo's Last Supper, drawn in red chalk by Rembrandt in the early 1630s, when he was still in his twenties.
Rembrandt's «The Last Supper, after Leonardo da Vinci,» 1634 — 35, red chalk, from the exhibition «Leonardo to Matisse: Master Drawings From the Robert Lehman Collection.»
This exhibition focuses on the 16th - century technique of drawing in red chalk to convey the impression of flesh, featuring sketches by Bandinelli and Carlo Maratti.
The drawing reveals his mastery over the medium, as Guercino manipulates the warm hue of red - chalk to depict the subtle gradations of light over flesh, producing a convincing lifelike quality.
This charcoal drawing, created on tracing paper with red chalk highlights, is an important addition to the gallery's permanent collection of British and international modern art.