Sentences with phrase «red painting palette»

Known for their large scale mural installations and signature black white and red painting palette the Duo who also are identical twins have set out to push their paintings into new territory.

Not exact matches

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I painted my nails red for the fourth and loved the contrast against the navy and white palette.

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While first offered exclusively with black exterior paint, the color palette for Midnight Editions now includes a choice of black, white, gray and red colors for all six models.

Keep in mind the soft top can be ordered in three shades, the usual black, but also red and brown, depending on which exterior color is selected from the vast palette of paint available as standard, option or in the Ad Personam program.

The six canvases that make up Pre-Verbal Painting share a monochromatic color palette, mostly consisting of a light gray, almost white, with hints of blues, yellows, reds, or greens showing through.

I still use pretty much the same palette I used when I first started painting, with a few additions over the years: Cremnitz white, raw umber, ultramarine blue, cobalt blue, quinacridone blue, burnt sienna, lemon yellow, cadmium yellow, Indian yellow, cadmium orange, cadmium or other warm green, Veronese green, vert Aubusson or pthalo green, a purple, cadmium red, alizarin crimson.

Early on when I was fixed on paintings that were predominantly red I used a whole lot of reds and limited my palette.

By the late 1950s, when Kinley painted Red, White and Black and other pared down palette - knifed abstractions of landscape with subliminal suggestions of the human figure, the Vienna - born, St. Martin's - trained painter had already enjoyed two solo exhibitions at Gimpel Fils, London.

Some mixed media paintings use rich blue and gold colors, not just his previous, propaganda - style palette of red and black.

Paintings approach a fixed palette of basic colors, including red, yellow, blue, black, and green — but with two shades of blue and plenty of pink and gray.

The cartoon character has been portrayed with deliberate clumsiness, the paint applied in bold, forceful strokes with a limited palette of reds, pinks, black, and white.

Following Munsell's view of separating color into hue, value and chroma, Reilly organized the figure - painting palette in this manner, creating nine values of neutral grey as a control, with corresponding values of red, orange and fleshtone.

The rich ochre palette of his Albuquerque paintings, lifted by coppery reds or pale, minty greens or dusty pinks, are deeply suggestive of the colours of that rocky, mountainous region, though there's nothing to actually suggest these are landscapes (pictured left: Albuquerque # 6, 1951; Saint Louis Art Museum).

In these paintings the palette is earthy, the black layered on brown and ochre shades, but even in a work like Black Moves (1964), the dark tones are animated by contrast with a small triangle of red, and some delicate small dotting of yellow.

Across the bottom are solid vertical columns of pink, blue, red, yellow and brown, spattered and smeared with paints from the same palette.

The exhibition centred around a powerful group of seven large - scale paintings where the artist restricted her palette to dark tones of black, red, blue and white.

Original Large Abstract Painting Modern Contemporary Canvas Art Red Orange Gold «AUTUMN BIRCH» Tree 36x24 Palette Knife Texture Oil J.LEIGH

One need only to look at Schnabel's Portrait of My Daughter in relationship to de Kooning's «Woman» paintings begun in 1950 to recognize not only a similarity in the palette of pinks and reds but in the way the figure coalesces from the expressionistically painted background (which in Schnabel's painting also includes broken plates).

Original Large Abstract Painting Modern Contemporary Canvas Art Black Red Pink ROSE TRIO Flowers 36x24 Palette Knife Texture Oil J.LEIGH

Other works in the exhibition include Jorge Pardo's handcrafted wooden palette and modernist designed furniture that question the nature of the aesthetic experience; pioneering conceptual artist Joseph Kosuth's discourse on aesthetics in neon, An Object Self - Defined, 1966; Rachel Lachowicz's 1992 row of urinals cast in red lipstick, which delivers a feminist critique of Duchamp's readymade; Richard Pettibone's paintings of photographs of Fountain; Richard Phillips» recent paintings based on Gerhard Richter's highly valued work; Miami artist Tom Scicluna's neon sign, «Interest in Aesthetics,» a critique of the use of aesthetics in Fort Lauderdale's ordinance on homelessness; the French collaborative Claire Fontaine's lightbox highlighting Duchamp's critical comments about art juries; Corey Arcangel's video Apple Garage Band Auto Tune Demonstration, 2007, which tweaks the concept of aesthetics in the digital age; Bernd and Hilla Becher's photographs, Four Water Towers, 1980, that reveal the potential for aesthetic choices within the same typological structures; and works by Elad Lassry and Steven Baldi, who explore the aesthetic history of photography.

Adopting the language of abstraction and revolutionary aesthetics, Nolan typically uses a reduced palette of red and white and simple, inexpensive, utilitarian materials to create banners, posters, pamphlets, paintings and large - scale installations.

Motonaga paints in a vertical format, with a strong palette of blue, red, white and black.

The colours are intense in his new series — he uses a stark, monochromatic palette of either red or yellow, such that each figure seems etched out of the ground of the painting.

This collection of his paintings is a departure from this theme and includes stylized portraits as well as purely abstract works in his signature palette of black, white and red.

Their vibrant palette greens, blues, pinks, yellows and reds applied with alternating heavy impasto brushstrokes and thin washes of oil paint — create canvases bursting with visual excitement.

In a way, as critic Charles Darwent has written, Ofili «seems to be reliving 20th - century modernism backwards,» cycling through clear formal periods wherein his compositions have become more stripped - down, foregoing the dense layering and collaged elements of earlier works, and often focusing on a limited color palette — including the red, green, and black of Marcus Garvey's pan-African flag in the series of paintings he began in 2000 and showed in concert in an immersive environment at the 2003 Venice Biennale's British Pavilion.

These beautiful organic forms were painted, sometimes in neutral palette, sometimes you see the bright red.

His palette ranged between paintings with vibrant red / orange backgrounds and those with greys, creams and pale blues.

«My Everest» by Paola F Bidinelli is a mixed media impasto painting with a textured palette of red and black acrylic color.

Some of the paintings were done in a predominantly subdued palette of whites, ochres, and blacks — a palette shared by another famous Abstract Expressionist Franz Kline, while others were much more vibrant reds, blues and rich browns.

What most struck me about paintings such as Untitled (Red Butterfly)(2002) and others was how Grotjahn had commandeered Newman's totemic and cabbalistic «zips» - those declarative vertical stripes judiciously deployed to rend and reconcile oppositional forces on the picture plane Old Testament - style - and so handily retro - fitted them with the lollipop palette of Kenneth Noland, the geometrically compartmentalized painterliness of Alfred Jensen and the segmented cartwheeling compositions of early 1960s Frank Stella.

In this presentation Brice expands her recent use of a near single colour palette to include dynamic reds and deep greens to create large - scale paintings which address the art - historical tradition of the female nude.

So based on his series Who's Afraid of Red, Yellow and Blue, I did a big red Newman-esque scale painting, with my palette knife - honed surfaRed, Yellow and Blue, I did a big red Newman-esque scale painting, with my palette knife - honed surfared Newman-esque scale painting, with my palette knife - honed surface.

On moving to New York in the late 40s, the artist turned to easel painting and Abstract Expressionism, employing a restrained palette of whites, blacks, and reds in his depictions of abstract cloud - like forms floating in space.

[ok for week no. 2 meeting] white paper 90 lb smooth, notebook is fine exacto or utility knife rubber cement straight edge or ruler fashion magazines, instructions in class to follow commercial paint supply color strips, instructions in class to follow titanium white or equivalent gouache french ultramarine blue gouache cobalt blue gouache cerulean blue gouache veridian green gouache cadmium red medium alizarin crimson gouache magenta gouache cadmium yellow light gouache cadmium yellow deep gouache raw sienna gouache lamp black or equivalent gouache 2 glass containers with lids for water plastic paint palette with dividers 2 - 3 paint brushes including small round tip, medium flat, example # 8 flat or equivalent small spray bottle [facial atomizers are good] clean rag or paper towel

The precise opposite of that tentative sense of hesitation characterizes the paintings of both Alex Katz and Fairfield Porter, who imbue their subject with color - suffused boldness from the warm side of the palette, specifically reds more suited to Elizabeth Arden and Christian Louboutin than the painting studio.

From the show's first three paintings, Hofmann is all over the place, but with the constant of blasting red, yellow, blue and green vigorously applied with brush, palette knife or squeezed point tube and a distinct bravura.

CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.

Rattiner's characteristic works were large - scale paintings filled with aggressive brushwork overwhelmed by a contrasting color palette of blacks, whites and reds for accents.

Known for his bold color palette of deep blues and aquatic teals with jarring, red accents, Kinsey went in an abstract direction with this new series of paintings.

Although in most of the paintings in the show Wool's palette is limited to black and white, this piece features an ostensibly impetuous splash of red paint.

He juices the painting up to a fever pitch with a jarring, manic palette of bright reds, blues, and greens.

Exhibition Checklist Main Gallery (Clockwise from entrance) Robert Arneson Splatt, 1983 bronze with unique ceramic base 71 x 21 x 21 inches RAs 130.01 Robert Arneson Elvis II, 1978 conte, pastel on paper 41 5/8 x 29 7/8» RAd 04 Joan Brown Self - Portrait at Age 42, 1980 enamel on canvas 71 3/4» x 60» JBRp 19 Steven Campbell Men Insulting Nature and the Notion of Travel, 1986 oil on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005 acrylic on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast paper, acrylic, pencil, and collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude on street), 2004 acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004 acrylic, ballpoint pen, inkjet archival print on paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look - Out, 2005 plaster, acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard, hand - made hardwood frame 6 x 6 inches DCp 09 Side Gallery Diane Edison Self - Portrait Interior (striped robe), 1992 color pencil / black paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil on canvas 30 x 24 inches AGotp01 Lesley Dill Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd 52

With an idiosyncratic palette that ranged from the somber blacks, blues, and browns of the monochromes in the early»70s to the exuberant pinks, blues, and reds of the cartoony windows in the early»80s, Humphrey's ponderous paintings literally and figuratively inserted themselves into the viewer's space.

Ronnie Cutrone, Warhol's painting assistant at the time, said the palette was chosen from Warhol's favorite colors: «aubergine, chartreuse, carmine red, yellow, midnight blue... and white.»