I love the one with
red stripes where you are on a blue bike!
Not exact matches
7 Fill the pie and top with stars and
stripes: Spread the strawberries over the part of the sheet pan
where the
red and white
stripes should be.
If I inspired you with the versatility of this particular dress, head to Charming Charlie
where they've got it in black and
red and white
stripe.
It was a little tricky working that zipper in a knit fabric, but I do love the final outcome, especially
where the
red stripe intersects with the
red zipper.
We see a stunning checkered sweater in black,
red windowpane print with long - sleeves,
where each sleeve is printed in different
stripes.
You can be sure that the front end will go exactly
where you point that little
red stripe at the top of the steering wheel.
Close to the point
where the channel meets the ocean stands the Les Eclaireurs lighthouse with its distinctive
red and white
stripes.
One place you can't miss is the Pelican Bar, a quirky, ramshackle watering hole built on a sandbar in the middle of the sea,
where you can order a
Red Stripe and fish that's caught and cooked on - site.
Four paintings here feature his trademark
stripes, in blue or silver or
red or black, spanning the unstretched canvas and bulging out from the wall; you can see the creases
where he folded the canvas and the punctures
where staples held it to his studio wall.
The three vertical panels, in addition to referencing the traditional triptych format, appear to be horizontally subdivided into three regions: a relatively quiet area along the top, bordered by a long squeeze of
red paint that crosses the surface from left to right; a densely layered strip across the center,
where the majority of the collaged elements are concentrated; and a band of brightly colored
stripes that fills the bottom.
And the spot
where the Agnes Martin work now hangs was, not long ago, they said, occupied by a prized Navajo chief's blanket, whose slightly quavery horizontal
stripes, punctuated by insect - dye
red, look like something Martin might have painted.
The circular
red ribs that make up the urn - like form of Cherubini's «Morning Star» reflect the looping vase handles and linear flowers in Nichols's still lifes; the figure / field spatial disparity in Bischof's «Omi im Bregenzer Wald» is also found in Trudy Benson's «Yes, and...» from 2014 (evidently a play on Yes, but..., Dore Ashton's classic study of Philip Guston's late work, published in 1976),
where beads of yellow paint resembling wads of chewed - up chewing gum seem to drift above a receding gray and green field, which is bordered in peach - and - gray shards intersecting with black - and - white
stripes.