Sentences with phrase «redefine contemporary»

His good friend and fineartmultiple gallery partner, Carolina Nitsch, hosted a special celebratory dinner for the artist — who helped redefine contemporary art alongside his collective General Idea and set up the NY Art Book Fair — at his favorite restaurant in Basel.
Incorporating materials not traditionally associated with fine art into his works — including latex, satin, bamboo, and other found objects — Sonnier began to create sculptural works that challenged the conception of art at the time, and which went on to redefine contemporary sculptural practices.
Rather, the curators want to redefine contemporary American art.
Given the priority of the moral and cultural questions that have redefined contemporary politics, most conservative Protestants might welcome the assurance that a Catholic candidate would take inspiration, if not «instruction,» from the pope.
Abuzz with positive reviews since its Sundance premiere, where it was revealed the film had been shot entirely on an iPhone 5s, Tangerine redefines contemporary American independent cinema.
The extensive colour and material concept redefines contemporary elegance and high - end quality in this segment.
Soul Surfers Paradise, right on the ocean at the newly transformed esplanade, has redefined contemporary sophistication and world - class luxury.
The house and the landscape were the first commission to be given to a young Lancelot «Capability» Brown by George, 6th Earl of Coventry (1722 - 1809), a man who redefined contemporary taste in the mid-18th century.
The pervasive theme of reclamation and empowerment resonates in Shelley Niro's work, which redefines contemporary Indigenous experience and identity, particularly for women.
They are redefining contemporary art, both its presentation and production, and diversifying the art history canon.
It is a platform for open discussion aimed at redefining the contemporary landscape.
Inspired by various sources that range from the 19th century Hudson river school to Édouard Manet, Alice Neel, and Romare Bearden, she has created a true signature style and continues to explore notions of beauty from a contemporary perspective infused with the more recent influences of popular culture and pop art, redefining contemporary ideas of portraiture.
Books: Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures, by Mark Fisher; Being Cultured: In Defence of Discrimination, by Angus Kennedy; Selected Writings, 2000 — 2014, by Paul Chan; Colliding Worlds: How Cutting - Edge Science is Redefining Contemporary Art, by Arthur I. Miller.
As the celebrity artist of the Pop Art movement, he - along with painter Roy Lichtenstein, sculptor Claes Oldenburg, and others - redefined contemporary art of the 1960s and 70s.
He navigates between the vocabularies and aesthetics of the visual arts, performing arts, and music, redefining contemporary composition and sound production.
For more than fifty years, Ken Price, born in 1935 in Los Angeles, California, created remarkable and innovative works that have redefined contemporary sculpture practice.
This new model of self - curation redefined contemporary art and moved the contemporary art gallery scene from Manhattan's Midtown and Upper East Side to downtown, a transformation that led to the re-establishment of the city's cultural geography, a legacy that remains to this day.
Ye is continually revolutionizing and redefining contemporary Chinese art practice and has become one of the most vocal and influential figures of Chinese art today.
His style is a pastiche of abstract expressionism and low - brow pop surrealism, with vivid, bold fractals of nature redefining the contemporary practice of portraiture.

Not exact matches

There is a similarity to and a difference from Kant's doctrine of space and time as forms of intuition; each occasion inherits this network of potential relatedness from its past, actualizes a portion of it as its own «region,» and (if it has any substantial experience in the mode of presentational immediacy) redefines the network and projects it upon the contemporary world.
Any contemporary attempt to redefine the meaning of marriage — whether by socially liberal politicians or misguided clerics — strikes a similarly ridiculous and pathetic pose.
Therefore the contemporary Christian responsibility is to redefine the secular culture in the light of a more holistic anthropology built up through the dialogue of Christianity with secularist ideologies in the context of the religious pluralism of the present situation.
He can in this way realign philosophy with contemporary scientific theory, while at the same time providing the latter with a «ground» in immediate experience which had been lacking in traditional empiricism, modeled as that was on corpuscular theories of nature.8 In his early work, Whitehead employs Bradley's antiatomism within a classically empiricist framework; redefined as a continuum, sensation still plays its conventional role as a theory of «presentation» (EPNK 60), the given foundation of the reflective process.9
Tiba + Marl's contemporary collection of bags redefines the staid tradition of baby changing bags by combining modern graphic prints, premium and high tech materials, and stylish but practical design.
Despite writing the book and screenplay of «Fast Times At Ridgemont High» (1982), the film that established the parameters of»80s teen movies; despite establishing or redefining a host of contemporary film stars; despite major box office success, despite an Oscar, despite his role as a pop music shaman — there's little written about Crowe's work as a writer and director.
The Fault in Our Stars (in both book and movie form) may have spearheaded the contemporary conversation about disabled teen protagonists, but it's done so as part of a longstanding tradition that continues to refine, and redefine, the portrayal of difference in YA lit.
MacGregor's contemporaries have also drawn attention to this issue: Timandra Whitecastle — whose grimdark debut Touch of Iron aims to redefine «strong» female characters — recently expressed similar views about the frustrations caused by those who insist upon such a divide.
We combine a contemporary Sri Lankan outlook with world - class service, and modern conveniences with old - world charm to redefine the journey.
Deep Cuts will showcase work by contemporary artists who reconsider, redefine and even subvert the centuries - old practice of paper cutting.
LARA FAVARETTO Born 1973 (Treviso, Italy) Lives and works in Torino, Italy EDUCATION 1994 - 1999 Accademia di Belle Arti di Brera, Milano, Italy 1998 Advanced Course in Visual Arts, Visiting Professor Hacmilton Fulton, Fondazione Antonio Ratti, Como, Italy Scholarship at Kingston University, London, UK SOLO EXHIBITIONS 2019 Castello di Rivoli Museo d'Arte Contemporanea (forthcoming) Aspen Art Museum (forthcoming) 2018 «SUCKING MUD» Galleria Franco Noero, Piazza Carignano, Turin, Italy 2017 «Absolutely Nothing», Nottingham Contemporary, Nottingham, UK 2015 «Good Luck», MAXXI, Rome, Italy «Lara Favaretto: Collected Works», Rennie Collection, Vancouver, Canada «REDEFINE», Galleria Franco Noero, Turin, Italy 2013 «The 2013 Carnegie International», Carnegie Museum of Art, Pittsburgh, USA 2012 «Just Knocked Out», Sharjah Art Foundation, Sharjah, UAE and MOMA PS1, New York, USA 2009 «Absolutely no Donations» Tramway, Glasgow, UK SELECTED GROUP EXHIBITIONS 2018 «Reichtum: Schwarz ist Gold / Black is Gold», Lehmbruck Museum, Duisburg, Germany «Sexy and Cool», Kunsthalle Tübingen, Tübingen, Germany «Playtime», Peabody Essex Museum, Salem, USA «Stories of Almost Everyone», Hammer Museum, Los Angeles, USA 2017 «I am you, you are too», Walker Art Center, Minneapolis, USA «A Poet * hical Wager», MOCA Cleveland, USA Skulptur Projekte Münster, Münster and Marl, Germany 2016 Liverpool Biennial 2016, Liverpool, UK 2015 «The Event Sculpture», The Henry Moore Foundation, Leeds, UK 2014 «Manifesta 10», The State Hermitage Museum, Saint Petersburg, Russia «Infinte Jest», Schrin Kunsthalle, Frankfurt, Germany 2013 «The 2013 Carnegie International», Carnegie Museum of Art, Pittsburgh, USA 2012 «When Attitudes Became Form Become Attitudes», CCA Wattis Institute for Contemporary Arts, San Francisco, USA «dOCUMENTA (13)», Kassel, Germany and Kabul, Afghanistan 2011 12th International Istanbul Biennial, cur.
Affixing his perspective of our time on material thousands of years old, the artist redefines this popular material in a contemporary setting.
The artist who redefined the meaning of sculpture for his contemporaries and future generations with his unique vision and innovative techniques, Brancusi was the first one who created a sculpture that moved away from strictly representational.
It is also invaluable artistic material for academics redefining art history by integrating these pieces into the canons of British and global contemporary art.
Turner Contemporary presents the exhibition «Self» which posits the question, in a world where «selfies» have become everyday expressions and «Britishness» is being redefined, what is the role of self - portraiture and how has it shifted through the history of art to the present day?
He is committed to redefining notions of contemporary art.
With the assistance of so many hands and the product of which remains to be in a perpetual state of fluctuation, Urs Fischer has redefined Geffen Contemporary MOCA as institution into artist studio.
2003 Art Basel Miami Beach, Bernice Steinbaum Gallery, Miami, FL 10 Floridians, Miami Art Central, Miami, FL Inside / Outside: Contemporary Cuban Art, Charlotte and Philip Hanes Art Gallery in Scales Fine Arts Center, Wake Forest University, Winston - Salem, NC A Matter of Facts, Nicole Klagsbrun Gallery, New York, NY Latin American Art, Palazzo Mediceo, San Leo, Italy Social Strategies: Redefining Social Realism, The University Art Museum, University of California, Santa Barbara, CA Social Strategies: Redefining Social Realism, University Galeries, Ilinois State University, Normal, IL Social Strategies: Redefining Social Realism DePauw University Art Gallery, Greencastle, IN Paradise Lost?
2010 Art of The Eighties, Nymphius Projekte, Berlin Re-Seeing the Contemporary: Selected from the Collection, Dallas Museum of Art, Dallas Psychedelic: Optical and Visionary Art Since 1960, San Antonio Museum of Art, TX (catalogue); travelled to Memorial Art Gallery, University of Rochester, NY; Telfair Museum of Art, Savannah, GA Inside, Outside, Upstairs, Downstairs: The Addison Anew, Addison Gallery of American Art, Andover, MA Art of the Eighties, Nymphius Projekte, Berlin Color and Form, Los Angeles County Museum of Art, Los Angeles Once Removed, The Apartment, Athens Masters of Impressionism and Modern Art, Heather James Fine Art, Jackson, WY VaXiNation, Xippas Gallery, Athens Global Art Show, The Columns, Seoul Track and Traces, Galleria in Arco, Turin, Italy Abstract Vision 2010, Art + Art Gallery, Moscow The 80s Revisited: The Bischofberger Collection, Kunsthalle Bielefeld, Bielefeld, Germany (catalogue) Painting Panel Exhibition, in conjunction with the College Art Association Annual Conference, Shane Campbell Gallery, Chicago, IL Personal Structures: Time — Space — Existence, Künstlerhaus Palais Thurn and Taxis BV: BKV, Bregenz, Austria Pictures about Pictures: Discursive Painting from Albers to Zobernig, Daimler Art Collection, Museum Moderner Kunst, Vienna España / America: The Redefined Abstraction, Galeria Max Estrella, Madrid (curated by Demetrio Paparoni)
At the Southeastern Center for Contemporary Art, in the old Hanes family mansion in Winston - Salem, North Carolina, Dispatches offers thirty - four artists and photojournalists a chance to «redefine the world issues of our time.»
The exhibition traces the digressing and rhizomatic nature of historical narrative as the malleable material of contemporary interpretation, able to be revisited, remembered and redefined through individual and collective reference.
Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas brings together the works of three singular American artists whose work redefines history painting in a contemporary context.
The Figure Redefined, Primitivo, San Francisco, CA Art from the African Diaspora, Aljira, A Center for Contemporary Art, Newark, NJ Outside the Mainstream: Folk Art in Our Time, High Museum of Art, Atlanta, GA
Furthermore, the retrospective will highlight the spatial approaches of neo-avantgarde and contemporary artists such as Yves Klein, Donald Judd and Christo, who, each in their own way, redefined spatial formations regarding either color in its depth and spirit, form in its empirical radicalness, or landscape in its complex and altered reality formation.
2012 African American Art in the 20th Century, Smithsonian American Art Museum, Washington, DC Tides of Provincetown: Pivotal Years in America's Oldest Continuous Art Colony (1899 - 2011), The New Britain Museum of American Art, New Britain, CT; Westmoreland Museum of American Art, Greensburg, PA; Cape Code Museum of Art, Dennis, MA Group Shoe, Gavin Brown's enterprise, New York, NY Tradition Redefined: The Larry and Brenda Thompson Collection of African American Art, Rice University Art Gallery, Houston, TX Blues for Smoke, The Museum of Contemporary Art, Los Angeles, CA; Whitney Museum of American Art, New York, NY; Wexner Center for the Arts, The Ohio State University, Columbus, OH INsite / INchelsea: The Inaugural Exhibition, Michael Rosenfeld Gallery LLC, New York, NY Ashé to Amen: African - Americans and Biblical Imagery, Museum of Biblical Art, New York, NY; Reginald F. Lewis Museum of Maryland African American History & Culture; Dixon Gallery & Gardens, Memphis, TN
The thirty - nine artists participating in this year's NAP broadly span the spectrum of varying themes in contemporary painting, including figural representation, material studies, optical abstraction and spatial depictions, while continually redefining the limits of formal categorization.
Recent Acquisitions and Deaccessioning Repetitive Works Redefine the Museum's Contemporary Art Collection
With a small number of contemporaries, he championed the elevation of color photography as art and redefined the documentary tradition in American photography.
Don't Look Back, Contemporary Fine Arts, Berlin Nomadic Images, 16th International Vilnius Painting Triennial, organized by the Lithuanian Artists» Association, Museum of Applied Art and Design in Vilnius, Lithuania «Various are the lines of life...», Galerie Bernard Ceysson, Windhof, Luxemborg The Present Order, Galerie für Zeitgenössische Kunst Leipzig, Germany Sammlung Viehof: Internationale Kunst der Gegenwart, Deichtorhallen Hamburg, Germany Landscapes after Ruskin: Redefining the Sublime, curated by Joel Sternfeld, The Hall Art Foundation, Reading, VT [cat.]
2018 Solo Exhibitions Christiane Baumgartner: Liquid Light, Alan Cristea Gallery, London, 21.03.2018 — 21.04.2018 2018 Group Exhibitions Landscapes after Ruskin: Redefining the Sublime Grey Art Gallery, New York University, 17.04.2018 — 07.07.2018 Powerful Tides — 400 Years of Chatham and the Sea, The Historic Dockyard, Chatham, 23.03.2018 — 17.06.2018 The Long Now — Reflexionen von Zeit und Vergänglichkeit, Museum Goch, 18.03.2018 — 10.06.2018 Journeys with «The Waste Land», Turner Contemporary, Margate, 03.02.2018 — 07.05.2018 Print Project Space: David Hockney, Jasper Johns, Roy Lichtenstein and more, Alan Cristea Gallery, London, 10.01.2018 — 10.02.2018
Quinn first came to prominence in the early 1990s, when he and several peers redefined what it was to make and experience contemporary art.
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