Cy Twombly's Leaving Paphos Ringed with Waves (IV), which was shown in Athens at the last gallery exhibition of his work prior to the artist's passing, employs rich tones of turquoise with vermillion and yellow to portray the Mediterranean landscape and
reference ancient literature and mythology.
Not exact matches
It is true that the King James bible is
referenced in a good deal of pre 20th century
literature, but so was
ancient Roman / Greek mythology.
Already in the
literature of the first millennium there are
references to people with prodigious memory, particularly in the Naturalis historia (Natural History) of Pliny the Elder (Gaius Plinius Secundus, 23 — 79 A.D.), a sort of encyclopedia that in 37 books describes everything from the geography, science, and technology to the agriculture, medicinal herbs, and insects of
ancient Rome.
In popular
literature it denotes the prick - eared, leggy dog with a curled tail from the early Egyptian age, but it was also used with
reference to the lop - eared «saluki / sloughi» type; it was one of several types of dogs in
Ancient Egypt, particularly the latter type had an appearance most similar to that of a greyhound.
The oldest record of the breed dates back to 500 BC and
references to this type of dog have been found in both
Ancient Greek and Roman
literature.
[15]
References to the dog can also be found in
Ancient Greek and Roman
literature.
While all three artists look to
literature as a primary source of inspiration, Bas's fascination with the paranormal and bizarre traces back to his childhood; Chu draws from a wide range of cultures and eras,
referencing ancient mythological and ritualistic tales; and Kristalova mines the lost territory of childhood dreams, memories and nightmares.
This close
reference to Laxdaela Saga was a prelude to further works by Jonas based on Icelandic
literature, both
ancient and recent.