Christian is here speaking of the concept «event» as used in Whitehead's earlier works; the term doesn't change
its reference in the later works, though it practically drops out of the picture as being a less than ultimate concept (corresponding to the notion of a structured society) which gives way to the category of «actual entity» as the term descriptive of ultimate, concrete reality.
A few individual paintings made a lasting impression, and these occasionally reappear as
references in his later work, for instance the echoes of Poussin's Massacre of the Innocents from Chantilly.
That same day I saw an exhibition at Gagosian gallery of the Poloroids Balthus used for
reference in his late work after having seen the beautiful show of his work at the Met the week before.
Not exact matches
The Anglo - American label may however, be put to a legitimate, if rather specific, use — namely,
in the context of a selective reading of Deleuze's
works from the
late sixties (D&R and LS), and taking the logico - mathematical model of structuralism (developed by the Bourbaki school and taken up by Piaget) as the
reference point, rather than the more familiar, but rather different, model derived from Saussurean linguistics.
I think you answered it
later on with the
reference to legalism, and I think that's where we put restrictions on the text to
work only
in certain conditional ways.
Jeremy have been asking the holy spirit for his help with this and
in regards to the lame man that Jesus healed I do nt believe that sin was the issue for him just like the blind man was it his parents or did he sin the answer was neither but so that God would be glorified.What was the sin that may have been worse for him.The two situations are related of the woman caught
in adultery the key words being go and sin no more only two
references in the bible and will explain
later the lame man we see at first his dependency on everyone else for his needs he cant do it he is
in the best position to receive Gods grace but what does he do with it.Does he follow Jesus no we are told he goes to the temple and Jesus finds him now that he has his strength to do things on his own what his response to follow the way of the pharisees that is what is worse than his condition before so he is warned by go and sin no more.We get confused because we see the word sin but the giver of is speaking to him to go another way means death.Getting back to the two situations of the woman caught
in adultery and the lame man here we see a picture of our hearts on the one our love for sin and on the other the desire to
work out our salvation on our terms they are the two areas we have to submit to God.My experience was the self righteousness was the harder to deal with because it is linked
in to our feelings of self worth and self confidence so we have to be broken so we are humble enough to realise that without God we can do nothing our flesh hates that so it is a struggle at first to change our way of thinking.brentnz
Among Whitehead's
later works, the largest number of
references is to be found
in RM with 24; AI has 22, PR has 18 (two thirds
in part V); SMW 11; FR 3, Imm 2, MG 1.
There are
references in the
later Christian writings to a tradition that the disciples after the ascension of Jesus assigned to themselves different regions of the world for missionary
work.
Since many of these
later references to elders apply to churches within the area of Paul's earlier
work and even, especially
in the case of I Clement, to a church actually founded by Paul, one must acknowledge a measure of truth
in this supposition.
Though always intriguing and making use of stunning visuals and an evocative atmosphere, this esoteric Western of religious
references is still an unripe Jodorowsky, clearly lacking
in narrative structure before he started developing better his ideas
in later works.
With every movie - related news story
referencing James Franco of
late — including rumours of his role
in Sam Raimi's The Wizard Of Oz prequel Oz: The Great And Powerful, his impending directorial involvement of Cormac McCarthy's «Blood Meridian», and even a college course collated by the actor based on his
work — the fact that his
latest film releases
in Australia this week has hardly rated a mention.
Alfredson's two major points - of -
reference in Tinker, Tailor appear to be the
later films of Jean - Pierre Melville (who seemed to be the dominant influence the first time I saw the film, projected) and the current
work of David Fincher (whose influence seemed to dominate my second viewing, from DVD).
In one of the emails leaked in the cyber attack on Sony late last year, Marvel boss Ike Perlmutter explained to Sony CEO Michael Lynton why female superhero movies just don't work, referencing flops like Elektra («very, very bad»), Catwoman («a disaster») and Supergirl («another disaster»
In one of the emails leaked
in the cyber attack on Sony late last year, Marvel boss Ike Perlmutter explained to Sony CEO Michael Lynton why female superhero movies just don't work, referencing flops like Elektra («very, very bad»), Catwoman («a disaster») and Supergirl («another disaster»
in the cyber attack on Sony
late last year, Marvel boss Ike Perlmutter explained to Sony CEO Michael Lynton why female superhero movies just don't
work,
referencing flops like Elektra («very, very bad»), Catwoman («a disaster») and Supergirl («another disaster»).
A six - panel folder Created
in a handy file - folder format, this folder functions as a quick
reference tool for lesson planning and implementation, as well as providing a convenient location to store student
work samples for
later evaluation.
A six - panel folder The six - sided portfolio,
in file - folder format, provided as a handy tool for quick
reference during lesson planning, as well as a convenient location to store student
work samples for
later evaluation.
Whether your people are office - based,
working online with PCs and laptops, or spend their days away from the office with a tablet or mobile phone - with Agylia you can support them with the
latest training,
reference and performance support materials
in many different formats such as eLearning, videos or PDFs.
The
reference is just the
latest example of the Bush Institute's ongoing
work to gain traction and inspire action, particularly on improving the condition
in North Korea.
The origin of the Snowshoe breed is generally
referenced as being from a litter produce by a Siamese cat belonging to Dorothy Hinds - Daugherty a breeder
working in Philadelphia
in the
late 1960s.
In particular, his «Black Paintings» — monochromes of enamel on newspaper collage — have much in common with the late work of both Mark Rothko and Ad Reinhardt, and have recently been referenced in relation to Pollock's «Black Paintings» from the very same years (1951 — 52
In particular, his «Black Paintings» — monochromes of enamel on newspaper collage — have much
in common with the late work of both Mark Rothko and Ad Reinhardt, and have recently been referenced in relation to Pollock's «Black Paintings» from the very same years (1951 — 52
in common with the
late work of both Mark Rothko and Ad Reinhardt, and have recently been
referenced in relation to Pollock's «Black Paintings» from the very same years (1951 — 52
in relation to Pollock's «Black Paintings» from the very same years (1951 — 52).
Explaining to a circle of admirers how his
work, his self and his collecting are interlocked, Marino
referenced his purchase of a Richard Deacon sculpture and, two years
later, for a building he designed
in Singapore, his commission of a large Deacon, which then inspired a building he constructed
in Los Angeles.
The exhibition will include both student
work and
later professional achievements of such alumni and faculty as: Gertrude Jekyll, Sir Edwin Lutyens, Eric Ravilious, Edward Bawden, Hans Coper, Ossie Clark, Bill Gibb, Zandra Rhodes, Sir James Dyson, Eric Parry, David Adjaye, Tord Boontje, Ron Arad, Graphic Thought Facility and Neville Brody from the broad disciplines of Design, Architecture and Applied Art; Lady Elizabeth Butler, Dame Barbara Hepworth, Henry Moore OM, David Hockney OM, Bridget Riley, Eduardo Paolozzi, Tracey Emin (whose 2001
work The Perfect Place to Grow, is both exhibited and
referenced in the exhibition title), Chris Ofili, George Shaw and Spartacus Chetywnd will be represented from the field of Fine Art
in the sections on Personal and Political Expression.
Selfhood plays a key role
in Kelly's
work, as he not only shares the same name with the
late, celebrated Los Angeles artist, Mike Kelley, but similarly,
references Superman and childhood nostalgia.
The
later work also features a witty art - historical
reference: an anamorphosis
in the foreground.
While developing several new bodies of
work that encompass video, sculpture, and installation (which debuted
in Berlin and Los Angeles
in late 2014) Trecartin collected images which functioned as both
reference material and conceptual pivot points for these expansive group of
works.
Later, the literary dimension of his
work came to the fore with
references to nineteenth - century poetry, after which it reached a new high point
in large - scale, colored drawings
in which — disillusioned and angry — he sharply criticizes George W. Bush's policies and the American war
in Iraq.
While music and films are
referenced in works such as Bush of Ghosts (1980) and The Thief of Baghdad (1983), other paintings hold a personal significance, including 311 Castro Street (2001), Heilmann's childhood address, and Primalon Ballroom (2002), a music venue
in San Francisco
in the 1940s and 50s and
later artists» studios.
#tbt to last weekend when artist #AndreaFraser read her
latest essay to a full house @theicala - «Toward a Reflexive Resistance» centered around the
work of the
late sociologist and philosopher #PierreBourdieu
in reference to cultural capital versus critical reflexivity within the contemporary arts community.
In his later years, he developed a greater awareness of his Jewish heritage, which found expression in his works, with reference to the Holocaust and influences from Jewish writers such as Kafka and Walter Benjamin, and he came to consider himself to be a «wandering Jew»
In his
later years, he developed a greater awareness of his Jewish heritage, which found expression
in his works, with reference to the Holocaust and influences from Jewish writers such as Kafka and Walter Benjamin, and he came to consider himself to be a «wandering Jew»
in his
works, with
reference to the Holocaust and influences from Jewish writers such as Kafka and Walter Benjamin, and he came to consider himself to be a «wandering Jew».
Within this preoccupation with the copy, the metaphor of death is never far away, at least
in reference to the
late twentieth - century theory of the «death of the author,» which
in more recent times has become nuanced by the notion that the ready - made and the copy are «original» art
works after all.
The influence of this early
work and training can be seen
in her
later work involving
references to dress patterns and textiles.
Cornell's fascination with birds led to a series of aviary boxes that Kusama
later references in her own
works.
Housed
in the same private collection for almost 20 years, Dustheads was included
in the seminal exhibition of the artist's
work organized by the Fondation Beyeler, Basel
in 2010 (and which
later travelled to the Musée d'art moderne de la ville de Paris) and is widely
referenced in the artist's monographs, including the cover of the catalogue to the 2006 Basquiat retrospective organized by the Fondazione La Triennale di Milano.
Starting with wall drawings (of a bicycle, for instance, which children
in a South African township would wish for
in vain), Robin Rhode developed an artistic practice that cleverly and humorously makes it possible to experience everyday observations, political statements, desires and (
in his
latest work)
references to art history — via gestures that sometimes resemble slapstick.
Classical
references persisted
in his
later work, particularly
in the form of Bacchus, the god of wine.
Published
in 1973, Six Years simultaneously catalogued and described the development of conceptual art practices
in the
late sixties and early seventies, and is now widely considered an essential
reference work for the period.
Schmatz refers to this again
later and describes it as follows
in reference to Zobernig's
work: «Innovation: H.Z's
work is not dominated by the compulsion for the new; instead the question as to what became a compulsion
in art and how it is investigated.»
Several
works on view
reference the Phrygian cap which was donned as a sign of resistance
in the French Revolution and
later came to symbolize liberty during the American Revolution.
In Interstate Projects» latest solo splash, Chloe Seibert explores the ways in which her work exists without explanation or references, the one - to - one impact experienced by her viewers, and their relation to figures in her sculptures and installation work
In Interstate Projects»
latest solo splash, Chloe Seibert explores the ways
in which her work exists without explanation or references, the one - to - one impact experienced by her viewers, and their relation to figures in her sculptures and installation work
in which her
work exists without explanation or
references, the one - to - one impact experienced by her viewers, and their relation to figures
in her sculptures and installation work
in her sculptures and installation
works.
In this
latest body of
work, Wiley juxtaposes the sitter and the art historical
references to reflect on the relationship between the island and the former colonial power.
The Street Art and Poetry scene
in New York
in the
late 70s and early 80s were important points of
reference for Martin Wong and substantially shaped the
work he produced after the move from San Francisco.
In this
latest series, a subtle luminosity returns to Zinn's
work, which weaves prior series with the present by
referencing light and incorporating geometric compositions with visual syncopation into her visual explorations.
The
reference to mythology as a source of inspiration; using abstract composition as a way to evoke literary and lyrical stories; the control of the design so as to achieve a delicate balance between the freshness of gestural strokes and the clearness of drawing; the
reference to the tradition of art history as an endless process of acknowledgment of the meaning of artistic practice; the attention paid to the sign itself as a multi-linguistic mark of the artist's expression; these are all constant features of Twombly's
work, and have been since the very beginning of his career
in the
late 1940s.
In her latest show of work, Lachowicz references not the plaques of Carl Andre or boxes of Donald Judd, readily recognized by gallerygoers, but a particular film from early in Clint Eastwood's career, High Plains Drifter (1973
In her
latest show of
work, Lachowicz
references not the plaques of Carl Andre or boxes of Donald Judd, readily recognized by gallerygoers, but a particular film from early
in Clint Eastwood's career, High Plains Drifter (1973
in Clint Eastwood's career, High Plains Drifter (1973).
Works from the
late 1950s and early 1960s, such as the present lot, may seem like an abrupt departure from the censored, figurative watercolors of the 1940s, yet their
references to the corporeal reveal the artist's continued interest
in the human body.
In his late works Hofmann abandoned almost all reference to recognizable imagery and dedicated himself to the explorations of color, space, and form in his picture
In his
late works Hofmann abandoned almost all
reference to recognizable imagery and dedicated himself to the explorations of color, space, and form
in his picture
in his pictures.
Cragg never forgets the path he has taken to arrive at his
latest works that still find
references in some of his earliest
works, such as the stacks, assemblages and his figurative collages made from discarded materials.
The lettering
in his
latest work, Kultur = Kapital, makes
reference to Joseph Beuys» claim «kunst = kapital.»
Rail: That body of
work opened up new possibilities
in terms of different abstract language, without giving up the
reference to landscape, that became more invested
in legible form
in the
late»90s — I mean your installation at Andre Emmerich
in 1997.
Directly
referencing the
latest in men's hair removal procedures, the
work is a reflection on the physical and spiritual homogenisation of today's image - conscious society;
in our search for a standardised perfection, the body has become yet another commodity.
The videos include the
work by Ludwig Hirschfeld - Mack, Kreuzspiel, which concerns the reconstruction of a machine for light shows designed
in the mid 20s; Ein Lichtspiel schwarz - weiss - grau of 1930 by László Moholy - Nagy, which contains clear
references to light effects; the film Filmstudie (1926) by Hans Richter, renowned for his experimentation with abstract and moving forms
in the first half of the last century, and lastly the video Blue Movie by Marc Adrian, which belongs to a
later generation but undoubtedly bears the legacy of the aforementioned experimental
works.