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Also, Cross wanted a
site - specific
reference to the facing wall of the Haddad Gallery, so that viewers
upon entering the space would be immediately confronted by it.
It will feature De St. Croix's new
site - specific installation, High Rise, a monumental / miniature sculpture
referencing both the beauty and devastation
upon the Florida Everglades, including issues of encroachment, climate change and the myriad of ways human behavior effects and modifies the natural landscape.
Featuring: Amna Asghar, Dana Davenport, Umber Majeed, Tammy Nguyen, Ke Peng, Sahana Ramakrishnan, Sheida Soleimani Amna Asghar speaks on the construction and translation of disparate
references, cultures, geographies, and generations from Pakistan and America; Dana Davenport addresses the complexity of interminority racism within her own community and institutions from her experiences as a Black Korean American; Umber Majeed's practice attempts to unpack the temporalities within South Asia as
site, familial archival material, popular culture, and modern national state narratives; Tammy Nguyen interrogates natural sciences and non-human forms to explore racial intimacies and US military involvement in the Pacific Rim; Ke Peng documents the feeling of alienation and disorientation from urbanization and immigration by taking a journey into an imagined childhood in China, Hunan, where she was born and Shenzhen, a modern city where her family relocates to; Sahana Ramakrishan explores myths and religion from Buddhist and Hindu tales to speak
upon the magic of childhood and the power dynamics of sexuality, race, and violence; Sheida Soleimani is an Iranian - American artist and a daughter of political refugees, making work to highlight her critical perspective on the historical and contemporary socio - political occurrences in Iran.
The structure
referenced hoarding and notice boards used as
sites of communication for protest and action groups,
upon which she presented a new 6 - channel film.