Sentences with phrase «references contemporary experiences»

This push - pull relationship between audio and raw materials references contemporary experiences of displacement in connection to the instability of current global political, social, economic, and cultural climates.

Not exact matches

So, if someone with FF experience and no DQ experience is looking for a reference point, I feel it's more helpful to compare the games in terms of their design contemporaries rather than by release date.

Evans» practice is a network, in constant flux, in absorption of adjacent content, in defocused experience of the contemporary, in rhizomic replication, and in reference to itself.

The complex layering of material in Önürmen's studies also references the chaotic and claustrophobic experience of living in contemporary society, specifically the city.

Friedman uses the term in a temporal context — as in generated or «engendered anew» over time in a «conversation» (of both materials and styles) that reference and reach back through history and through historical styles and sources as well as contemporary experience.

Referencing issues relevant to contemporary society including politics, war, advertising, propaganda, and surveillance, Kessler's work thrusts the viewer directly into a complex visual experience.

Referencing historical and contemporary news stories, internet gossip, and the artist's own experiences of Kenya, the paintings blend dream - like figuration with compositional references to Titian, Gauguin and other masters of Western art history.

Drawing on art historical, political and personal references, Njideka Akunyili Crosby creates densely layered figurative compositions that, precise in style, nonetheless conjure the complexity of contemporary experience.

Alongside subjective experiences, the works reference religious martyrdom, contemporary news media, historical Western portrait painting, the narratives of Dante's Inferno and Sartre's No Exit.

His work is centred around contemporary cultural methods of production and archiving, consistently referencing the collapse and parallels of time experienced after the internet, in our hyper - saturated, connected experience.

Featuring: Amna Asghar, Dana Davenport, Umber Majeed, Tammy Nguyen, Ke Peng, Sahana Ramakrishnan, Sheida Soleimani Amna Asghar speaks on the construction and translation of disparate references, cultures, geographies, and generations from Pakistan and America; Dana Davenport addresses the complexity of interminority racism within her own community and institutions from her experiences as a Black Korean American; Umber Majeed's practice attempts to unpack the temporalities within South Asia as site, familial archival material, popular culture, and modern national state narratives; Tammy Nguyen interrogates natural sciences and non-human forms to explore racial intimacies and US military involvement in the Pacific Rim; Ke Peng documents the feeling of alienation and disorientation from urbanization and immigration by taking a journey into an imagined childhood in China, Hunan, where she was born and Shenzhen, a modern city where her family relocates to; Sahana Ramakrishan explores myths and religion from Buddhist and Hindu tales to speak upon the magic of childhood and the power dynamics of sexuality, race, and violence; Sheida Soleimani is an Iranian - American artist and a daughter of political refugees, making work to highlight her critical perspective on the historical and contemporary socio - political occurrences in Iran.

In their search for psychological meaning the artists found that a broad history of art became useful and that historical references could speak to contemporary experience.

Usually the web of connections isn't so explicit, but they are always implicit, packed into the work itself; in Lisa Yuskavage's or Dana Schutz's or Carrie Moyer's paintings, you see all kinds of historical references (whether to Piero della Francesca or Ernst Kirchner or Jules Olitski), kinship with their contemporaries, and interest in a million other images and experiences that do not belong to painting.

Known as one of Wales» most significant contemporary artists, Helen Sear continues to explore sensory ideas and expressions, vision, touch, and the re-presentation of the nature of experience with particular reference to the human and animal body and her immediate environment in rural Wales and France.

Working primarily in sculpture and performance, Maria Hupfield references contemporary culture in transition to create unanticipated shared experiences and observations.

Mr. Condo's art can be viewed as a multi-layered experience incorporating art historical references ranging from European classicism to American contemporary culture, often combining elements of each to achieve a unique vision informed by all its sources.

J. 575, 578 (2011)(suggesting that «law librarians with recent practice experience» can «draw on their experience in a contemporary legal research practice setting to enhance their instruction»)(citing Nolan L. Wright, Standing at the Gates: A New Law Librarian Wonders About the Future Role of the Profession in Legal Research Education, 27 Legal Reference Services Q. 305, 332 — 33 (2008)-RRB-.