Sentences with phrase «references other artists»

I thought he would appreciate it as someone who commonly references other artists in his work.

A gallerist that references other artists is okay, but to just talk about another one for no reason is annoying.

In terms of referencing other artists: if your work intentionally and deliberately references other artists, and these references are integral to the meaning of your work, by all means, name the artists you reference.

Not exact matches

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There are some funny scenes in the recording studio, and surprise references and cameos from actors playing other popular rap artists of the time.

And with reference to so many other indigenous artists like Link Wray (the film's title is a reference to his hit instrumental guitar rock anthem, the first use ever of the power chord, so stirring it was the first and one of the only instrumental tracks to be banned from American air waves), Mildred Bailey, Jimi Hendrix, Wayne Kramer, Buffy Sainte - Marie, Robbie Robertson, Stevie Salas, Howlin» Wolf, and many more.

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Do they have good references from other artists?

New York - based artist Patrick Meagher's installation that other modern world (2000 — 2002), which references architecture and modern social structures, is a collection of individual sculptures made from expanded bead - Styrofoam.

While Johnson's works are grounded in a dialogue with modern and contemporary art history, specifically abstraction and appropriation, they also give voice to an Afro - futurist narrative in which the artist commingles references to experimental musician Sun Ra, jazz great Miles Davis, and rap group Public Enemy, to name just a few, with various symbols including that of Sigma Pi Phi (also known as the Boulé), the first African American Greek - letter organization, and writings by civil rights activist W. E. B. Du Bois, among others.

The presented artistic contexts and conceptual positions in these four female artists» practices include references to mainstream comedy's systems and authors, and some are more explicitly gendered than others with literal and implied connections to the female body.

Situating itself within current art historical and political debates, the exhibition considers work by self - taught, spiritually inspired and incarcerated artists, alongside other projects based in performance, socially engaged practice and the archive, as well as painting, drawing, sculpture and assemblage, that make insistent reference to place.

Continuing the Warholian reference, on show will be a series of large scale unique silkscreened portraits of the artist as Che Guevara, Joseph Beuys, Elvis Presley amongst others, as well as works based on Warhol's urine oxidation paintings, abstract works made by pissing on copper metallic painted canvas Turk takes a Gestalt approach to cliché and iconic imagery subverting our sense of what we think we are seeing.

Each series or group of works is presented as a separate chapter with its own commentary covering the genesis of the works as well as references to both Kippenberger's own work and that of other artists.

Additionally, the work is layered with references to literature, film and other artists, including David Hockney and Derek Jarman, whose paintings also feature in the exhibition.

She often creates her works based on literary references and preferably in cross-boundary collaborations with other artists.

Obviously, I was referencing Yves Kline, Ana Mendieta, David Hammons and other so - called body artists.

I have in mind the many artists who cut holes in canvas or paint likenesses of cotton or linen weave, as if to say, This is a painted surface on painted painting of a painted surface that is a painting; or the many more good little postmodernists who make art - historical references or paint in known styles, so the message is something like, This is a nod to other works of art, which tells you that this painting knows it's «a painting»... put me in a biennial.

The other artists in the exhibition pick up the diversity, the permissiveness, and the social content of the 1950s, imbuing the stain with sex, psychology, and cultural reference.

Contemporary heir to the pop artists, Da Corte combines these common consumer objects with pop cultural references, personal family narratives — and even other artists» work — in vibrant sculptures, paintings, videos, and immersive installations.

Art in that context was perceived as standing on its own and possessing meaning in and of itself, requiring no reference to the artists who made it, other than singling them out for their achievement.

With five current exhibitions on view (two permanents and three temporary), is a museological space of reference in Lisbon, where the visitor can enjoy the best of modern and contemporary art, hosting the Berardo Collection with its more than 70 artistic tendencies and more than 900 works that demonstrates its strong museological and didactic nature, with works by artists like Marcel Duchamp, Pablo Picasso, Salvador Dalí, Joan Miró, Man Ray, Andy Warhol, Francis Bacon, Jackson Pollock, Gerhard Richter, James Rosenquist, Alexander Calder, Jean Dubuffet, Yves Klein, Maria Helena Vieira da Silva, Helena Almeida, Louise Bourgeois, Dan Flavin, Andreas Gursky, Nan Goldin, Rebecca Horn, Donald Judd, Anish Kapoor, Jeff Koons, Nam June Paik, Frank Stella, Bill Viola, among many others.

As Richard Gott wrote in 1996: «Homage to Brisley's performances and installations, references to his work, can be found in many unexpected places and in the work of other artists.»

Mr. Collins» creative lo - fi sculptures — which cleverly reference the history of painting — have since turned to other materials, most notably thrift store paintings, and now the artist is turning his attention to the varied aesthetics of above - ground swimming pools.

Describing how the panel judged which artists to include in the Power 100, Rappolt said: «With someone like Wolfgang Tillmans, he's an artist that a lot of other artists reference.

Other references in Jemison's work include the more contemporary work of artist and musician Rammellzee and Clarence13X's Supreme Alphabet, which the religious leader developed in the 1960s.

The painting is often referenced in popular culture, movies, television, music, theatre and opera, and it is often parodied through artworks by other artists.

Referencing historical and contemporary news stories, internet gossip, and the artist's own experiences of Kenya, the paintings blend dream - like figuration with compositional references to Titian, Gauguin and other masters of Western art history.

Original artworks and commentary by Mark Tansey (b. 1949), whose large scale monochromatic allegories reference the art of photography, a pivotal technology in the reproduction and dissemination of popular images; John Currin (b. 1962), who has referenced the art of Norman Rockwell, and whose provocative figural paintings reflect upon domestic and social themes that were prevalent, though differently portrayed, in the mid-twentieth century; Vincent Desiderio (b. 1955), whose dark intellectual melodramas re-imagine scenes of crime and adventure from pulp fiction; Lucien Freud (1922 - 2011), the painter of deeply psychological works that examine the relationship of artist and model; and Jamie Wyeth (b. 1946), son of noted painter Andrew Wyeth and grandson of illustrator N.C. Wyeth, whose images convey stories real and imagined, among other artists, will be featured in the exhibition and its accompanying catalogue.

A fully functioning studio, the installation draws on ideas related to the history of artists working in collaboration with one another, referencing the practices of General Idea, Tom Thomson and the Group of Seven among others.

While music and films are referenced in works such as Bush of Ghosts (1980) and The Thief of Baghdad (1983), other paintings hold a personal significance, including 311 Castro Street (2001), Heilmann's childhood address, and Primalon Ballroom (2002), a music venue in San Francisco in the 1940s and 50s and later artists» studios.

More than 100 artists from over 35 countries will tear the roof off the sucker (or insert your preferred architecture - based P - Funk reference here), including at least one of Morgan's curatorial favourites: Urs Fischer will be re-creating his New York apartment at 1:1 scale, «replicating the interior walls through three - dimensionally illusionistic wallpaper», which will serve as a base for other artists» work.

Not only does the Gallery 2 program broaden the audience's basis of visual reference and education — as it is important to explore the relationship of contemporary practice and historical lineage — but it also affords the gallery the opportunity to work and build relationships with artists who are represented by other galleries, artists whose trajectories hold a different primary focus than the gallery, as well as young artists.

Through the conjunction of and the cross between Willy Loman, the legendary anti-hero of Arthur Miller's Death of a Salesman, Dante's Inferno, the photographic recreation of Gustave Doré's etchings of Dante's work and references to the US multinationals Chrysler, General Motors and Ford, the British - Nigerian artist suggests, on one side, the illusory nature of the «American dream» and, on the other, the parallel between Miller's exploration of greed and the human condition in the 20th century and our present situation, projecting it as its perverse, ill - fated legacy.

A conceptual artist known to combine disparate cultural references, Abbas's exhibition cascades meaning through diverse literary references and other linguistic play, akin to spending hours clicking through hyperlinks on Wikipedia.

In her work, history, politics, sociology and ethnography are combined with personal stories and references to other artists, enabling her to create works with multi-layered meanings.

Referencing text and other forms of printed matter, music, and both historical and current events, the artists enact gestures of reclamation, articulating the narratives of the disempowered and disregarded through the use of materials which are usually held to be mundane.

Mirza often incorporates references to or even works by other artists into his installations and his pieces extend beyond formal experimentation to consider the social, historical, and political conditions in which his compositions are sited.

Referencing these artists and other contemporary images in their entirety or by isolating specific elements, her paintings follow an iterative process of drawing and re-drawing, as an exercise in internalizing pictorial systems.

Fabro frequently made references to other 20th - century artists, ranging from Marcel Duchamp to Piet Mondrian and Lucio Fontana.

Today is the occasion to bear in mind David Hockney (9/7/1937 --RRB-, Like other Pop artists, Hockney revived figurative painting in a style that referenced the visual language of advertising.

A still life photograph of a bouquet of flowers, referencing a work by Bas Jan Ader, is installed on a wall made to the artists specifications, which is based on a work by Christopher D'Arcangelo that involved the construction of a wall for the purpose of displaying others artworks.

Other artists featured in the exhibition include George Condo, Martin Kippenberger, Sigmar Polke, Richard Prince and Andy Warhol, with their paintings referencing masterpieces by Velázquez, Picasso, Baselitz, Ernst, Goya, Munch and de Chirico.

In Your Dreams invited the viewer to reflect on the human being's diverse relationship to sex and sexuality through art that references the romance, hilarity, kink, frivolity, roughness and tenderness associated with the thought, fantasy or act of sex.This exhibition at the Spring / Break Art Show — Spring 2015 included artists Zoë Buckman, Louise Bourgeois, E.V. Day, Tracey Emin, Walter Robinson, and Tom Wesselmann, among others.

Kare also relied on other artists who addressed racial stereotypes through creating pieces, referencing and giving them an important role whilst making sure that the African - American art scene stays as interconnected as possible.

After numerous public exhibitions of works that directly referenced or quoted from other artists» practices, Levine began making abstract paintings without specific source material in 1985.

His studio space functioned as an important site where artists and others gathered to have their pictures taken among an assortment of Sepuya's materials: camera equipment, art supplies, older work and reference books.

Uncertain States offers an expanded look at a series of major installations by an emerging generation of artists whose source material derives from a media - saturated world and a canny knowledge of new art - historical references (from Richard Prince and Christopher Wool, among others) in an age of political dissonance and free - form use of material innovations and juxtapositions.