Cells on Slide Plates (2014), mixed - media Cristina's delicate piece
references pointillism, a technique most practiced at the end of the 19th century, where colored dots, rather than long strokes, created an image.
Not exact matches
Although it may seem that the flies work randomly, the method results in thoughtful abstractions,
referencing movements like
pointillism or impressionism.
With its 10 - color palette, Penridge adds, it recalls at once Seurat's
pointillism and a surrealist landscape, while also
referencing Amharic, the glyph - based language spoken in Ethiopia.
[2] Her paintings, which
reference such disparate sources as
pointillism, pixelation, and graffiti [3], invite the viewer to question what it is they are seeing and to put the images together for themselves.