Not exact matches
Names
such as Hermione and Iris have enjoyed revivals of late due to some
pop culture
references.
Randall is an enthusiastic narrator who leavens her prose with
references to
such pop culture phenomena as the group Talking Heads («And you may ask yourself, Am I right?
As we've come to expect from these type films, the dialogue is loaded with numerous goofy puns and timely
pop - culture
references that always provide entertainment for the grown - ups, but I don't think we've ever had them thrown at us at
such a machine - gun like pace.
The Matrix has become
such a touchstone of American
pop culture -
referenced, copied, parodied, and parroted)- that it's hard to remember just how new and different and distinctive it was when it debuted in 1999.
Adam Stockhausen's production design is dazzling, and it's fun to identify the nonstop
references to
pop culture, but they come in
such profusion that the process becomes exhausting instead of exhilarating.
Such references more often than not feel like awkward
pop culture plugs, in hopes of reaching out to a contemporary audience, or firmly dating this movie in 2013.
With numerous
pop - cultural
references, movie
references, one - liners, visual gags and spoofs that parodied Hollywood and fairytales: Far, Far Away (Hollywood), Burger Prince (Burger King), Farbucks (Starbucks), Versarchery (Versace), Olde Knavery (Old Navy), Saxon Fifth Avenue (Saks Fifth Avenue), Gap Queen (Gap Kids), Tower of London Records (Tower Records), Friar's Fat Boy (Big Boy), Baskin Robinhood (Baskin Robbins), Banana Kingdom (Banana Republic), Marilyn Monroe's infamous pose from The Seven Year Itch (1955)- when Fiona's dress blows up, Meet the Parents (2000), Ghostbusters (1984), Mission: Impossible (1996), Alien (1979), Flashdance (1983), The Fabulous Baker Boys (1989), Spider - Man (2002), From Here To Eternity (1953), The Little Mermaid (1989) and The Lord of the Rings trilogy, and even more,
such as Joan Rivers» red - carpet appearance, and the TV show Cops (parodied as KNIGHTS).
Most odiously, the movie gave rise to the prolific shit machine of co-screenwriters Jason Friedberg and Aaron Seltzer, which for many years polluted movie theaters with its audience - insulting,
pop - culture -
reference - as - punchline brand of dispiritingly popular spoofery, as seen in
such abominations as Date Movie, Epic Movie and The Starving Games, whose title, I would imagine, is some manner of humorous allusion to the popular book and movie franchise The Hunger Games.
These include creative expressions
such as idioms (up a creek); puns (
references to an ill - fated cruise's «poop deck»); inside jokes (may the forest be with you); invented words (oyvaycation);
pop culture memes (no vacation nation); similes (a hayfever sufferer in a garden is like a diabetic in a chocolate factory); and metaphors (down the black hole).
Thanks to countless
pop culture
references and notorious 20th - century organized crime figures
such as Al Capone, Bugsy Siegel and John Gotti, the concept of organized crime calls to mind images of bygone eras when speakeasies, Mob - run casinos and infamous M...
That's why
such games often replace extreme representation (be it either gore / hardcore / graphic or childish) with symbolic or
pop - culture
references.
Juliano - Villani's canvases pack
such a volume of imagery and
reference that they betray their
pop - y superficiality almost immediately.
Scharf's fun, colorful work is both a nod to the future and a
reference to past art historical movements
such as
Pop and Surrealism.
Described as a «modern - day dandy» and is known for exhibitions combining sculpture, film and performance, many
referencing pop culture icons
such as the Simpsons and Felix the Cat.
Many of the 21st century artists —
such as iona rozeal brown, Trenton Doyle Hancock, and Robert Pruitt — mix national, international, historical, and
pop - culture
references with personal stylistic preferences to produce images that provoke more questions about identity than they answer.
Honoring traditional Asian arts through her use of Hanji paper, Korean silk, and calligraphic brushstrokes, she plays with iconography and symbols that have been classified as «foreign»
such as blue and white china patterns, fortune cookies (which originated in California but are identified as Chinese), Korean fans, and floating dragons and intermingles them with
references to
Pop and southern folk art.
It simultaneously
references iconic
pop culture symbols,
such as marquee signs in Las Vegas and Times Square, and historical fountains built in civic spaces,
such as Bernini's Triton Fountain.
His pieces often combine a dark sense of humor with a certain playfulness and
Pop culture
references,
such as music videos, tabloids, and rock music.
Since the mid-1970s she has
referenced and critiqued American popular culture, suggesting the influence of
Pop Art while pointing to Abstract Expressionism through large, physical, drippy paintings of cartoon and comic characters
such as Felix the Cat, Mickey Mouse, and Homer Simpson.
Anthea Hamilton is a UK - based artist who creates multi-media installations that resemble theatrical stages or film sets and incorporate arrangements of prop - like objects,
references to modernist paintings, and appropriated images of
pop culture icons
such as blow - ups of John Travolta in John Travolta, Bust - like, 2012.
Jayson Musson, who plays Hennessy Youngman yet refers to him as his cousin, maintains a separate artist identity, making abstract paintings that
reference pop cultural motifs
such as Bill Cosby's notorious sweater patterns.
Of course, there were many thematic and visual
references to poverty and exclusion that were framed by the discourse of art history — as in a metal construction by Jannis Kounellis [who died in February this year] that combines a hard - edged steel - cast minimalist frame with multicoloured rags of Arte Poveraat White Cube, for example; or in a an arresting display of Sadie Benning's «drawings» made of wood, Aqua - Resin, casein and acrylic gouache with motifs reminiscent of African textilesat Susanne Vielmetter Los Angeles Projects; or works about otherness framed by the formerly excluded, or on their behalf — as in a display from the Goodman Gallery in Johannesburg, South Africa; or Andres Serrano's unforgettable photographs of notable figures in American
pop culture,
such as his portrait of Snoop Dogg (America)(2002) placed next to that of Donald Trump, on view at Galerie Nathalie Obadia.
There are
references to
pop culture characters
such as Mickey Mouse, with the artist toying over the idea of false realities and choosing to live in an idealistic world.
His ethereal pieces experiment with the beauty of natural landscapes as well as
pop culture
references and influences,
such as fast food.
«Today my work takes
pop culture
references from a variety of different sources
such as newspapers, memorabilia and public records, to create artworks that are iconic and accessible.»
Encompassing the engaged and the conformist,
references to celebrity and mass - culture, every media available and being completely democratic in terms of iconography, and definitely containing some inherent traits of
pop art, it's safe to state that Urban Art is the perfect mirror of postmodernism, and as
such, it's a movement in its own right.
Allusions to personal and collective memories are suggested in layered, theatrical environments which
reference to numerous art historical and decorative styles,
such as Post-Impressionism, Colour Field painting, postmodern décor, through to present - day
Pop iconography.
Drawing upon historical movements
such as baroque,
pop art, and abstract expressionism, while
referencing contemporary developments in graffiti and photo - realism, the duo create intricately layered canvases in which linear narrative falls prey to the chaos of our image saturated times.
Scharf's fun, colorful work is both a nod to the future and a
reference to past art historical movements
such as
Pop and...
Themes of exaggerated consumption, film noir and the depiction of women in art, the dystopic American landscape, and the intersection of popular culture and politics, are explored through works by acknowledged masters
such as Jasper Johns, Claes Oldenburg, Ed Ruscha, and Andy Warhol, as well as by many artists not traditionally associated with
Pop whose art may be understood within its wider field of
reference.
The forms and gestures found in her work derive from a wide variety of inspirations and art historical
references,
such as CoBrA, Situationism and Abstract Expressionism but also
pop cultural aesthetics like graffiti or cartoon that indicate Ekblad's genre - crossing approach.
The vast majority of the works selected by curator Lizzie Zucker - Saltz & Assistant Curator Ashley Westpheling are figurative with many
reference pop icons
such as Elvis, Marilyn & Donald Trump, while others portray local artists, performers, models and writers,
such as performer Deonna Mann, artist Katie Walker, fellow resident studio denizen photographer Peter Frey.