Sentences with phrase «reflect in the art you make»

«He grasps that if you challenge yourself as a person, it will reflect in the art you make,» says Ofili.

Not exact matches

While the art did not reflect this, it was a clear emphasis made in the press release we received.

«Black History Month gives us an opportunity to learn about and reflect upon the many achievements African Americans have made in a diverse array of important fields, including science and technology, arts and culture and politics and government» Borough President Katz said.

While all the art is done in a similar style, I was particularly struck with the Florida Project strip, which makes use of some Disney - style animation here and there, which reflects the film's use of that company's iconography — the film is set in Florida (obviously), and the Magic Kingdom is always lurking there in the background.

In art museums, visitors are learning actively when they do such things as: formulate their own questions about works of art, reflect on their own ideas and impressions, make their own discerning judgments, construct their own interpretations, and seek their own personal connections.

Higher Level students have an extra requirement for The Comparative Study... criterion F, which gives context to their own work in relation to the artwork studied, by making meaningful connections.You can reference the full CS Assessment Criteria here Criterion F. Making Connections to Own Art Making Practice (HL only): 12 points possibleHL students reflect on how the work chosen for consideratmaking meaningful connections.You can reference the full CS Assessment Criteria here Criterion F. Making Connections to Own Art Making Practice (HL only): 12 points possibleHL students reflect on how the work chosen for consideratMaking Connections to Own Art Making Practice (HL only): 12 points possibleHL students reflect on how the work chosen for consideratMaking Practice (HL only): 12 points possibleHL students reflect on how the work chosen for consideration...

«I've seen the difference it can make when a student is able to see him or herself reflected in that teacher in the front of the classroom,» said Robert Whitman, principal at Manual Arts High School in Los Angeles Unified.

There will be opportunities to express understanding in a variety of ways and reflect upon and critique the work considering art making skills, techniques and academic content.

A gift to the Annual Fund supports the people and programs that make WSD so special — an expansive academic program, innovative curriculum, master teachers and specialists, student supports, digital learning and literacy, character education, and exceptional offerings in music, art, PE, and the outdoor experience — all reflecting the best research and proven practices in education.

In early responses, participants had a more simplistic product orientation that evolved into more complex views where they recognized the art products as purposeful expressions that were made by children with specificity and meaning to reflect their knowledge and understanding.

As with other self - publishing portals, the dashboard will allow us to see real - time sales stats and make changes to price, cover art, blurbs, files, etc. that will be reflected in their store within a couple of days.

It's interesting because the main theme of the book is something called «mimesis», which is the way reality reflects art and vice-versa (it's the main theme because of my desire to make Solarversia for real so that people can actually play it), so this was an example of mimesis in action — totally crazy.

The landscape is, in fact, made from a series of photographs of a piece of James Turell's land art, a beam of light reflecting from the photographs» surfaces.

Many struggled to determine their purpose and balance a desire to make important, complex art work and also reflect their experiences and the state of race in America.

The ability to create art that reflects reality in this way is a skill I admire so much, especially when the artist goes beyond the merely technical to incorporate more conceptual themes and their unique style of art - making.

During her talk, Fernández, a 2005 MacArthur Foundation Fellow and recipient of many prestigious works, will reflect on her new works, including her recent show at Massachusetts Museum of Contemporary Art, «As Above So Below,» a large - scale exhibition in which Fernandez combined graphite and gold to make a series of immersive, interconnected installations.

In addition to her prolific artistic practice, she holds the position of Professor of Contemporary Art at the University of Central Lancashire, where she leads the interdisciplinary visual art research project Making Histories Visible, reflecting critically on the success and failures of the Black Arts Movement and participating in numerous conferences on art of the diasporaIn addition to her prolific artistic practice, she holds the position of Professor of Contemporary Art at the University of Central Lancashire, where she leads the interdisciplinary visual art research project Making Histories Visible, reflecting critically on the success and failures of the Black Arts Movement and participating in numerous conferences on art of the diasporArt at the University of Central Lancashire, where she leads the interdisciplinary visual art research project Making Histories Visible, reflecting critically on the success and failures of the Black Arts Movement and participating in numerous conferences on art of the diasporart research project Making Histories Visible, reflecting critically on the success and failures of the Black Arts Movement and participating in numerous conferences on art of the diasporain numerous conferences on art of the diasporart of the diasporas.

Jonathan T. D. Neil on radical politics and slowing markets; Maria Lind, curator of the next Gwangju Biennale, on Christopher Kulendran Thomas at the Dhaka Art Summit; novelist and Charlie Hebdo columnist Marie Darrieussecq on freedom of speech in the French capital; Mike Watson reflects on processes of nationbuilding through Santiago Sierra's Black Flag project; J.J. Charlesworth agrees to disagree on the removal of public statues and opinion - shaming; and Jonathan Grossmalerman has a decision - making dilemma.

Conceptually, the exhibition was excellent, which made it almost unbearable to experience in real life (conceptual art often only being recognizably good when reflected upon in its wake).

Comprised of contemporary art acquired through SFMOMA's Campaign for Art, this exhibition highlights works in a variety of mediums that reflect the diversity of art being made since 19art acquired through SFMOMA's Campaign for Art, this exhibition highlights works in a variety of mediums that reflect the diversity of art being made since 19Art, this exhibition highlights works in a variety of mediums that reflect the diversity of art being made since 19art being made since 1980.

The new works to enter the Israel Museum's collection in 2017 deepen the Museum's representation of pivotal artists who have made meaningful contributions to the canon of 20th and 21st - century art, as well as antiquities that extend the narrative of world culture reflected across the Museum's holdings.

For Clement Greenberg, the best work reflected on the making of art and on art's place in society.

We've argued, in lifting the age limit, that the purpose of the prize is established to the point where it can confidently reflect the fact that new art, art taking new directions, can be made by artists of any generation.

Since its opening in 1931, the Whitney Museum of American Art has always made practitioners central to its activities, reflecting founder Gertrude Vanderbilt Whitney's desire to support artists as part of her more general mission to promote American aArt has always made practitioners central to its activities, reflecting founder Gertrude Vanderbilt Whitney's desire to support artists as part of her more general mission to promote American artart.

The works are typically generated in response to specific historical material encountered in the process of making, researching and reflecting, often incorporating pre-existing forms, structures and art - historical narratives which are recreated, replayed and restaged as a means of exploring more contemporary stakes.

Both have achieved enormous success as artists, but even more, they make art that reflects the power and potential of portraiture in the 21st century.»

In the midst of the Chelsea art scene, Martin's show presents an opportunity to step away from it all all and reflect not on one's self or your own artistic ambition — but a complete disassociation with your surroundings — and to engage with art that was made viscerally, with pure artistic intent.

We're reflecting on her pioneering career in the realm of site - specific, environmental art - making as she prepares for an upcoming collaborative exhibition with artist Monica Duncan, opening March 15 at the Contemporary.

Day's lifelong practice of art - making is reflected in a selection of works on paper and sculptures representing multiple bodies of work.

While both narratives extend beyond the artists» seminal decades and into the present, their respective emphases on art making and the art world reflect how in each case art discourse was then conducted.

The presence of so many recent 18th Street Arts Center Artist Lab artists included in Made in L.A. 2018 reflects the deep engagement of our residency artists who are intimately concerned with the world around them.

It will bring together outstanding works of fine and decorative art that reflect the history of making, collecting, researching and exhibiting art in the German - speaking world, from the Renaissance to the present.

Reflecting on Hammons's mid-1970s sculptures made with grease, bones, hair and rubbish, curator Lowery S. Sims wrote in Art As a Verb (1988): «[He] confronts our commodity - predicated notion of the dear, the beautiful, and transforms our perception of and reception to the humble detritus of our urban society.»

The present exhibition from the collection is an opportunity to reflect on notions of the avant - garde in Britain and offers a valuable contribution to our understanding of what makes art new, and why it matters.

Increasingly, art made in Texas reflects a global array of practices.

As 2017 comes to a close, we're taking the time to reflect on the artists that made the biggest impact in the art world this year.

In addition to experimental and impulsive art purchases made while travelling around the world, the exhibition also reflects Leif Djurhuus» special passion for young contemporary art.

For his debut at Blaffer Art Museum, the artist's first solo museum exhibition, Coolquitt will recombine 60 discrete sculptures and tableaux made between 2006 and 2011 into a site - specific installation which, in its singularity and temporariness, reflects on the condition of the gallery space as a codified place of encounter for people and works of aArt Museum, the artist's first solo museum exhibition, Coolquitt will recombine 60 discrete sculptures and tableaux made between 2006 and 2011 into a site - specific installation which, in its singularity and temporariness, reflects on the condition of the gallery space as a codified place of encounter for people and works of artart.

They tend to be the Civil War re-enactors of the art world, making artwork that has little to do with genuinely reflecting on the era we currently live in.

«Each artwork was made in the last year or two and reflects the most critical ideas and issues motivating artistic practices today,» Suzanne Weaver, the institution's curator of modern and contemporary art, said.

As reflected by Eric N. Mack, Simon Denny, and Mira Dancy in the film above, tragedies like Charlie Hebdo and big shifts from Black Lives Matter to the legalization of gay marriage, have drawn artists to place renewed consideration into making work that resonates with not just the art world but the wider world, too.

This new work, like that of the past, reflects the artist's commitment to materials, his poetic approach to making art, and ultimately his faith in the fragility and beauty of the world.

This exhibition has been made possible through the generosity of Barbara and Eric Ottervik, whose passion for collecting contemporary Japanese prints is reflected in multiple gifts to the Lehigh University Art Galleries / Teaching Museum collection.

Scale can also reflect the varying purposes in which works of art were meant to serve, a large artwork may make a bold statement whereas its smaller counterpart may present a subtler message.

The works in this exhibition reflect the artist's belief that «art is made from other art.»

Join us as the artist shares with us her roots in art making, her experience after graduate school, and the way her practice reflects back on history and time.

When an artist grows up in the midst of grand nature, playing in the dirt and making things with leaves and rocks, his art reflects the love of the earth.

Founded in 1970, the SFAC Gallery makes contemporary art accessible to broad audiences through curated exhibitions that both reflect the regional diversity and position of Bay Area visual art production within an international contemporary art landscape.

New realism reflected on the Duchampian idea that art and life should be connected, in a way that makes a certain «appropriation» of reality possible.

The 51 1/2 - by - 96 1/2 - by -40-inch sculpture was also executed in 1981 and has a conservative estimate of $ 100,000 to $ 150,000, perhaps reflecting the fact that not every intelligent, sophisticated art lover smokes cigarettes nowadays but then that fact should make the sculpture even more precious, perhaps.