For example, the presence of male suicide in film is explored through the six - channel installation, Feasting or Flying (2008), and the five channels of War Tropes (2011)
reflect key motifs found within war films.
These scenes, however, far from being a mere distraction from Joel's traumatic headtrip,
reflect and refract
key motifs about love, chemistry, memory and repetition, in a film whose ingeniously warped structure and chronology only become fully apparent by the end.