Sentences with phrase «reflect on his artistic practice»

The Breathe Artist in Residence programme offers artists of Chinese descent an ideal environment to reflect on their artistic practice, research and make new work within an international setting.

Seven writers, invited to collaborate on this publication, reflect on his artistic practice and on this particular work and conform the spine of this book.

Not exact matches

In addition to her prolific artistic practice, she holds the position of Professor of Contemporary Art at the University of Central Lancashire, where she leads the interdisciplinary visual art research project Making Histories Visible, reflecting critically on the success and failures of the Black Arts Movement and participating in numerous conferences on art of the diasporas.

Nearly four decades after Lonidier exhibited his 1977 installation «The Health and Safety Game» at the Whitney, the artist continues to base his artistic practice in community organizing, and to reflect on the relevance of activism and the labor movement to the creation of art.

Thirty years after graduating from the School of Art + Design, Julie presents a new series of works that reflect on how the modernist architecture of the campus and its utopian ideals influenced her artistic practice.

Photographer Daniel Gordon reflects on his decade - long commitment to intensive practice and artistic invention in a new film from the ART21 «New York Close Up» series.

The spring semester presents a set of concepts and categories that have become important for the examination of cultural production during the last two decades, reflecting on their relevance for thinking about artistic and curatorial practice today.

How do you reflect on this particular genre and the history of art through your project and your digital artistic practice?

Condorelli has long engaged with the architecture and context of the exhibition space, building modular furniture and reflecting on the history of the institutions where she is showing, a fitting choice for this exhibition, then, which celebrates curatorial and artistic work as always related in ways that go beyond any traditional sense of curating as a practice of caring and selecting.

The two private collections are made public to create a unique exhibition - dialogue reflecting in its own way on the singularity of their individual artistic practice.

The Works presents a variety of Chicagoan approaches to this discourse: Marissa Lee Benedict & David Rueter, Theaster Gates, and Dan Peterman contextualize their multidisciplinary practices within a wider scope of research and activism, reflecting first and foremost on artistic production as a vehicle for ecological and social reflection.

Nonetheless, it is an important part of his artistic production because photography, unlike any of his other art practices allows him to reflect on his experiences and think through his own sense of self.

These include the active part of seeing and movement as well as the passive movement and visibility, which is precisely what Lallai and Saile reflect in their artistic practice both via various mediums and their work on the paintings, which develops with and in time.

Masters presents works that reflect Arcangel's prolific career from roughly 2002 to the present, including five time - based videos, one modified video game, one modified flatscreen television, a wallpaper installation, and archival materials that touch upon an artistic practice that exists as much on the web and in popular culture as it does in the museum or gallery.

MAHTAB HUSSAIN: GOING BACK HOME TO WHERE I CAME FROM May 25 - Sep 2, 2018 Private view Thu May 24 6 pm - 8 pm Mahtab Hussain has developed an artistic practice which reflects on ideas of homeland, race, identity and cultural difference.

The programme encourages experimentation through research, productions, collaborations, skill - sharing, or reflecting on the performative aspect of artistic practice, which could include live art but is not restricted to it.

This session convenes a group of artists and cultural figures interested in creating or reflecting on narratives through various artistic practices, from the creation and study of archives and collections, though the completion of stories and rumors.

As for the previous editions, also for Conversation Piece Part 3 artists have been asked to reflect on a specific suggestion, linked to the nature of objects and their specific use in the artistic practice.

The exhibition celebrates the synergy, the differences and the experiences of the artists with the purposeful intent to reflect on the diversity of artistic practice and draws on the visibility of the black body in history and in the determination of its course.

The exhibition emerged out of the art centre's collaboration with Pittas and Mousse Publishing on the forthcoming book by the same name, which is a conceptual publication that extends Pittas's artistic practice as well as an anthology of essays reflecting on his work and its various contexts.

Reflecting on the process of evaluation and critique in the development of artistic practice, both artists create texts for each other that are cast in lead.

This book is intended to introduce this seminal figure of post-medial practices to younger generations and, by including responses to his work by contemporary artists, to reflect on the ways in which his work is relevant to artistic practice now.

Reflecting on his work, Álvaro Gil writes: «Most part of my artistic practice and research focuses on constructions based in the concept of customization and in superficial transformations made to size, taking bricolage and DIY (Do it Yourself) as an attitude».

In total, the range of works on view reflect Sharif's humor and flexibility that was the source and result of his lifelong artistic practice.

Residents were invited to research, create new work, meet and collaborate, share skills, and reflect on the performative aspect of their artistic practice, which could range from «fine art» or live art.

The event will bring together a diverse group of practitioners, who reflect on how they use antiquity as a toolbox in their research and artistic practice.

Reflecting on his life and artistic practice, he says, «there was General Idea, this book thing in the middle as a hiatus, and then Berlin... These are all pieces of my life that all engage me these days.»

In exploring these profound shifts, the artistic practices showcased in this exhibition meditate on the uncertainty of identity, reflecting our uneasy relationship to place.

The artists will reflect on cultural constructions and social frameworks in the special context of China and how all these form individual identities and artistic practices as well as define relations in the system that we urgently need to question.

Upcoming event Book launch, Making Art Global (Part I): The Havana Biennial, with Gerardo Mosquera, Rachel Weiss and others — January 19, 2012 Stedelijk @ If I Can't Dance I Don't Want To Be Part Of Your Revolution: performances A series of performances and events that further reflect on the medium of performance and the diversity of related artistic practices.

The artists featured in Vienna Complex employ a self - referential approach, by reflecting on the artistic process itself, and the ways in which artistic practice has been influenced by therapeutic currents.

The Value of Nothing brings together artistic practices and projects that reflect our current economies and value systems, or that focus on possible alternatives.

Its collection and programme reflect current artistic trends and appreciate the emergence of new artistic practices on a national and international scale.

It is distinguished by an international, interdisciplinary perspective, and it reflects San Francisco's unique location and cultural history by placing a particular importance on the study of curatorial and artistic practices in Asia and Latin America.

The program is distinguished by an international, interdisciplinary perspective, and it reflects San Francisco's unique location and cultural history by placing a particular importance on the study of curatorial and artistic practices in Asia and Latin America.

Through a wide variety of artistic practices and artists (from Claude Cahun to LaToya Ruby Frazier, from Gilbert & George to Cindy Sherman, and from Alighiero Boetti to Maurizio Cattelan) coming from different cultures and backgrounds, generations and experiences, it reflects on the contrast between different approaches: melancholy and vanity, ironic games played with identity and political autobiography, existential rumination and the body as sculpture, effigy or fragment, and its symbolical representation.