Sentences with phrase «reflect on the current exhibition»

One night after the opening the artists, curators, and critics reflect on the current exhibition at the Swiss Institute.

Not exact matches

Coming of age alongside Andreas Gursky, Candida Hoffer and Thomas Struth in what was to become known as the Düsseldorf School, Ruff's work explores the technologies of the camera and image production — from satellite cameras to digital lenses, from the analogue negative to the JPEG — to reflect on the picturing of our built environment, current affairs, pornography, disaster, the cosmos, exhibition making — and unlock what images tell us about modernity.
Bad Niños politicizes the city and its infrastructures as nationalist constructs; the exhibition looks forwards and backwards in time, and reflects on the looming possibilities of the current political landscape.
Through an extensive program of exhibitions, events, education, research, and publishing, the institution reflects on current developments in Russian and international culture, creating opportunities for public dialogue, as well as the production of new work and ideas in Moscow.
The exhibition reflects Serebriakova's current focus on painting and drawing, with elements such as landscapes and commonplace objects reoccurring in her highly personal imagery achieved...
The exhibition features large - scale paintings, sculptures and an installation drawing references to signature Off - White ™ motifs alongside Murakami's iconic cast of anime characters, reflecting incisively on the signs of the current times.
In his talk, Feng will reflect on the current developments and discourses within the Chinese contemporary art field as well as presents his recent curatorial projects such as the Wuzhen International Contemporary Art Exhibition in 2016 titled Utopias / Heterotopias.
Reflecting on our current climate of communication, the provocation consistent in Chun's exhibition is a decentering of English as the world's most dominant, «common» language: Could English ever become secondary?
Reflecting current interest in this period of art from India, Abby Grey and Indian Modernism will complement a related exhibition at the Queens Museum of Art, After Midnight: Indian Modernism to Contemporary India 1947/1997 (on view March 1 — June 28, 2015), which highlights two defining moments in Indian history: independence in 1947, and the nation's 50 - year anniversary.
Expanding the involvement of CAPACETE with the cultural production in Brazil, the exhibition at Portikus presents new works that reflect on this unique history while creating a multilayered comment on the current situation in Brazil.
The current display of the collection keeps the clusters of works that focus on artists Chohreh Feyzdjou (1955 — 1996), Simon Häntai (1922 — 2008), Présence Panchounette (artist collective, active1969 - 1990), and Phillip Thomas (1952 — 1995), which highlight symbolic and formal operations employed by these four artists, and the ways in which such approaches reflect and resonate with other artworks included in the exhibition.
The development will bring key changes to the current building, including much larger galleries (increasing by over 200 %), allowing larger - scale exhibitions and providing visitors with space to reflect and respond to works, and a new education and events space will be housed on the ground floor.
A new, multimedia web platform at icaboston.org accompanies the exhibition and features descriptions of the works, interviews with artists, and commentary by current and former ICA curators reflecting on works that entered the collection during their tenure.
Six Thai artists reflect on the current state of Thailand in «Subjective Truth», an exhibition curated by Iola Lenzi at 10 Chancery Lane Gallery, Hong Kong and coinciding with the first edition of Art Basel Hong Kong 2013.
It allows for assessing and reflecting on current curatorial and editorial strategies implemented in exhibitions of works by so - called non-Western artists in North America and Europe.
The performance will take place in the gallery within the current exhibition, Rising, a major new commission by New York - based artist Judith Bernstein, reflecting on a prolific five decade - long career at the forefront of feminist activism and political injustice, her first solo presentation to take place in the UK.
An exhibition of Neo-Expressionist paintings from the 1960s and 1980s that unflinchingly reflect the artist's outlook on life then, as relatable to our current - day script, will open at the June Ke...
However, in focusing on the artwork itself, specifically the photographic method — that vigilantly controls for light, composition, time, and exhibition — photography becomes a provocative medium in which to reflect upon the current phenomenon of purity balls.
A Heritage Transposed is the title of Berlin free space gallery Box Freiraum's current exhibition, a group show of both Iranian and non-Iranian artists with a common interest in Iran but whose work reflects and comments on the country in different ways.
In the following interview, Richardson reflects on the background and inspiration to her works on show at her current exhibition at Towner, as well as her solo exhibition at Edel Assanti, in London.
An exhibition of Neo-Expressionist paintings from the 1960s and 1980s that unflinchingly reflect the artist's outlook on life then, as relatable to our current - day script, will open at the June Kelly Gallery, 166 Mercer Street, on Friday, March 9.
This format of the exhibition will be held over a long period, providing space for reflection and on - going discussions, inviting artists not only to produce and exhibit their works but also to slow down and provide the time needed to reflect on our current cultural conditions and the over production so common in the art field today.
This event marks the closing weekend and final public programme for the current Para Site exhibition A Luxury We Can not Afford, an exhibition reflecting on the formation, development, and paradoxes of Singapore's national ideology.
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