Sentences with phrase «reflect on the destruction»

Untitled (Debris) creates a place to reflect on the destruction halfway across the world that usually only circulates as images and headlines but does little to move us.

Not exact matches

Lent is a good season to reflect on the givens of life, and how denying those givens inevitably leads to unhappiness, sorrow, and even self - destruction.

I believe this to be a change of historic importance, and that the sooner we recognize this change and begin to reflect on its implications, the less the danger of self - destruction.

Conveying Israel's vulnerability becomes an intellectual exercise which requires an imaginative leap totally unnecessary in the case of clear images of destruction devoid of context, bereft of explanation (which is not to say that those images do not reflect true suffering by the local population on the other side).

As the landscape becomes weirder around them, the explorers begin to feel and reflect those changes in their own minds and bodies; so too does the audience as they are taken on a bizarre journey that examines the fine line between creation and destruction.

For Chun, each work has become a window to reflect on the history of human life and on - going conflicts of modern man, nature and the drive of materialism, endless competition, conflicts and destruction.

By utilizing Disaster Relief Volunteering as field research, Neumann reflects on the loss of space, the destruction of environment, urban civilization, and the temporal all while toying with the ideology of time and the effects of technology.

«The 10th Gwangju Biennale reflects on this spiral of violent or symbolic events of destruction or self - destruction — setting fire to the home one occupies — followed by the promise of the new and the hope for change,» wrote Morgan in the introduction to the exhibition.

The color yellow persists as paint residue on the excavator heads and is reflected again in the yellow - hued banded calcite, which, though mined by similar machinery through a process of destruction, now rests in perfect equilibrium in the grip of the sculpture — an essential part of the work.

Serena Perrone employs various techniques ranging from printmaking and drawing to photography and writing to reflect on personal mythologies, examine differing forms of nostalgia, recount stories of destruction, regeneration, transition, enchantment and disenchantment, and capture images of the synchronistic and uncanny ways that magic and wonder are encountered in liminal spaces.

Artists like Margit Anna, whose dreamlike paintings reflect the trauma of the Holocaust, and Xanti Schawinsky, whose Faces of War series (1942) was influenced by the destruction and militarism of World War II, draw on transformative personal experiences.