Sentences with phrase «reflect original work»

Atwood, who clearly knows her Shakespeare, holds The Tempest up to a funhouse mirror and shows the reader the many ways the modern plot she's concocted reflects the original work.

Not exact matches

Cairns's choice of title, and the cover painting of St. Isaac the Syrian (a seventh - century Desert Father whose works are included in the original Philokalia), reflects his immersion in these texts and his conversion, but much more is going on as well.

On the other hand, it would be overly simple to claim the Hebrew Scriptures in support of our modern study of animal life or the work of environmental conservation, since it is clear that neither priest not prophet thought the order of nature as we now see it to reflect God's intentions, either original or ultimate, for it.

books.google.ru - Filled with original essays by Howard Gardner, William Damon, Mihaly Csikszenthmihalyi, and Jeanne Nakamura and based on a large - scale research project, the GoodWork ® Project, Responsibility at Work reflects the information gleaned from in - depth interviews with more than 1,200 people from nine different...

Authentic assessment encourages students to use knowledge to create meaning, reflect on work and think in original ways, and assess and redirect learning.

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But there isn't, which could reflect poorly on the original author's work.

You will have an original written work that reflects all of the specifications you provided when you placed your order.

The ship is decorated with over 400 original works of art and its design reflects the state - of - the - art technology of the Concordia class.

The main building, housing the restaurant, foyer and guest lounge / bar, reflects the rich and diverse cultural heritage of Far North Queensland in it's architecture and original works of art.

The story was written by John Milius, famed for his work with the 1984 World War III action movie, Red Dawn (The 2012 one was a remake) The original, reflecting on the growing threat of communist aggression, takes place during a time when the UN is broken down and the Russians have seized control of most of the world.

In selecting artists to receive the prize, emphasis is placed on individuals whose original work reflects the Lawrences» concern for artistic excellence, education, mentorship, and scholarship within the cultural contexts and value systems that informed their work and the work of other artists of color.

The extent to which I feel pleased by a piece is determined by how much the final work reflects a relation between the author and the original object.

As reported by Hopps, the work began as three monochrome panels painted red, yellow, and blue.4 Although subsequently obscured by additions of paint, newspaper, cloth and other materials, the bottom third of each panel still reflects its original state: red on the left, bisected by blue; yellow in the center, bisected by red; and blue, similarly bisected by red, at the right.

In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.

Original artworks and commentary by Mark Tansey (b. 1949), whose large scale monochromatic allegories reference the art of photography, a pivotal technology in the reproduction and dissemination of popular images; John Currin (b. 1962), who has referenced the art of Norman Rockwell, and whose provocative figural paintings reflect upon domestic and social themes that were prevalent, though differently portrayed, in the mid-twentieth century; Vincent Desiderio (b. 1955), whose dark intellectual melodramas re-imagine scenes of crime and adventure from pulp fiction; Lucien Freud (1922 - 2011), the painter of deeply psychological works that examine the relationship of artist and model; and Jamie Wyeth (b. 1946), son of noted painter Andrew Wyeth and grandson of illustrator N.C. Wyeth, whose images convey stories real and imagined, among other artists, will be featured in the exhibition and its accompanying catalogue.

The largest work included in the exhibition, which consists simply of pink light projected on a white wall, most closely approaches Gropius» original color association: reflected light at dusk.

At a time when even the most fortunate are looking for a sense of hope, calm and safety, the works in Homatorium III — Lost Horizon reflect an appeal to the humanism and idealism resident in the original houses.

Her original work brings a fresh and innovative perspective to traditional photography, always reflecting her love of abstract expressionism and modern art.

, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,

An accompanying book «Patterns» shows Richter's process using the original «Abstract Painting»: an image of the painting was divided into vertical pieces digitally, in increasing numerical squares from 2 to 8190, and then the narrow strips of color reflected and repeated to create a new work (Richter).

The original Polaroid instant photographs on view in Everything is Possible will reflect the unlimited possibilities of working with this unique format.

Karl Buchberg, MoMA's senior conservator, who has organized the New York leg of the exhibition with Jodi Hauptman, MoMA's senior curator of drawings and prints, said that when he started working on «The Swimming Pool» in 2008 he had three goals: «The first was to replace the burlap; the second to install it at its proper height, as it was in Matisse's dining room, at a height above five feet; and the third to install it as a room, to reflect the original architecture rather than as a passageway, as it had been shown before.»

To present, today, an exhibition from 1969 just as it was, maintaining its original visual and formal relations and links between the works, has posed a series of questions on the complexity and very meaning of the project, which has developed through a profound debate from various perspectives: the artistic, the architectural and the curatorial.This was the challenge: how could we find and communicate a limit to a non-limit, creating a place that would reflect exactly the architectural structures of the Kunsthalle, but also an asymmetrical space with respect to our time and imbued with an energy and tension equivalent to that felt at Bern?

This exhibition is a dialogue within the African continent between four artists whose works reflect a shared sense of vitality, colour and movement as well as a dynamic and original use of space.

Among the Contemporary works on show is Tom Wesselmann's provocative Pop Art 1962 plus 35 Nude Sketch II from 1997, its title reflecting its execution date thirty - five years after he made the original study as part of his Great American Nudes series.

Almost six decades after the artist presented these works at the Institute's original location in Dover Street, they will be re-staged to reflect the artist's close relationship with the ICA throughout his career.

In this manner both the semantic content and the texture of her works» surfaces reflect the labor that goes into them, and it is this manual process that inherently changes the original images by allowing her to appropriate them while materializing them.

Their appearance in her meticulously constructed work, separated but not entirely dislocated from their original use, provides us with an opportunity to reflect on the ways in which we interact with, travel through and embrace our environment in our daily lives.

At the end of his career, in 2011, McCracken returned to the original plank form, but fabricated in a stainless steel and polished to such a high degree of reflectivity that the works seem translucent and camouflaged, bordering on invisibility as they reflect their surroundings.

The original call for work asked for pieces that looked «to examine our understanding of the natural environment, and the ways in which this is influenced by different methods of constructing meaning — across literature, science and the arts — with specific reference to thinking around the archive»: how and why do we store nature and in what way do the structures, processes and materials of storage affect and reflect our understanding of what we store?

Though Yaffe notes that it was clear that the solicitor had done more work than the original estimate reflected, he was bound by the # 8,000 quote and wasn't entitled to recover any more.

Be original and design a resume that reflects your personality and work style.

The first step in this process was to implement the Strengthening Families Program as initially designed for a multicultural audience, including Caucasian, Asian, Hispanic / Latino and African - Americans, modifications were then made to include three components: 1) an all African - American video was produced with original scripts based on typical family life situations encountered by families of local substance abusers; 2) all art work utilized in the program manuals was redrawn to reflect African - American heritage, and 3) certain concepts and terminology used in the program were revised to be more in line with the African - American historical / cultural frame of reference.

These changes in the teamwork - related mental models (TWMM) reflect a dissonance reduction process, in which group members attempt to reach consistency between two different sets of evaluative cognitions: their original expectations towards teamwork and the evaluative cognitions referring to the teamwork quality experienced during real group work.

The Ontario Real Estate Association (OREA) also believes the act and its regulations reflect a positive working relationship with the provincial government, in the original drafting of the act and in the regulations that have just been announced.