Not exact matches
This exhibition of new
paintings and cyanotypes provides evidence of the many different
bodies of work McGinness has been exploring in recent years — from self -
reflective Studio Views with process - referencing subject matter to iconic Signals, Skateboards, Mindscapes, and Black Holes.
Potential exchange items may include: clothes, curtains, blankets, artworks, photographs,
paintings, frames, nondescript items of undetermined function, objects that resemble parts of the human
body such as wigs or mannequins, costume jewelry and accessories, mirrors and
reflective items, potted plants, colorful items and / or those with interesting shapes and forms, transparent materials such as shower curtains, lingerie, or X-rays, books, and trinkets.
Presenting a
painting from his well - known
body of work «Black Dada» as well as a work from a series layering text and images on mirrored stainless steel, Adam Pendleton's works in this exhibition give material form to the artist's engagement with a dynamic idea of history; one that is ever mutable and
reflective of subjective and infinite narrative potentials.
Synthesizing what is sensed by the
body and what is perceived in the retina, the sculptures utilize materials that are commonly used to orient and control our movements in urban systems —
reflective paint in crosswalks, neon signage, and pigeons — to disorient and obscure their communicative properties.
Her abstract
paintings focus on constructing spatial voids using harmonic progressions and non-traditional,
reflective pigments in oil; their scale and dimensions address the
body.
Lassnig's self - portraits are familiar having been fortunate to see last year's exhibition at Tate Liverpool (2016), in which her
reflective Baconian
paintings address the ageing process, the passing of time and the fragility of the human
body from a feminist perspective.