With an aversion to abstract expressionism, Kuwayama produced distilled, richly coloured, discreetly
reflective fields of paint without trace of manual intervention, the focus of the current exhibition at the Mayor Gallery in London.
Not exact matches
His
paintings are composed
of an economical vernacular: hard, clean lines; sheer
reflective fields of color; and open, iconic signs, appear to contain a clear communicative promise.
A swish
of color
field painting encompasses the Bridge walls and ceiling adding
reflective elements to create overlapping perspectives and optical illusions.