Corse's experiments with the optical and subjectivity started in the late 1960s, which led her to incorporate
reflective glass beads into her art practice.
Not exact matches
In 1968, she began to embed
glass microspheres, tiny
reflective beads commonly used to brighten highway signs, in her paintings by mixing them with white acrylic paint.
PNNL says, «Using inexpensive
glass beads traditionally used for
reflective pavement markings at airports, the PNNL team has demonstrated 1000x magnification, which is necessary to see tiny anthrax spores and plague cells.