Sentences with phrase «reflects contemporary practice»

This approach reflects contemporary practice and recognises that leadership attributes are not fixed, but can be developed over time with targeted professional learning experiences and the proper support.
Curriculum and assessment frameworks also need to reflect contemporary practice.

Not exact matches

Infrastructure: SNA will have a financially sustainable funding model with a nimble governance structure and headquarters staff organization that is aligned with the strategic plan and reflects contemporary association business practices.
Providing programs and resources to help low - progress readers MultiLit products reflect a contemporary approach to best practice literacy instruction as identified by international reading... Read More >>
Many of the previous comments made about this article reflect a lack of understanding about both contemporary animal shelter management practices and the specifics of the initiative.
With a frame reflecting the New Museum's approach to its own triennial — whereby it focuses on emerging artists — the show offered a platform upon which to explore a new generation of contemporary practices.
Our qualification reflects the interests and concerns of contemporary art practices and unfolds in an alternative teaching and learning environment within the framework of the 10th Berlin Biennale.
In addition to her prolific artistic practice, she holds the position of Professor of Contemporary Art at the University of Central Lancashire, where she leads the interdisciplinary visual art research project Making Histories Visible, reflecting critically on the success and failures of the Black Arts Movement and participating in numerous conferences on art of the diasporas.
The inaugural exhibition Change explores the breadth and depth of the Monash University Collection, reflecting on the changing forms and developments in contemporary art practice from the 1960s to the present, from late - modernism to our contemporary situation.
Lastly, I would like to mention the Swedish - born duo Nathalie Djurberg and Hans Berg, whose work Worship (2016) resonates with different works from various disciplines, bringing performance up to the present day, conceptually and technologically, and also in the way in which it reflects the fluidity of contemporary creative practice.
«Jane South has an impressive background in combining her leadership experience of Fine Arts programs in the US and Europe with her experience as a practicing artist whose work cuts across disciplines and reflects the intersectional nature of contemporary arts practice,» said Gerry Snyder, dean of the School of Art.
While contemporary practices reflect the urgency of site - specific art and nonsite, then, there is simultaneously an erosion of distinctions between them.
Ranging from large - scale painting to site - specific installation, these commissions spotlight trailblazing artists at different stages of their careers, and reflect the museum's continued commitment to providing an international platform for a wide range of contemporary artists with innovative and experimental approaches to their practices.
As ICA Miami looks forward to the opening of its new permanent home next year, the summer program reflects the museum's continued commitment to providing an international platform for a wide range of contemporary artists with innovative and experimental approaches to their practices.
DIRGE: Reflections on [Life and] Death explores how contemporary artists use their individual practices to capture, react to, reflect on, and make sense of mortality.
As a research artist and digital media Ph.D student, I am constantly challenged to reflect critically upon the nature of the various forms which are emerging in contemporary artistic practices.
«Each artwork was made in the last year or two and reflects the most critical ideas and issues motivating artistic practices today,» Suzanne Weaver, the institution's curator of modern and contemporary art, said.
The Visitor Talks — Dialogues... further develops issues raised in the Fall 2013 — Spring 2014 series of The Visitor Talks: Pre-Ambulation and Retrospection, reflecting upon overarching issues pertaining to the conundrum of research within contemporary art, curatorial practice, and their attendant discourses.
It will also include rooms dedicated to the minimal and conceptual practices of the 1970s and 80s, as well as a series of new works by contemporary artists such as Tony Cairns, Maya Rochat and Daisuke Yokota that reflect the connections between the two media today.
Both exhibitions speak to the rapidly advancing media culture of contemporary society, and reflect the museum's ongoing commitment to providing a platform for the work of the most innovative and experimental artists practicing today.
reflects on the complexities of contemporary surveillance, from technologies used by state authorities to everyday monitoring practices.
In keeping with the exhibition's assertion that Cobra has particular resonance with contemporary art practice, the design of Human Animals: The Art of Cobra reflects the innovative installations of the first Cobra exhibitions that were designed by Dutch avant - garde architect Aldo van Eyck, with a re-working of the «Poet's Cage» featured in the landmark 1949 Cobra exhibition in Amsterdam.
In contemporary society some of these ceremonial devises, once shared through communal ritualistic practices, have been abandoned, and others transformed to reflect contemporary conditions.
This project will specifically reflect upon the philosophy and relevance of the influential Bauhaus movement to address important issues for today's practicing artist and contemporary society.
It also reflected the pluralism of contemporary artistic practice: the use of media once considered non-traditional (such as video, computers, and found objects), an interest in temporality that took the form of short - lived installations, and the exploration of performative work.
The series draws on contemporary documentary practices to reflect the bewildering atmosphere of the region, using pictures of foreboding landscapes and festivities, alongside images of locals uncovering crime scenes, and found material selected from different sources.
«Each artwork was made in the last year or two and reflects the most critical ideas and issues motivating artistic practices today,» Suzanne Weaver, the museum's modern and contemporary art curator, said in a statement.
Stephen Whitmarsh (neuroscientist Nijmegen and member of the international network OuUnPo), will reflect on the differences and similarities between how process and practice is formulated in neuroscience and in contemporary art.
Many contemporary art practices engage in or reflect services that challenge our perceptions of who performs the roles of host and guest.»
The core of the exhibition VoTH nike nfl Jersey size 52 will be an endeavour to investigate the way 8 Russian and 8 Dutch contemporary art practices analyze and reflect upon aspects of Russian contemporary society, culture and history.
Joining us as guest editor of the issue is Yvette Mutumba, an independent curator and the cofounder and Editor - in - Chief of Contemporary And, an online space for reflecting on and linking together ideas, discourse and information on contemporary art practice from diverse African pContemporary And, an online space for reflecting on and linking together ideas, discourse and information on contemporary art practice from diverse African pcontemporary art practice from diverse African perspectives.
Yerba Buena Center for the Arts presents contemporary art from the Bay Area and around the world that reflects the profound issues and ideas of our time, expands the boundaries of artistic practice, and celebrates the diversity of human experience and expression.
The main body of the exhibition features contemporary works including photographs, videos, paintings, posters and installations that employ a wide range of tactics to attack, reflect upon or at any rate expose modern - day surveillance practices.
While for example Minimal Art focused on the specific characteristics of the used material, today's phenomena of digitization bring about a new tension between materiality and immateriality that is reflected in contemporary art practices.
The collection also reflects distinctive contemporary sculptural practices, including works by Roxy Paine, Cameron Gainer, Mel Kendrick, Ai Wei Wei, and more.
«The final room is given over to contemporary abstraction and, perhaps inevitably, reflects the dilemma of current photographic practice in our profligate image culture.
Featuring works by all of Sutton Gallery's currently represented artists, Temperament Spectrum reflects the breadth and depth of contemporary art practice presented by Sutton Gallery over the past two decades.
As such, the acquisition supports Touchstone Rochdale's ongoing programme of using contemporary art to newly contextualise and reinvigorate elements of their social history collection, reflecting Tompkins personal interest in creating the possibility of new meaning through her practice.
This book is intended to introduce this seminal figure of post-medial practices to younger generations and, by including responses to his work by contemporary artists, to reflect on the ways in which his work is relevant to artistic practice now.
Earlier that year he presented Intervals: the third installment of a contemporary art series designed to reflect the spirit of today's most innovative practices, at the Guggenheim Museum in New York.
Notably, this increased awareness is reflected in contemporary artistic practices conceptually as well materially; meaning that the ecological notion extends beyond what is represented into how it is represented.
Developing the ideas of non-objectivity, richly and diversely expressed in the work of the Russian avant - garde artists (Kazimir Malevich, Olga Rozanova, Lyubov Popova, and others), Scully also dwells on contemporary philosophical practices reflecting today's rapidly changing reality.
The acquisition supports Touchstone Rochdale's ongoing programme of using contemporary art to newly contextualise and reinvigorate elements of their social history collection, reflecting Tompkins personal interest in creating the possibility of new meaning through her practice.
Phyllida Barlow's practice reflects a distinct new direction in contemporary sculpture, one concerned with urban detritus, waste, recycling and a kind of «anti-form».
NEW YORK, NY — From October 1, 2010, to January 9, 2011, the Solomon R. Guggenheim Museum will present Intervals: Ryan Gander, the third installment of its contemporary art series designed to reflect the spirit of today's most innovative practices.
Reflecting the state of international economy and contemporary life, the artist's practice takes an intense interest in the collective experience, investigating the impact of globalisation on the everyday.
The Solomon R. Guggenheim Museum is to present Intervals: Futurefarmers, the fourth installment of its contemporary art series designed to reflect the spirit of today's innovative practices.
University Galleries produces exhibitions and interpretive programming that reflect the shifting dynamics of contemporary artistic practice.
Her experience as a clinical psychologist practicing psychotherapy from a contemporary psychoanalytic perspective for over 25 years reflects an enduring passion and respect for personal idiosyncrasy that characterizes her early portrait work, the more recent and abstract, life - size human figure paintings, and now, her turn to the reservoir of personal experience within.
«Each artwork was made in the last year or two and reflects the most critical ideas and issues motivating artistic practices today,» says Suzanne Weaver, The Brown Foundation Curator of Modern and Contemporary Art.
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