This approach
reflects contemporary practice and recognises that leadership attributes are not fixed, but can be developed over time with targeted professional learning experiences and the proper support.
Curriculum and assessment frameworks also need to
reflect contemporary practice.
Not exact matches
Infrastructure: SNA will have a financially sustainable funding model with a nimble governance structure and headquarters staff organization that is aligned with the strategic plan and
reflects contemporary association business
practices.
Providing programs and resources to help low - progress readers MultiLit products
reflect a
contemporary approach to best
practice literacy instruction as identified by international reading... Read More >>
Many of the previous comments made about this article
reflect a lack of understanding about both
contemporary animal shelter management
practices and the specifics of the initiative.
With a frame
reflecting the New Museum's approach to its own triennial — whereby it focuses on emerging artists — the show offered a platform upon which to explore a new generation of
contemporary practices.
Our qualification
reflects the interests and concerns of
contemporary art
practices and unfolds in an alternative teaching and learning environment within the framework of the 10th Berlin Biennale.
In addition to her prolific artistic
practice, she holds the position of Professor of
Contemporary Art at the University of Central Lancashire, where she leads the interdisciplinary visual art research project Making Histories Visible,
reflecting critically on the success and failures of the Black Arts Movement and participating in numerous conferences on art of the diasporas.
The inaugural exhibition Change explores the breadth and depth of the Monash University Collection,
reflecting on the changing forms and developments in
contemporary art
practice from the 1960s to the present, from late - modernism to our
contemporary situation.
Lastly, I would like to mention the Swedish - born duo Nathalie Djurberg and Hans Berg, whose work Worship (2016) resonates with different works from various disciplines, bringing performance up to the present day, conceptually and technologically, and also in the way in which it
reflects the fluidity of
contemporary creative
practice.
«Jane South has an impressive background in combining her leadership experience of Fine Arts programs in the US and Europe with her experience as a
practicing artist whose work cuts across disciplines and
reflects the intersectional nature of
contemporary arts
practice,» said Gerry Snyder, dean of the School of Art.
While
contemporary practices reflect the urgency of site - specific art and nonsite, then, there is simultaneously an erosion of distinctions between them.
Ranging from large - scale painting to site - specific installation, these commissions spotlight trailblazing artists at different stages of their careers, and
reflect the museum's continued commitment to providing an international platform for a wide range of
contemporary artists with innovative and experimental approaches to their
practices.
As ICA Miami looks forward to the opening of its new permanent home next year, the summer program
reflects the museum's continued commitment to providing an international platform for a wide range of
contemporary artists with innovative and experimental approaches to their
practices.
DIRGE: Reflections on [Life and] Death explores how
contemporary artists use their individual
practices to capture, react to,
reflect on, and make sense of mortality.
As a research artist and digital media Ph.D student, I am constantly challenged to
reflect critically upon the nature of the various forms which are emerging in
contemporary artistic
practices.
«Each artwork was made in the last year or two and
reflects the most critical ideas and issues motivating artistic
practices today,» Suzanne Weaver, the institution's curator of modern and
contemporary art, said.
The Visitor Talks — Dialogues... further develops issues raised in the Fall 2013 — Spring 2014 series of The Visitor Talks: Pre-Ambulation and Retrospection,
reflecting upon overarching issues pertaining to the conundrum of research within
contemporary art, curatorial
practice, and their attendant discourses.
It will also include rooms dedicated to the minimal and conceptual
practices of the 1970s and 80s, as well as a series of new works by
contemporary artists such as Tony Cairns, Maya Rochat and Daisuke Yokota that
reflect the connections between the two media today.
Both exhibitions speak to the rapidly advancing media culture of
contemporary society, and
reflect the museum's ongoing commitment to providing a platform for the work of the most innovative and experimental artists
practicing today.
reflects on the complexities of
contemporary surveillance, from technologies used by state authorities to everyday monitoring
practices.
In keeping with the exhibition's assertion that Cobra has particular resonance with
contemporary art
practice, the design of Human Animals: The Art of Cobra
reflects the innovative installations of the first Cobra exhibitions that were designed by Dutch avant - garde architect Aldo van Eyck, with a re-working of the «Poet's Cage» featured in the landmark 1949 Cobra exhibition in Amsterdam.
In
contemporary society some of these ceremonial devises, once shared through communal ritualistic
practices, have been abandoned, and others transformed to
reflect contemporary conditions.
This project will specifically
reflect upon the philosophy and relevance of the influential Bauhaus movement to address important issues for today's
practicing artist and
contemporary society.
It also
reflected the pluralism of
contemporary artistic
practice: the use of media once considered non-traditional (such as video, computers, and found objects), an interest in temporality that took the form of short - lived installations, and the exploration of performative work.
The series draws on
contemporary documentary
practices to
reflect the bewildering atmosphere of the region, using pictures of foreboding landscapes and festivities, alongside images of locals uncovering crime scenes, and found material selected from different sources.
«Each artwork was made in the last year or two and
reflects the most critical ideas and issues motivating artistic
practices today,» Suzanne Weaver, the museum's modern and
contemporary art curator, said in a statement.
Stephen Whitmarsh (neuroscientist Nijmegen and member of the international network OuUnPo), will
reflect on the differences and similarities between how process and
practice is formulated in neuroscience and in
contemporary art.
Many
contemporary art
practices engage in or
reflect services that challenge our perceptions of who performs the roles of host and guest.»
The core of the exhibition VoTH nike nfl Jersey size 52 will be an endeavour to investigate the way 8 Russian and 8 Dutch
contemporary art
practices analyze and
reflect upon aspects of Russian
contemporary society, culture and history.
Joining us as guest editor of the issue is Yvette Mutumba, an independent curator and the cofounder and Editor - in - Chief of
Contemporary And, an online space for reflecting on and linking together ideas, discourse and information on contemporary art practice from diverse African p
Contemporary And, an online space for
reflecting on and linking together ideas, discourse and information on
contemporary art practice from diverse African p
contemporary art
practice from diverse African perspectives.
Yerba Buena Center for the Arts presents
contemporary art from the Bay Area and around the world that
reflects the profound issues and ideas of our time, expands the boundaries of artistic
practice, and celebrates the diversity of human experience and expression.
The main body of the exhibition features
contemporary works including photographs, videos, paintings, posters and installations that employ a wide range of tactics to attack,
reflect upon or at any rate expose modern - day surveillance
practices.
While for example Minimal Art focused on the specific characteristics of the used material, today's phenomena of digitization bring about a new tension between materiality and immateriality that is
reflected in
contemporary art
practices.
The collection also
reflects distinctive
contemporary sculptural
practices, including works by Roxy Paine, Cameron Gainer, Mel Kendrick, Ai Wei Wei, and more.
«The final room is given over to
contemporary abstraction and, perhaps inevitably,
reflects the dilemma of current photographic
practice in our profligate image culture.
Featuring works by all of Sutton Gallery's currently represented artists, Temperament Spectrum
reflects the breadth and depth of
contemporary art
practice presented by Sutton Gallery over the past two decades.
As such, the acquisition supports Touchstone Rochdale's ongoing programme of using
contemporary art to newly contextualise and reinvigorate elements of their social history collection,
reflecting Tompkins personal interest in creating the possibility of new meaning through her
practice.
This book is intended to introduce this seminal figure of post-medial
practices to younger generations and, by including responses to his work by
contemporary artists, to
reflect on the ways in which his work is relevant to artistic
practice now.
Earlier that year he presented Intervals: the third installment of a
contemporary art series designed to
reflect the spirit of today's most innovative
practices, at the Guggenheim Museum in New York.
Notably, this increased awareness is
reflected in
contemporary artistic
practices conceptually as well materially; meaning that the ecological notion extends beyond what is represented into how it is represented.
Developing the ideas of non-objectivity, richly and diversely expressed in the work of the Russian avant - garde artists (Kazimir Malevich, Olga Rozanova, Lyubov Popova, and others), Scully also dwells on
contemporary philosophical
practices reflecting today's rapidly changing reality.
The acquisition supports Touchstone Rochdale's ongoing programme of using
contemporary art to newly contextualise and reinvigorate elements of their social history collection,
reflecting Tompkins personal interest in creating the possibility of new meaning through her
practice.
Phyllida Barlow's
practice reflects a distinct new direction in
contemporary sculpture, one concerned with urban detritus, waste, recycling and a kind of «anti-form».
NEW YORK, NY — From October 1, 2010, to January 9, 2011, the Solomon R. Guggenheim Museum will present Intervals: Ryan Gander, the third installment of its
contemporary art series designed to
reflect the spirit of today's most innovative
practices.
Reflecting the state of international economy and
contemporary life, the artist's
practice takes an intense interest in the collective experience, investigating the impact of globalisation on the everyday.
The Solomon R. Guggenheim Museum is to present Intervals: Futurefarmers, the fourth installment of its
contemporary art series designed to
reflect the spirit of today's innovative
practices.
University Galleries produces exhibitions and interpretive programming that
reflect the shifting dynamics of
contemporary artistic
practice.
Her experience as a clinical psychologist
practicing psychotherapy from a
contemporary psychoanalytic perspective for over 25 years
reflects an enduring passion and respect for personal idiosyncrasy that characterizes her early portrait work, the more recent and abstract, life - size human figure paintings, and now, her turn to the reservoir of personal experience within.
«Each artwork was made in the last year or two and
reflects the most critical ideas and issues motivating artistic
practices today,» says Suzanne Weaver, The Brown Foundation Curator of Modern and
Contemporary Art.