Sentences with phrase «reflects fine work»

«The Danish Girl» is a beautiful film that reflects fine work from everyone involved.

Not exact matches

Liverpool can reflect on a fine fortnight's work after beating AFC Bournemouth but Jürgen Klopp warned that nothing has been achieved yet.

«We're working with the committees whose filings were fine from their end, and when they are posted they will reflect the fact that they were filed on the 15th.»

I bought Gorgeous Ball Gown Scoop Floor Length Lace Wedding Dress because he looks happy from the first moment I saw it: a floral pattern worked very carefully and with great attention to detail, quality materials, a very delicate and fine corset, and the whole composition of this interesting and more that suitable wedding dress is one that reflects the taste and sophistication of those who made it!

Keeping a fine balance between working hard and relaxation is an art I have mastered; — RRB - I am looking for someone with a big heart who reflects...

I emphasized to the teachers to reflect constantly on their practices — what methods are working well, what needs fine - tuning, and what works in their particular situation.

As I reflect, those great first days were usually after a summer where I spent extra time setting up, designing bordering for student work displays, dusting each individual book in the classroom library, fine - tuning and perfecting those beginning lessons: the handouts, the pacing, and the mini-lessons.

Of course, when you peruse the fine print, these figures reflect heroic extrapolations and rosy projections — all based on the assumption that every effort will work like the most successful boutique pilots.

«Sherry and Peter are welcoming and sophisticated hosts, and their house reflects a lifetime of travel, work and an appreciation for the finer things».

Thoughtfully crafted by renowned international architects working with the finest local artisans, LHM properties reflect the sophisticated taste of our discerning guests and are matched by an authentic hospitality guided by LHM's uncommon leadership.

I had mentioned in my response to Randy Tibbits's screed regarding too few Houston or Texas artists at the Museum of Fine Arts, Houston that I thought the museum's American art galleries had bigger issues to address, «starting with too few works by artists of color and / or works addressing race, a lack of work by Native Americans, relatively little work reflecting urban social issues and labor unrest, etc..»

«Jane South has an impressive background in combining her leadership experience of Fine Arts programs in the US and Europe with her experience as a practicing artist whose work cuts across disciplines and reflects the intersectional nature of contemporary arts practice,» said Gerry Snyder, dean of the School of Art.

Lewis» work then moved into what Fine described as «a very calligraphic period, where the use of line in fairly abstract terms for me reflects his interest in music.»

The Virginia Museum of Fine Arts» board of trustees has voted to acquire the work Red Reeds by Dale Chihuly that was created for the Anne Cobb Gottwald reflecting pool outside the Best Café.

First - time exhibitors include: Dépendance featuring drawings, sculpture, painting and film by Ed Atkins (b. 1982), Gillian Carnegie (b. 1971) and Peter Wächtler (b. 1979); David Lewis Gallery presenting works by Dawn Kasper (b. 1977) and Lucy Dodd (b. 1981); and Tyler Rollins Fine Art staging a never - before - seen installation by Manuel Ocampo (b. 1965) reflecting on current global political events.

It will bring together outstanding works of fine and decorative art that reflect the history of making, collecting, researching and exhibiting art in the German - speaking world, from the Renaissance to the present.

The X, Y, and Z Portfolios (published in 1978, 1978, and 1981, respectively) by American photographer Robert Mapplethorpe (1946 — 1989) summarize Mapplethorpe's ambitions as a fine - art photographer and contemporary artist, reflecting the tripartite division of his mature work: homosexual sadomasochistic imagery (X); floral still lifes (Y); and nude portraits of African - American men (Z).

Her work encompasses many visual mediums including advertising, film, web and fine art.Sylve's portfolio continues to expand, and reflects her achievements and the hunger to constantly refine her aesthetic.

Incorporating a variety of materials and a myriad of of techniques, her work reflects the experience of teaching at the School of the Museum of Fine Arts, Boston from 1974 to 2011.

MT: Inasmuch that feminist art has been responsible for really asserting non-traditional materials into the fine art canon, my work reflects this shift.

On Proyectos Monclova's booth, the Mexican collective Tercerunquinto are painting Mexican political campaign murals directly onto the walls and there's more hard - hitting political work in a new series from Santiago Sierra on Milan's Prometeogallery di Ida Pisani, together with a never before seen installation by Manuel Ocampo on Tyler Rollins Fine Art which, in the Filipino artist's inimitable style, draws on religious iconography to reflect on current global events.

Group exhibitions include «New Works,» The Margulies Collection, Miami, FL; «Stolen Gestures,» Kunsthaus Nuremberg, Nuremberg, Germany; «A Reflected Gaze,» Torrance Art Museum, Torrance, CA; «To Here Knows When,» University of La Verne, La Verne, CA; «Subject,» Lyman Allyn Museum, New London, CT; «From America,» Museum of Modern Fine Arts, Minsk, Belarus; and «The Real Me,» Occidental College, Los Angeles, CA.

The California School of Fine Arts (now known as the San Francisco Art Institute) acted as an experimental laboratory where students and teachers, women and men, developed a unique Post-Surrealist, postwar, anti-decorative mode of art - making that is reflected in diverse work by such artists as Lilly Fenichel, Emiko Nakano, and Berenice Bing.

At the same time, the presentation avoids triumphalism in its narrative of American history: with the new and welcome prominence given Native American and African - American artists, the installation frankly acknowledges that the rising fortunes of a new nation — reflected or celebrated in many of the collection's finest works — were predicated on oppression.

At Ota Fine Arts until 5 November 2016, «Medi» features video and installation works by Japanese Takao Minami, subtly reflecting the experience of travelling around the Mediterranean and its sunlit landscapes.

Among the show's other notable works is George Condo's Homage to Manet, 1985, an oil painting that references the work of the great impressionist painter, and which stands in stark contrast to Andy Warhol's exploration of colour and blurring of commercial and fine - art lines in Reflected (Purple, Red, Green and Yellow on Black), 1982 (fourth picture).

Residents were invited to research, create new work, meet and collaborate, share skills, and reflect on the performative aspect of their artistic practice, which could range from «fine art» or live art.

«Ernest C Withers and Glenn Ligon: I Am A Man Teaching Galleries One and Two,» Contemporary Art Museum St Louis, MO, January 20 — March 28, 2006 «Down by Law, curated by The Wrong Gallery,» Whitney Museum of American Art, New York, NY, January 21 — May 15, 2006 «Collective Histories / Collective Memories: California Modern,» Orange County Museum of Art, Newport Beach, CA, February 6 — September 24, 2006 «Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards,» American Academy of Arts and Letters, New York, NY, May 19 — June 12, 2006 «Legacies: Contemporary Artists Reflect on Slavery,» New - York Historical Society, New York, NY, June 16, 2006 — January 7, 2007; catalogue «The Past Made Present: Contemporary Art and Memory,» Museum of Fine Arts, Houston, TX, September 2, 2006 — January 15, 2007 «Group Dynamic: Portfolios, Series, and Sets,» Des Moines Art Center, Des Moines, IA, September 15 — December 29, 2006 «black alphabet: conTEXTS of contemporary african - american art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2006

The New Ink Painting from China is an exhibition carefully selected by Michael Goedhuis to reflect some of the finest contemporary works currently available on the market.

This juried event gathers some of the finest, award - winning artists on the shoreline whose work must reflect mastery of methods and materials, originality of concept, and be handmade by the artist in his / her studio.

For those 15 years, Artadia has enjoyed a ringside seat for observing the evolution of innovative artistic practice, and the nearly 40 works presented at the gala — and auctioned that evening by Sotheby's Gabby Palmieri — reflected some of the finest talent in American art today.

That sounds fine on its face, but the fact is that when I worked in St. Paul, that jury - summoning process did not lead to juries that reflected the diversity in the community.

This is not a knock on the fine academic work done by legal scholars or criminologists, but the policy academy and practitioners have a lot to say about sentencing that really hasn't been reflected in usual discussions, as much the fault of the latter as the former.