Sentences with phrase «reflects individual identity»

Her mission is to awaken others to self - understanding and a life that reflects individual identity, purpose, and values.

Not exact matches

As more and more people opt to make their diverse sexual and gender identities public, and as choice - craving individuals seek clothing that perfectly reflects their personal style, retail and fashion insiders expect sales of androgynous duds to climb in the years ahead.

«Networks of the brain reflect the individual gender identity.»

Fact: This belief reflects a confusion between schizophrenia and dissociative identity disorder — once called multiple - personality disorder — a controversial diagnosis that is supposedly marked by the coexistence of multiple personalities or personality states within individuals.

The study concludes that «Although our findings indicate that biracial individuals are more likely to seek potential partners outside of their same racial / ethnic identity, their dating preferences also reflect a distinct racial hierarchy that may account for why some racial / ethnic categories are more desirable than others».

Set in the experiential Museum of Tolerance, this special workshop uses Red Scarf Girl, The Diary of Anne Frank, and Wonder, as well as other literary resources to examine ways to engage youth in thinking about identity, analyzing adolescent choices, and reflecting on the impact of history on individuals.

Prompt students to reflect on the identity of the United States and see that it is the product of collaboration and conflict between a variety of different individuals and groups — some famous, but many not

Drawing from the National Museum of Women in the Arts collection, this show features photography and video works by 17 artists focusing their camera on the female body as a vital medium for storytelling, expressing identity and reflecting individual and collective experience.

By turning their camera to women, including themselves, these artists embrace the female body as a vital medium for expressing identity, reflecting individual and collective experience, and forming narratives.

Zaatari is widely known for his expansive practice in photography and film - making which reflects on the collecting, archiving and dissemination of such images and the performative role they play in the formation of individual and communal identities and histories.

The participating artists, half of whom are based in Virginia, reflect on ipseity, or individual identity.

Whether he was deconstructing three dimensional reality through mirrored cylinders in installations such as «What Will Come» at the Goodman gallery, or reflecting on identity and individual choices in a politically conflicted landscape as he did through his films at the K20 exhibit — at the heart of it was always the voice of an artist striving to inform, interrogate and possibly change the world.

Snap Judgments explores African photography in terms of content and style, organized into four main thematic groups that reflect the issues addressed by African artists today — landscape; urban formations; the body and identity; and history and representation — around which Africa's experimental artists have articulated individual artistic styles and languages.

In turning their cameras to women — including themselves — they embrace the female body as a practical and vital medium for expressing identity, reflecting individual and collective experiences, and forming narratives.

File recently graduated from Chelsea College of Art and will be discussing his performative practice that reflects on the function of institutions and networks in society drawing principally on governmental, legal, corporate and media structures and ideas of individual identity and authenticity within these.

Consequently, individuals learned to visually communicate and question their self - identity and environment, and reflect on their role within the creative practice of photography.

The artists will reflect on cultural constructions and social frameworks in the special context of China and how all these form individual identities and artistic practices as well as define relations in the system that we urgently need to question.

Artists such as Zhang Huan, Yasser Aggour and Lyle Ashton Harris explore and manipulate the age - old concept of the «family portrait,» while Janine Antoni and Annee Olofsson reflect on the importance of individual identity in regards to parent - child relationships.

Materially reflecting the complexities of individual and collective identity, Les guérillères XII also evokes the uncanny formal ruptures employed by Dadaist artists in the aftermath of World War I. Perret's figure in repose occupies the time and space between action and inaction; whilst guns pose a key threat to societies of our time, here this cast resin gun is candy - like, fetishised, temporarily immobilised yet still harbouring potential.

And finally the Royal College of Art graduate Zhu Tian brings the viewer sheep skins, and with them reflects power strategies asserting the individuals identity over corporate and misogynistic manipulations — but the artist's sheep skins are not the warming variety, instead they are the skins of the subservient and unthinking masses.

New York About Blog The Revealer publishes writing that reflects upon religion as a key point of intersection between beliefs, practices, politics, representation, economics, and identity, where the important forces that shape individuals, societies, and their relationship to each other, play out.