Sentences with phrase «reflects modern books»

One of the reasons why Amazon's bestseller list of all time reflects modern books is because of a new way it indexes classic books.

Not exact matches

As a matter of fact, Bultmann's Jesus and the Word of 1926 was prefaced with a classic statement of the modern view of history, and on this basis he states that his book reflects his own encounter with the historical Jesus, and may mediate an encounter with the historical Jesus on the part of the reader.

There are, as one would expect, several essays in the book on Jews and Judaism, some reflecting Kristol's religious interests» the need, for example, to sustain in Jewish identity a religious element and not merely a cultural one» others his political ones, exploring the relations of modern American Jews with a pluralistic American society that has given them an uncommonly large, though not unlimited, berth.

That is the reason for the sub-title given to the book, «A Personalist Anthropology», because its thesis reflects the basic principle of modern personalism: that we can only find ourselves through the sincere gift of ourselves.

This satirical recipe book will make you laugh as you reflect on the joys and challenges of modern marriage.

We can only hope that this book adds to the calls being made, by the Treasury select committee and others, that there is still the opportunity to amend the legislation that will hand so much power to an institution whose constitution has not changed to reflect modern times.

Adapted by Hannibal's Bryan Fuller and Blade Runner sequel writer Michael Green, the series based Gaiman's book (which has the writer himself as an executive producer), chronicles the struggle between the gods of old (mythological legends from around the world) and new (reflecting modern society's love for money, technology and celebrity, among other things).

I'm not trying to write Message Books, but, rather, reflect our modern - day reality.

There are books on shelves, in file containers along the stairway, piled in laundry baskets — and they reflect the range of his interests: Painting in the Twentieth Century, Rebels against Slavery, The End of Blackness, Invisible Man, Theories of Modern Art, African Art, Against Race, A Rumor of Revolt, A Different Mirror: A History of Multicultural America, The Salt Eaters, Of Grammatology, Black Empire, A Commentary on Heidegger's «Being and Time», The Future of the Race.

It presents a sample of the anecdotes added since 2012 on bi-lingual posters, reflects on the place of self - published literature in the economy of the modern book trade, and offers free - to - take Xerox copies of the expanded manuscript in English for the first time.

Traveled to: Chicago Cultural Center, March 15 — May 18, 1997; Davenport Museum of Art, Iowa, September 14 — November 17, 1997; Springfield Museum of Art, Ohio, March 13 — May 9, 1999 (Catalogue) Thinking Print: Books to Billboards, 1980 — 1995, The Museum of Modern Art, New York, June 19 — September 10, 1996 (Catalogue) Annual Exhibition 1996, American Academy in Rome, May 24 — July 14, 1996 (Catalogue) Affinities: Chuck Close and Tom Friedman, The Art Institute of Chicago, April 27 — July 28, 1996 (Catalogue) Interstices: The A (a) rtist, A (a) rt and the A (a) udience, Duke University, Durham, North Carolina, April 12 — May 25, 1996 Fractured Fairy Tales, Art in the Age of Categorical Disintegration, SoHo at Duke, Duke University Museum of Art, Durham, North Carolina, April 12 — May 25, 1996 (Catalogue) New in the 90's, Katonah Museum of Art, New York, March 31 — April 21, 1996 Attention to Detail (Realism in All Forms), Louis K. Meisel Gallery, New York, March 2 — 23, 1996 Master Printers and Master Pieces, Kaohsiung Museum of Fine Arts, Taiwan, February 16 — June 2, 1996 Narcissism: Artists Reflect Themselves, California Center for the Arts Museum, Escondido, February 4 — May 26, 1996 (Catalogue)

Assembled by Dr. Robert J. Stillman and Dr. Linda Klieger Stillman, of Potomac, Maryland, the gift totals some three hundred items, including books, magazines, correspondence, musical scores, and ephemera, encompassing every significant appearance of Jarry in print, as well as modern and contemporary publications that reflect his ongoing legacy.

BOOK LAUNCH + READING: «THE AIR WE BREATHE» WHITE COLUMNS + SF MoMA PROUDLY PRESENT: THE NEW YORK LAUNCH FOR «THE AIR WE BREATHE: ARTISTS AND POETS REFLECT ON MARRIAGE EQUALITY» (PUBLISHED BY SAN FRANCISCO MUSEUM OF MODERN ART) SATURDAY NOVEMBER 5, 6PM READING: EILEEN MYLES BOOKS WILL BE AVAILABLE ON THE NIGHT The Air We Breathe: Artists and Poets Reflect on Marriage Equality Edited by Apsara DiQREFLECT ON MARRIAGE EQUALITY» (PUBLISHED BY SAN FRANCISCO MUSEUM OF MODERN ART) SATURDAY NOVEMBER 5, 6PM READING: EILEEN MYLES BOOKS WILL BE AVAILABLE ON THE NIGHT The Air We Breathe: Artists and Poets Reflect on Marriage Equality Edited by Apsara DiQReflect on Marriage Equality Edited by Apsara DiQuinzio.

In addition to his well - known paintings of Tahiti, in which the artist constructed his perfect vision of man's communion with the natural world, the book also includes powerful works that reflect the artist's contact with other seminal early modern masters such as Van Gogh and Cézanne.

Modern and Contemporary works on view transcend national boundaries and involve all forms of visual expression, including painting and sculpture, drawings, prints and illustrated books, photography, architecture and design, and film and video, as well as new forms yet to be developed or understood, that reflect and explore the artistic issues of the era.

To the theme tune of an external hard drive processing fast — now pacing itself — now rushing at breakneck speed — the group of seventeen paintings, produced between 2000 and 2011, each beautifully reproduced in the well - designed catalogue — featuring a sharp, in - depth and elegantly - written essay by Goldsmiths» Gilda Williams — reflect the inner workings of a human brain constantly adjusting itself, adapting to each nuance of the ever - expanding, digital world while simultaneously filing, absorbing and recording the less serious, more random aspects — graffiti, toys, comic books, cartoon films — of modern times.

Jean Grove's scepticism was not built on prejudicial interpretation of data, nor did it extend to cynicism or flat denial of positions opposed to her own published views: which meant she was perfectly happy to accept new findings that forced her to adapt her own account, and perfectly happy to associate herself with courteous colleagues of / all / persuasions — Soon, Briffa, Jones, Esper included (all of which is reflected in the second posthumous edition of her book, «Little Ice Ages: Ancient and Modern», published in 2004).