Sentences with phrase «reflects space and light»

Not exact matches

While the white walls help reflect light and make the space feel larger, the pops of color are a way to add some personality and mood - boosting elements to the room.

Lyrically, their compositions reflect the light and dark in all of us and combined with bold experimental production that breathes life into their space - age - prog, punk pop that appeal to broad spectrum of music lovers around the globe.

The spaces will reflect dōTERRA's focus on sustainability with features such as high - efficiency lighting and mechanical systems.

This reversible dehydration and rehydration, shrinking and swelling, changes the thickness and spacing, which, in turn, changes the wavelength of the light that's reflected, thus «tuning» the color change over the entire visible spectrum.

These can have a limited effect on ozone levels (by serving as hetrogeneous reaction sites) and can reflect enough of the sun's light back into space to cause a notable global cooling.

This newly - discovered alien world is roughly 10 percent larger than our own planet, is believed to have similar temperatures and reflects 20 percent more light back to space than our home world.

The supernatural green hues of the Aurora Australis snake and shimmer across the atmosphere, their lights reflecting off the metallic hull of the space station.

It is also the only telescope and instrument in the world — in space or on Earth — that is capable of measuring reflected light from planets orbiting around other stars.

Because these planets are light years away, and because the reflected light is incredibly dim, the James Webb Space Telescope will only be able to do this for large planets that orbit red and white dwarfs — but still, it's incredibly exciting to think that we might be able to identify signs of life from all the way over here on our little blue marble.

And while CO2 lets light reflect back into space from Earth's surface, it absorbs heat.

«Depending on the exact size and spacing of the holes, a particular wavelength of light reflects off the edge of the cavity and gets trapped inside,» says Gopinath, the lead author of the study.

The photons, or particles of light, from ICESat - 2's green lasers will reflect off of whatever is below them, including the tops of trees, branches and leaves, and — if there is open space in the canopy — off the ground.

The Keck Interferometer will be able to detect planets farther from their parent stars, which means their reflected light would be dimmer and harder to detect.The unique pairing process will help pave the way for future interferometers in space, such as the Terrestrial Planet Finder, which will look for Earthlike planets.

A burst of light from the bizarre star is spreading into space and reflecting off of surrounding shells of dust to reveal a spectacular, multicolored bull's eye.

Being able to create images from multiply reflected indirect light, these systems can see around corners and into inaccessible spaces.

The discovery of these planets has encouraged astrobiology and in particular has motivated proposals for several space - based telescopes designed (1) to search for smaller, Earth - size worlds and (2) if such worlds are found, to analyze spectrally the light reflected by the planets» atmospheres in the hope of detecting oxygen, methane, or other substances that would indicate the presence of biota.

If an ice sheet were ablated down to bare ground, less light from the sun would be reflected back into space and more would be absorbed by the land.

One of the complications for detecting infrared sources in space is that the reflecting telescope collects a lot of background infrared light from the atmosphere, from any human observers present in the room, and from the telescope itself.

Plus it helps reflect light and makes spaces feel more open and airy.

Like I just said, mirrors reflect light and make a space feel more open... Use them!

Whether you're on the hunt for modern home decor or ideas for decorating your college dorm or small apartment, our awesome collection of bedding, pillows, blankets, lighting and attractive storage solutions will help you create a space that reflects your unique personality and taste.

One of my best home decor «style tips» is to use mirrors to reflect light and make a space seem larger.

This allows me to use metal, mirrors, and lucite to reflect light to give the allusion of a space that is larger than it really is.

I also added our collection of antique mirrors to the wall to make this space feel more open and reflect the natural light.

To highlight the color in the space, designers used a neutral color palette to anchor the space and help reflect the natural light from the windows.

The kitchen pros at Drury Designs chose this brown subway tile to add contrast to an all white kitchen — and to make the space appear larger, because the glass tile reflects light.

Some of those elements include: - Light - colored roofing that reflects heat and saves energy; - 70 percent ENERGY STAR ® certified appliances including refrigerators, TVs, computers and kitchen equipment; - Water - efficient toilets and aerated bathroom faucets; - 10 percent of the building materials used contain recycled content; - «On Demand» ventilation that provides fresh air for occupied spaces without wasting energy on unoccupied areas of the property; - LED lighting - controls that turn off the lights; - Incorporates high - tech daylight sensors to reduce electrical lighting with natural sunlight and - Uses renewable energy sources such as solar or wind.

I want to give credit for how much that depth does to lend solidity to the environment; when an enemy explodes and the light reflects not just on you and the ground, but also the rocks behind you and the ones behind those, fading back into space, it looks superb.

The first mid-career survey dedicated to Deschenes's work, this exhibition will feature 20 years of her art, including explorations of various photographic technologies, rich and nuanced work with photograms (a type of photographic image made without a camera), and sculptural installations that reflect the movements and light within a given space and respond to a site's unique features.

The show's second half reflects the light and space of her mature style, with its «remarkable visual effects of translucency and tremolo,» in the words of Frances Morris, one of the curators.

But Light and Space artists used these materials specifically to emphasize how light reflects off of, passes through, or bends around Light and Space artists used these materials specifically to emphasize how light reflects off of, passes through, or bends around light reflects off of, passes through, or bends around them.

As the artist explains,» The space will be filled with sinuous, large, sprawling structures on two opposing walls (units composed of weaving of metal grid and clear, iridescent,» edge glowing» Plexi glass), which transmit, reflect, and refract light while the painted dark walls of the gallery are enclosed with images that echo the shadows and reflections of the gleaming sculpture.

The vigor and inventiveness that characterized Léger's work until his death, the compositions — spontaneous and floating in air — reflect his lifelong interest in form, space and light.

Attracted to «anything that reflects light», he notes: «I have always found it difficult to draw my eyes away from these minerals which almost appear to sparkle with their own light, cleverly capturing the most feeble ray: breaking it down, giving it colour, concentrating it, multiplying it and then casting it back to harmoniously connect with the surrounding space, often reaching distances which seem infinite».

The tiny beads reflect light as the piece subtly shifts in space, resulting in a glimmering quality that is dependent on the interaction of light and glass.

Featuring mirrored glass, the sculpture appears to be bent in half, simultaneously reflecting and refracting the light and space around it.

The gallery space was a itself a sort of an installation piece, designed by Frederick Keisler to reflect the avant - garde thinking, experimenting with light, movement and touch.

The material is rendered smooth with its final layer and the membranes, somewhat solid and pliable at the same time, reflect differentiations within the closed system that allows for comparison and the assertion of color, light and space.

The materials employed by the artist includes fiberglass mesh, graphite, chain, steel and light to produce shadows that reflects the artist's ongoing exploration of geometry and scared spaces.

The very print quality reflects something in the women that is hesitant, a little faded and scratched; or that, having emerged into a light too harsh, stand frozen in space, overexposed.

Valentine was in fact pioneered the use of plastic and industrial resin in art: the surfaces of his monumental sculptures reflect and distort light and the surrounding space.

This body of work continues Ostoff's exploration of objects and spaces within the interior domestic sphere — cast shadows, reflected light, random surface marks, and fragments of commonplace objects, the type of overlooked elements one might find half - concealed in the background of a generic family snapshot — with the aim of addressing both memory, and the unheimlich (Freud's term for the «estranged familiar»).

Extraordinary pieces of public sculpture, luminous with reflected light, they distort ideas of space and play with the line between art and architecture, exerting a curious, totemic power over their often - genteel settings.

, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,

The vinyl also reflects the warm shower of light back into the space and the atmospheric radiance is almost perfect until you turn to leave and find the wall by the door has been stripped away, overshadowing the corner with a darker tenor.

His perceptiveness and his empathy for both his subject and its context reflect his ability to organize form, space, energy and light into a stunning and artful visual dialogue.

The one old - school Light and Space artist in the current show, Larry Bell, is the least intriguing, as these works on paper just don't have the magic of his famous glass boxes that unpredictably reflected and refracted light and cLight and Space artist in the current show, Larry Bell, is the least intriguing, as these works on paper just don't have the magic of his famous glass boxes that unpredictably reflected and refracted light and clight and color.

The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.

Hung at varying heights and oriented in varying directions, they are illuminated from three sides, reflecting light in all directions, while otherworldly sound fills the space.

Using bold coloured light to mirror the surroundings, the pure, stark light engulfs the space, offering a mesmerising and otherworldly experience which simultaneously reflects and offers an escape from everyday culture.