The choice of works is very deliberate with the exhibition broken down into seven themes: Beauty, Power and Space, which looks at each artist's engagement with the sublime, a theme central to English Romantic art but which survived through the modernist movement and is a key feature of Twombly's paintings; Atmosphere, which considers the ways in which the three artists paint land and sea through a filter of atmospheric conditions; Naught so Sweet as Melancholy, named after a phrase in Robert Burton's Anatomy of Melancholy, where the theme of loss and memorialisation are central concerns; The Seasons which
reflects upon the passage of time; Fire and Water where all three artists evince the power of the elements; The Vital Force which brings together works of a sensual or erotic nature; and finally A Floating World where each artist contemplates mortality and external events that impact on their lives.
Illustrated through the transient image of a celestial sky, which is amongst Gonzalez - Torres» most iconic images, the artist
reflects upon the passage of time.
Not exact matches
There is reason to think that both these
passages reflect Israelite prophetism no later than the ninth century, 7 and it is not impossible that the Balaam oracle rests
upon a much earlier original form.
While
reflecting on why the people dynamic which one encounters in small groups has such power, I came
upon a moving
passage from Loren Eiseley.
It is never made very clear what went into this decision; but we can
reflect upon it in the light of a
passage in Works of Love:
For Als, that character is often himself, and in prose
passages dotted through the publication that accompanies the exhibition (also titled ALICE NEEL, UPTOWN), he uses Neel's portraits as triggers to
reflect upon his own life story.