Paramount Pictures today named highly
regarded film marketing executive David Sameth as President of Worldwide Marketing for the film studio.
Not exact matches
Locus Corporation wishes to apologize
regarding the first elements of our
marketing campaign (in the form of a Cannes billboard and a trailer) which we realize has had the opposite effect from that which was intended... Our
film, a family comedy, carries a message designed to challenge social prejudices related to standards of physical beauty in society by emphasizing the importance of inner beauty.
By contrast, every single «chills over kills» horror
film on the list is generally
regarded as either an outright blockbuster (Paranormal Activity 1 and 2), a hit relative to its budget and
marketing visibility (Insidious, The Last Exorcism) or a minor success (Devil, which grossed over three times its $ 10 million budget domestically).
Though the
marketing might suggest otherwise, this is not a
film about superheroes, though there is definitely commentary underneath
regarding populist fare vs. art that incorporates the superhero element into the mix.
While British
films can sometimes be
regarded with great affection at home, they rarely do well abroad — unless they happen to be the sort of strait - laced Bonham Carter historical dramas or soppy Hugh Grant contemporary rom - coms that pander to comfortable stereotypes for a foreign
market.
That quote
regarding the «modern parenthood experience» was taken directly from the
film's
marketing materials.
Certainly some of that budget should have gone to better
marketing, but I'll digress since it doesn't really bear on the substance of my feelings
regarding the
film.
In
regards to the Tron figures, I think the Infinity team had every intention to release them for 2.0, but held back in spite of the leakers, and then now that they've announced a Tron 3 movie which could potentially release in the Spring, it makes good
marketing sense to hold the figures for late in 3.0 to coincide with the
film release.
Glazer poured his life into his
film and seems to have adopted the first point in Marina Abramovic's artist's life Manifesto: «An artist should not compromise for themselves or in
regards to the art
market.»
In Japan — Measures Affecting Consumer Photographic
Film and Paper [WT / DS44, adopted 22 April 1998], the United States challenged a wide range of various Japanese rules
regarding foreign investment arguing that they had the collective effect of preventing U.S. manufacturers of photographic
film from competing successfully in the Japanese
market.