Not exact matches
The Jewish Museum receives many inquiries from artists
regarding proposed acquisitions, and its
curatorial staff is always interested in reviewing
work for potential acquisition or exhibition.
He was part of the
curatorial team for the Met's
Regarding Warhol: Sixty Artists, Fifty Years (2012), which traveled to the Andy Warhol Museum in Pittsburgh, and
worked on the Museum's presentations of Ellsworth Kelly Plant Drawings (2012); Richard Serra Drawing (2011); John Baldessari: Pure Beauty (2010); Francis Bacon: A Retrospective (2009); and Jasper Johns: Gray (2008).
This complexity and richness is being recognized by the larger art world where the critical reception and academic and
curatorial regard for
work produced by African American artists continues to slowly earn its just due.
EW: Outside of the gallery, which I more
regard as a Project Space, my activity includes a lot of
curatorial work, as is evidenced in the upcoming exhibition «Body and Soul: Performance Art Past and Present» at the Biennale Arte 2017 in Venice.
The exhibition's opening event will be held on Friday 28 January from 6 - 10 pm and will include a
curatorial discussion
regarding selected
works from the Zabludowicz Collection, live performance and music.
At the moment, I'm more interested in what this
work can tell us in connection to Locke's, and in
regards to the larger
curatorial program.
This open - hearted and stimulating interchange was organized around three themes: the conceptual process that led up to the new installation plan and its outcomes
regarding questions of narrative, chronology and mediation; the plan itself and the choices that have been made
regarding possible clusters of
works and themes, as well as the actual
works to be displayed; and, finally, the position of the Stedelijk Museum in the contemporary debates surrounding the canon,
curatorial strategies, the relationship between fine art and visual culture, and the influence of non-museological display formats on museum practice.
«Quality of Life,» Josh Kline's second solo exhibition, feels like a culmination of sorts, certainly in
regards to the resurgence of posthumanism in contemporary art — in the context of his
work, bodies that have surpassed the human condition and its inherent weaknesses — the discussion of which Kline has galvanized by his corporeal artwork and unflagging
curatorial endeavors.
In the presentation at RU, Wu will share her
curatorial research
regarding this evolving formation of Asian families followed by a conversation with Zoe Jiang Meng, the Ph.D. candidate of cinema study in NYU, while showing the
work by NY based artist Dachal Choi.
While the Brooklyn Museum is dealing with a new round of outrage
regarding A Fire In My Belly, conjuring a nagging sense that we are doomed to repeat the culture wars over and over again whether it is with Wojnarowicz, Robert Mapplethorpe, Andres Serrano or Chris Ofili, the question remains what will be the lasting effects of this battle on Wojnarowicz's
work, future
curatorial decisions and the politics of art.