I mention Wexler a lot more often than Nichols with
regards to this film because Who's Afraid of Virginia Woolf?
Not exact matches
I would bet that the gay neighbor in the 1999
film American Beauty, who, it is implied, loves guns, collects Nazi trinkets, and turns
to murder all
because he represses his own urges, formed more people's views about how
to regard homosexuals than did the entire decade's research into psychosexuality by the whole scientific community.
Just
because I am my most powerful doesn't mean that I threaten your position as a man and hopefully, it's a
film that can encourage us
to be a little less scared of the other in that
regard.»
«Such a delight» cast & crew statements do little
to bolster the actual quality of the docu, but
because the
film is sort of fun in a trash - cinema way, you feel like forgiving a lot of the crimes of self -
regard herein.
The
film succeeds in that
regard because of Lisa Owen, who brings
to the role an almost supernatural vitality and warmth.
While Steven Spielberg's Jaws is widely
regarded to hold that distinction
because of its wide release and its success, other
films, including this one, had wide releases just as big.
• I'm curious
to hear what your favorite
film scores of the year
because in this
regard, I'm not sure I have any!
But I'm making the choice ahead of time
to not go into too much detail
regarding the story, mainly
because I want you
to see this
film, and I honestly believe that you should go into a movie like this with fewer details than usual.
The pacing of the
films was only the beginning of the problems with selling such a thing
to a broad audience; likely
because of Tarantino's standing as the more well -
regarded filmmaker, the slow - burn crescendo of Death Proof played after the warp - speed throwback gorefest Planet Terror.
Speaking of editing, the initial description that I read
regarding this
film implied that Sasha was angry about Paige's engagement
because the latter had made a vow that she wouldn't get married until her best friend was legally allowed
to marry another woman.
Other
films in the spotlight will include a pair of Weinstein Co. releases that have made news
because of editing: Different versions of opening - night
film «Grace of Monaco» have reportedly led
to conflicts between director Olivier Dahan and Weinstein, while the Un Certain
Regard entry «The Disappearance of Eleanor Rigby» screened as two separate
films in Toronto, but will be unveiled as a trimmed - down third version at Cannes.
It does not seem
to be a
film that was well
regarded and the main interest in Thunder Road is
because of the dual role played by Robert Mitchum as star and major creative force behind the production.
The much - commented - on lapse in judgment that relegated Kelly Reichardt's Old Joy
to the Frontier section last year affected its reception, not only
because Frontier is a catch - all category for
films that are
regarded as too far - out for the majority of Sundancers, but more concretely,
because Frontier
films screen at the festival's lesser venues.
So, in
regards to my indie feature
film, that I've written, am producing, directing, taking
to festivals, and self - distributing — should I not be allowed
to call myself the «writer» on the project
because it's outside of the studio system?