A hedge fund manager and
a regular on the contemporary art circuit, he had big dreams and a bank account to match.
Not exact matches
2008 Photographic Works, Cohan and Leslie, New York, NY Sonata for Executioner and Various Young Women,
Contemporary, New York, NY I want a little sugar in my bowl, ASS Gallery, New York, NY Love is a Cannibal, Curated by Becky Smith, Sloan Fine
Art, New York, NY The Dulcet Clime of the Bedchamber, Goff + Rosenthal, Berlin, Germany Would you date me
on the
regular?
Since 2008 Krišs Salmanis has contributed articles
on contemporary art processes for the visual
arts magazine Studija and contributes to other daily press
on a
regular basis.
As part of its
regular Friday Nights at NOMA programs, the New Orleans Museum of
Art presents an artist talk with Nicole Charbonnet, whose work is currently
on view as part of «Pride of Place: The Making of
Contemporary Art in New Orleans.»
A diverse programme of public and family events accompanies the exhibition, including free exhibition tours,
regular and February Half Term children's workshops, a Friday night film programme selected by the artist (to enrich the references to these works in the catalogue), and Daria Martin In Conversation with Catherine Wood, Curator,
Contemporary Art / Performance Tate Modern,
on Thursday 23 February at 6.30 pm.
Described as a significant international voice
on cultural difference, Hou is the French correspondent for Flash
Art International and a regular contributor to several other journals on contemporary art including Frieze, Art Monthly, Third Text, Art and Asia Pacific, Domus, Atlantica, Texte Zur Kunst, and Tema Celes
Art International and a
regular contributor to several other journals
on contemporary art including Frieze, Art Monthly, Third Text, Art and Asia Pacific, Domus, Atlantica, Texte Zur Kunst, and Tema Celes
art including Frieze,
Art Monthly, Third Text, Art and Asia Pacific, Domus, Atlantica, Texte Zur Kunst, and Tema Celes
Art Monthly, Third Text,
Art and Asia Pacific, Domus, Atlantica, Texte Zur Kunst, and Tema Celes
Art and Asia Pacific, Domus, Atlantica, Texte Zur Kunst, and Tema Celeste.
The
contemporary arts can offer meaning, enlightenment and enjoyment to those who have the opportunity to encounter them
on a
regular basis.
Since 1997 she has been London
Contemporary Art Columnist for The
Art Newspaper, and is a
regular reviewer
on BBC radio and TV, including Front Row, Nightwaves and BBC World Service.
The media exposure, though, did at least mean that
contemporary art was, for perhaps the first time, a
regular staple
on letters pages, editorials and gossip pages, a position which has arguably had an effect
on artistic practice itself (see the gradual domination of Banksy).
Eva Wittocx (Curator of Museum M, Leuven and frequent contributor to
art publications such as Flash Art) Martin Germann (Senior curator at S.M.A.K, Stedelijk Museum voor Actuele Kunst, Ghent, and regular contributor to exhibition catalogues and magazines) Nav Haq (Belgian - based exhibitions curator at Museum of Contemporary Art, M HKA, Antwerp; curatorial advisor for the Guggenheim Abu Dhabi and Iberia Art Center in Beijing; contributor to Art Review, Bidoun, Frieze, and Yishu: Journal of Contemporary Chinese Art; winner of ICI's 2012 Independent Vision Curatorial Award) Piet Coessens (Director of Raveelmuseum in Machelen - aan - de-Leie) Sophie Lauwers (Deputy Director of Exhibitions at BOZAR, writer) Joel Benzakin (Independent curator who worked on the Belgian Pavilion at the 52nd Venice Biennale, with BOZAR and renowned galleries) Luk Lambrecht (Director and curator of visual arts and dance at Strombeek Cultural Center and art critic for Knack Weekend, De Morgen, Knack, and Flash A
art publications such as Flash
Art) Martin Germann (Senior curator at S.M.A.K, Stedelijk Museum voor Actuele Kunst, Ghent, and regular contributor to exhibition catalogues and magazines) Nav Haq (Belgian - based exhibitions curator at Museum of Contemporary Art, M HKA, Antwerp; curatorial advisor for the Guggenheim Abu Dhabi and Iberia Art Center in Beijing; contributor to Art Review, Bidoun, Frieze, and Yishu: Journal of Contemporary Chinese Art; winner of ICI's 2012 Independent Vision Curatorial Award) Piet Coessens (Director of Raveelmuseum in Machelen - aan - de-Leie) Sophie Lauwers (Deputy Director of Exhibitions at BOZAR, writer) Joel Benzakin (Independent curator who worked on the Belgian Pavilion at the 52nd Venice Biennale, with BOZAR and renowned galleries) Luk Lambrecht (Director and curator of visual arts and dance at Strombeek Cultural Center and art critic for Knack Weekend, De Morgen, Knack, and Flash A
Art) Martin Germann (Senior curator at S.M.A.K, Stedelijk Museum voor Actuele Kunst, Ghent, and
regular contributor to exhibition catalogues and magazines) Nav Haq (Belgian - based exhibitions curator at Museum of
Contemporary Art, M HKA, Antwerp; curatorial advisor for the Guggenheim Abu Dhabi and Iberia Art Center in Beijing; contributor to Art Review, Bidoun, Frieze, and Yishu: Journal of Contemporary Chinese Art; winner of ICI's 2012 Independent Vision Curatorial Award) Piet Coessens (Director of Raveelmuseum in Machelen - aan - de-Leie) Sophie Lauwers (Deputy Director of Exhibitions at BOZAR, writer) Joel Benzakin (Independent curator who worked on the Belgian Pavilion at the 52nd Venice Biennale, with BOZAR and renowned galleries) Luk Lambrecht (Director and curator of visual arts and dance at Strombeek Cultural Center and art critic for Knack Weekend, De Morgen, Knack, and Flash A
Art, M HKA, Antwerp; curatorial advisor for the Guggenheim Abu Dhabi and Iberia
Art Center in Beijing; contributor to Art Review, Bidoun, Frieze, and Yishu: Journal of Contemporary Chinese Art; winner of ICI's 2012 Independent Vision Curatorial Award) Piet Coessens (Director of Raveelmuseum in Machelen - aan - de-Leie) Sophie Lauwers (Deputy Director of Exhibitions at BOZAR, writer) Joel Benzakin (Independent curator who worked on the Belgian Pavilion at the 52nd Venice Biennale, with BOZAR and renowned galleries) Luk Lambrecht (Director and curator of visual arts and dance at Strombeek Cultural Center and art critic for Knack Weekend, De Morgen, Knack, and Flash A
Art Center in Beijing; contributor to
Art Review, Bidoun, Frieze, and Yishu: Journal of Contemporary Chinese Art; winner of ICI's 2012 Independent Vision Curatorial Award) Piet Coessens (Director of Raveelmuseum in Machelen - aan - de-Leie) Sophie Lauwers (Deputy Director of Exhibitions at BOZAR, writer) Joel Benzakin (Independent curator who worked on the Belgian Pavilion at the 52nd Venice Biennale, with BOZAR and renowned galleries) Luk Lambrecht (Director and curator of visual arts and dance at Strombeek Cultural Center and art critic for Knack Weekend, De Morgen, Knack, and Flash A
Art Review, Bidoun, Frieze, and Yishu: Journal of
Contemporary Chinese
Art; winner of ICI's 2012 Independent Vision Curatorial Award) Piet Coessens (Director of Raveelmuseum in Machelen - aan - de-Leie) Sophie Lauwers (Deputy Director of Exhibitions at BOZAR, writer) Joel Benzakin (Independent curator who worked on the Belgian Pavilion at the 52nd Venice Biennale, with BOZAR and renowned galleries) Luk Lambrecht (Director and curator of visual arts and dance at Strombeek Cultural Center and art critic for Knack Weekend, De Morgen, Knack, and Flash A
Art; winner of ICI's 2012 Independent Vision Curatorial Award) Piet Coessens (Director of Raveelmuseum in Machelen - aan - de-Leie) Sophie Lauwers (Deputy Director of Exhibitions at BOZAR, writer) Joel Benzakin (Independent curator who worked
on the Belgian Pavilion at the 52nd Venice Biennale, with BOZAR and renowned galleries) Luk Lambrecht (Director and curator of visual
arts and dance at Strombeek Cultural Center and
art critic for Knack Weekend, De Morgen, Knack, and Flash A
art critic for Knack Weekend, De Morgen, Knack, and Flash
ArtArt)
Jessica Morgan has published and lectured extensively
on contemporary art and is a
regular contributor to
art journals including Parkett and Artforum.
These panel discussions are free to
regular ticket holders ($ 25 - $ 75), starting with What Lies Between:
Contemporary Asian American
Art, Politics, and the Social Value of Collecting, a conversation between artist Mel Chin and collector Jereann Chaney, moderated by Rice University
Art Gallery director Kim Davenport at 7:30 p.m.
on September 13 at Asia Society Texas Center.
In June, the
contemporary art podcast Bad at Sports (and
regular columnists
on this site) featured an interview with artist Mark Dion.
Permanent Collection
on Exhibition This gallery houses a permanent collection of modern and
contemporary Irish
art and sculpture and stages
regular art exhibitions.
A
regular on our monthly list, Artemisia Gallery is a
contemporary art space located in New York City.
She has lectured widely
on contemporary Chinese art and has published in Yishu: Journal of Contemporary Chinese Art, Journal of Contemporary Chinese Art (JCCA) and ArtAsiaPacific magazine in addition to regular reviews f
contemporary Chinese
art and has published in Yishu: Journal of Contemporary Chinese Art, Journal of Contemporary Chinese Art (JCCA) and ArtAsiaPacific magazine in addition to regular reviews for ARTPUL
art and has published in Yishu: Journal of
Contemporary Chinese Art, Journal of Contemporary Chinese Art (JCCA) and ArtAsiaPacific magazine in addition to regular reviews f
Contemporary Chinese
Art, Journal of Contemporary Chinese Art (JCCA) and ArtAsiaPacific magazine in addition to regular reviews for ARTPUL
Art, Journal of
Contemporary Chinese Art (JCCA) and ArtAsiaPacific magazine in addition to regular reviews f
Contemporary Chinese
Art (JCCA) and ArtAsiaPacific magazine in addition to regular reviews for ARTPUL
Art (JCCA) and ArtAsiaPacific magazine in addition to
regular reviews for ARTPULSE.
2015 Current Location, Waiting Room, Minneapolis 10th Baltic Biennial of
Contemporary Art, Szczecin Aquí hay dragones (Here be Dragons), La Casa Encendida, Madrid
Regular Expressions, 221A, Vancouver Ocean of Images: New Photography 2015, at MoMA, New York Bunting, Chemould Prescott Road, Mumbay Transparencies, Bielefelder Kunstverein and Kunstverein Nürnberg Triple Canopy presents Pattern Masters, Performance at Whitney Museum of American
Art, New York HPSCHD 1969 > 2015 / Live
Arts Week IV, Mambo, Bologna, Italy The Secret Life, Murray Guy, New York Night Begins the Day: Rethinking Space, Time, and Beauty,
Contemporary Jewish Museum, San Francisco Im Inneren der Stadt, Künstlerhaus Bremen When we share more than ever, MKG Museum, Hamburg Cool / As a state of mind, MAMO, Marseille Group presentation at
Art Cologne, with Chert, Berlin Good luck with your natural, combined, attractive and truthful attempts in two exhibitions, Crac Alsace, Altkirsch Mijn Vlakke Land, FoMu, Antwerp more Konzeption, Conception now, Museum Morsbroich, Leverkusen Tongue Stones, Pioneer Works, Brooklyn, New York 2014 Requiem for the Bibliophile, Museum of
Contemporary Art Santa Barbara, CA Scars of Our Revolution, Yvon Lambert, Paris Kochi - Muziris Biennal, Fort Kochi, India Crossing Brooklyn, Brooklyn Museum, Brooklyn, New York Ways of Working, According to an Office Desk, Upominki, Rotterdam AGITATIONISM, EVA International 2014, curated by Bassam El Baroni, Ireland's Biennial, Limerick City Unseen Presence, IMMA, Dublin #nostalgia, Glasgow International 2014, CCA, Glasgow To Meggy Weiss Lo Surdo, Happy Hours, CO2 gallery, Turin Canceled: Alternative Manifestations & Productive Failures, The Orseman Gallery, Smith College, Northampton, Massachusetts Simultáneo, La Tallera, Cuernavaca, México And I laid Traps for the Troubadours who get killed before they reached Bombay, Clark House Initiative, Bombay Flag Stavanger, curated by Randi Grov Berger and co-presented by Entrée, Kunsthall Stavanger, Norway video screening 25, ZERO, Milan 2013 Only to Melt, Trustingly, Without Reproach, curated by Tevz Logar, Skuc Gallery, Ljubljana Editionshow, Chert, Berlin I've Lost My Marbles, Totàl, Athens And So
On And So Forth, curated by Margit Sade Lehni, Centre for
Contemporary Art Riga, Latvia The Space Between Us, Courtesy, St - Ouen Please Come to the Show: Part II (1980 — Now), organised by David Senior, MoMA Library, New York Canceled: Alternative Manifestations & Productive Failures, Freedman Gallery, Albright College, Reading, PA Stranded Travelers, Atelier 35, Bucharest Just what is it that makes today so familiar, so uneasy?