«On the black - painted walls of «The Malingers,» Nicole Wittenberg's debut
solo exhibition in New York, thirteen canvases from the 2010 «Interior» series
reiterate images of stagelike rooms.»
In the «Black» paintings (included in the Museum of Modern Art's 1959 Sixteen Americans exhibition) and the «Aluminum» paintings which followed (his earliest shaped canvases, exhibited in this first solo show at the Leo Castelli Gallery in 1960) the picture's surface echoed and reiterated its depicted shape, reinforcing modernism's notion of painting's flatness as it sought to establish the painting as an objec
In the «Black» paintings (included
in the Museum of Modern Art's 1959 Sixteen Americans exhibition) and the «Aluminum» paintings which followed (his earliest shaped canvases, exhibited in this first solo show at the Leo Castelli Gallery in 1960) the picture's surface echoed and reiterated its depicted shape, reinforcing modernism's notion of painting's flatness as it sought to establish the painting as an objec
in the Museum of Modern Art's 1959 Sixteen Americans
exhibition) and the «Aluminum» paintings which followed (his earliest shaped canvases, exhibited
in this first solo show at the Leo Castelli Gallery in 1960) the picture's surface echoed and reiterated its depicted shape, reinforcing modernism's notion of painting's flatness as it sought to establish the painting as an objec
in this first
solo show at the Leo Castelli Gallery
in 1960) the picture's surface echoed and reiterated its depicted shape, reinforcing modernism's notion of painting's flatness as it sought to establish the painting as an objec
in 1960) the picture's surface echoed and
reiterated its depicted shape, reinforcing modernism's notion of painting's flatness as it sought to establish the painting as an object.