Efforts to collapse the barrier between art and
life during the past half century are often associated with the material innovations
of artists such as Robert Rauschenberg — with his
rejection of notions
of mastery and craftsmanship and insistence on bringing everyday materials into his work, like his bed, the morning newspaper, or an old tire — and the enactment
of ordinary daily rituals like eating and drinking in the «happenings»
of Allan Kaprow and others.
These works marked his
rejection of making figurative art with clear references to the real world, and in particular his move away from the post-WWII Kitchen Sink group
of artists who were painting
ordinary scenes
of everyday
life.