The series of works proposes a relationship between the materials and forms of our built environment, and the ways in which they in turn structure
the relation between subject and territory.
It assumes that
the relation between the subject (the painter) and the object is not fixed, but that the object, the more deeply it is experienced, changes, changing also the attitude of the painter towards the object.
There are differences, finally, as to
the relation between subject and object: whether the object is known through dialectical or analytical reasoning, scientific method, phenomenological insight into essence, or some form of direct intuition.
In terms of Whitehead's later understanding of
the relation between subject and superject (S7), one formulation in this account is very significant:
Not exact matches
One can see here the connection
between the internal
relation between eternal objects, and the fact that from the standpoint of the prehending occasion, its datum, as a logical
subject placed within a functional context, is internally related to it.
In the
subjects close to sacred doctrine, it was crucial to achieve a rather tightly organized account of the
relation between philosophy and the deposit of faith.
Subject - object, or I - It, knowledge is ultimately nothing other than the socially objectivized and elaborated product of the real meeting which takes place
between man and his Thou in the realms of nature, social
relations, and art.
Weberian notions about master tendencies in modem culture (e.g., the tendency toward rationalization) and the mutual
relations between these tendencies and other developments (e.g., industrialization and bureaucratization) can thus be
subjected to concrete empirical investigation.
This concept comes from a division
between the «thinking» and the «feeling»
relation of the «
subject» and makes out of this psychological and relative duality of functions an absolute duality of spheres.
Theories of modernization, despite the rather serious attacks to which they have been
subjected in recent years, have been so prominent in the social sciences, and have played such an important role in our thinking about social change, that any effort to consider the changing
relations between states and religious institutions must begin here.
Ibn Sina also makes use of the Aristotelian distinction
between necessity and contingency, but goes far beyond what Aristotle has said in the
subject, both in his proof of the existence of God and in his explanation of the
relation between God and the universe.
It is possible to speak about inter-subjective
relations between enduring objects — each enduring object may be thought of as a
subject in
relation to another enduring object which is a
subject.
However, in microcosm, the internal
relations taking place
between the two enduring objects occur
between subject and object.
Since object and
subject are contemporary, they can not sustain
between them a
relation of giving and receiving.
It is, he further clarifies, by the primarily emotive nature of this
relation of
subject and object in experience that there arises a «conformity of feeling,» a «sympathetic bond,»
between the two relata found in experience.
Education is an encounter
between persons, but it is an encounter in
relation to a
subject.
In the third place, Hartshorne acknowledges a particularly thorny problem concerning the possibility of
relations between entities in the present.2 Can not two
subjects both know each other in the present and thus determine each other's reality to some extent?
This further work concerns the
relation between theology and myth in general, and the very different
subject matter which myth describes.
The Catechism of the Catholic Church warns that lust always threatens sexual love, also the love
between husband and wife: «the union of man and woman becomes
subject to tensions, their
relations henceforth marked by lust and domination» (no. 400).
An I «Thou
relation, for Buber, is one
between two
subjects, neither of which is static.
Bellah maintains that reality resides not in the object or
subject alone but in the
relation between them.
The central «positive» moral about how best to negotiate
between these two models is this: Focus on the nature of the basic movement of theological study as a theological question, not as a question about the psychology of learning, nor even as a question about the logical
relations among various
subjects studied in theological education.
These internal relationships, these new
subject - object wholes — which blur the distinction
between subject and object — are for Merleau - Ponty Gestalt - structured, since one feature of a Gestalt is that each part bears to others as well as to the whole interdependent rather than independent
relations.
Studies of the
relation between breast feeding and illnesses are
subject to possible limitation by misclassification of exposure and outcome and by confounding.
As the
subject under discussion moved on to phone hacking and
relations between the media and politicians, the sense of surreality grew.
Between pictures, words like illness and strong would appear on the screen, and
subjects had to choose their
relation to disease or health by pressing keys, again with the left or right hand.
A review by Kirkus Associates says, «The
relation between madness and genius is a fascinating
subject.»
There was no
relation between basal vitamin D2 concentrations and 25 (OH) D. Peak blood concentrations of vitamin D2 were not significantly different
between the obese and nonobese
subjects.
There is an ongoing debate concerning whether dietary fat affects obesity, with some researchers69 contending that a decrease in energy from fat is associated with a reduction in weight; another view is that the
relation between dietary fat and obesity is unconvincing or, at best, weak.70 Controlled clinical trials of free - living
subjects are needed to resolve this debate.
Like «Mad Men,» it uses its
subject and setting to explore the lives of characters in that era and to reflect our own perceptions and preconceptions of sex, race, gender roles, and the complicated
relations between men and women.
FINE ARTS: Visual Arts GRADES 9 - 12 NA - VA.9 - 12.3 Choosing and Evaluating A Range of
Subject Matter, Symbols, and Ideas NA - VA.9 - 12.4 Understanding the Visual Arts In
Relation to History and Cultures NA - VA.9 - 12.6 Making Connections
Between Visual Arts and Other Disciplines
K - 4.6 Making Connections
Between Visual Arts and Other Disciplines GRADES 5 - 8 NA - VA.5 - 8.3 Choosing and Evaluating A Range of
Subject Matter, Symbols, and Ideas NA - VA.5 - 8.4 Understanding the Visual Arts In
Relation to History and Cultures NA - VA.5 - 8.6 Making Connections
Between Visual Arts and Other Disciplines GRADES 9 - 12 NA - VA.9 - 12.3 Choosing and Evaluating A Range of
Subject Matter, Symbols, and Ideas NA - VA.9 - 12.4 Understanding the Visual Arts In
Relation to History and Cultures NA - VA.9 - 12.6 Making Connections
Between Visual Arts and Other Disciplines
In one of several essays in this issue addressing
relations between unions and school boards, George Mitchell and Howard Fuller («A Culture of Complaint,» page 18) propose that bargaining be
subject to the same sunshine laws that apply to other public business.
Biggers» Haute Mess (2014) and Cave's Soundsuit (2013) are critically necessary, for their chaotic
relation between antique quilt fragments and spray paint — traditional patterns and the human figure — refusing the
subject - object dichotomy.
A Stroll through the Worlds of Animals and Men» Jacob von Uexkull (1957) / EXTRACT:» We are easily deluded into assuming that the relationship
between a foreign
subject and the objects in his world exists on the same spatial and temporal plane as our own
relations with the objects in our human world.
The dialogue that accrues
between the painter Stuart Davis (1892 - 1964) and the sculptor George Sugarman (1912 - 1999), the
subjects of an exhibition at Washburn Gallery, is predicated on «ideal space
relations,» on how fully their respective mediums embrace and embody that essential attribute of art - making.
Leonard has said of her wide - ranging attentions, «Rather than any one
subject or genre... I was, and remain, interested in engaging in a simultaneous questioning of both
subject and vantage point, the
relation between viewer and the world.»
Beginning in the 1970s, while holding various teaching positions in the Bay Area and Pacific Northwest, Colescott focused his attention repeatedly on the
subject of sex, specifically interracial
relations and the perceived power dynamic
between men and women of that time.
It was here, in 2002, that author James Westcott first encountered her, beginning an exceptionally close
relation between biographer and
subject.
By utilizing methods of antagonism and instigation, they examine the terrain of specific cultural, social and political situations, as well as power
relations between the artists, their
subjects, and viewers.
The formal concerns present in her work evolved from Manceaux's personal interest into the history of satire, comics and narrative humor — tracing dichotomous
relations between the concepts of progress and synthesis, information and deformation, drawing and subversiveness, as the underlining scope for the way she treats the
subjects of her pictures.
As art historian Noit Banai has noted, «In this extraordinarily precarious and plural historical moment,
between the war's end and the advent of Socialist Realism as official cultural policy, Andrzej Wróblewski developed a language of radical corporality in which a
subject's vulnerability to divergent
relations of power was given tactile form.»
This is true of Deschenes» dye transfers and also of her moirés, which are optical experiments, almost to the irrelevance of their physical realization, except in that their significance relies on being viewed — a physical
relation between the work and its affecting
subject.
The work as a assamblage and as an attempt to reach or describe a private space of the mind that automatically reads information and so makes connections in
relation to the public display and formation of the
subject in the everyday passage
between public / private spaces, dreams and screens.
The artist's way to make art stresses the accent on going beyond the boundaries of identity, reaching the
relation between the individual
subject and the collectivity.
After the guided tour, on the
subject of
relations between the governmental forest management and land owners, she had an absolutely magnificent statement: «I see that we in the government have to learn, just as do the landowners.
After restating Becker's rationale, the court set out its conclusions thus: «[18] On the basis of those considerations, the Court has held in a series of cases that unconditional and sufficiently precise provisions of a directive could be relied on against organizations or bodies which were
subject to the authority or control of the State or had special powers beyond those which result from the normal rules applicable to
relations between individuals.»
(5) in
relation to decisions on the admissibility of such evidence, the unreasonable division made
between the «minimal evidential burden» the Crown must satisfy to transfer an almost impossible - to - satisfy onus to the defence to produce «evidence to the contrary»; instead, the Crown should be required to produce witnesses who are accountable for those complex systems and
subject to cross-examination;
Working in conjunction with the scope notes, the rich
relations between terms allow the user to browse to the
subject that best matches their query.
The court disagreed, finding that it would not be appropriate to apply the same reasoning to the relationship
between a criminal investigating body and the
subject of its investigation as applies in
relation to a solicitor and former client.