Not exact matches
In
literature and the arts valuing affects the
relation of the arts to human life and the critical standards by which the intrinsic merit
of works of art are judged.
So also confrontation by a
work of art, music, or
literature is primarily a question
of insight into the
relations among its parts.
In a 2012 review
of related
literature for the evaluation
of empowering local schools for the Department
of Education, Employment and
Work Relations, Brian Caldwell reduces any engagement with opposing view to a single sentence:
Evolving through a range
of mediums such as performance, video, installation, sound, and
literature, her
works consider the fluid border between public and private space, and in so doing, challenge established conventions relating to the body, sexuality, power
relations, and institutional spaces.
Both authors will discuss the relationship
of the idea
of the avant to their own
work and the extent to which it is or isn't a useful way to think about ideas
of time and temporality, newness and oldness, chronology and succession, beforeness and afterness, and the layered, textured, multi — species spaces in which culture (and not just human culture) happens: Morton in
relation to his writings on
literature, art, music, and ecology in landmark texts such as Ecology Without Nature, The Ecological Thought, Hyperobjects, and Dark Ecology; and Wolfe in
relation to his
work as both author (Critical Environments, Animal Rites, and What Is Posthumanism?)
Focusing on society's
relation to the perception
of objects and texts, his
work highlights the intersection
of art history, music,
literature, fashion, and the black experience.